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The Lacanian Spectator


The Lacanian Spectator
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The Lacanian Spectator


The Lacanian Spectator
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Author : Ke-Ming Lin
language : en
Publisher: ProQuest
Release Date : 2007

The Lacanian Spectator written by Ke-Ming Lin and has been published by ProQuest this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Psychoanalysis categories.




Lacan And Contemporary Film


Lacan And Contemporary Film
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Author : Todd Mcgowan
language : en
Publisher: Other Press, LLC
Release Date : 2020-09-08

Lacan And Contemporary Film written by Todd Mcgowan and has been published by Other Press, LLC this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-08 with Psychology categories.


This unique volume collects a series of essays that link new developments in Lacanian psychoanalytic theory and recent trends in contemporary cinema. Though Lacanian theory has long had a privileged place in the analysis of film, film theory has tended to ignore some of Lacan's most important ideas. As a result, Lacanian film theory has never properly integrated the disruptive and troubling aspects of the filmic experience that result from the encounter with the Real that this experience makes possible. Many contemporary theorists emphasize the importance of the encounter with the Real in Lacan's thought, but rarely in discussions of film. By bringing the encounter with the Real into the dialogue of film theory, the contributors to this volume present a new version of Lacan to the world of film studies. These essays bring this rediscovered Lacan to bear on contemporary cinema through analysis of a wide variety of films, including Memento, Eyes Wide Shut, Breaking the Waves, and Fight Club. The films discussed here demand a turn to Lacanian theory because they emphasize the disruptive role of the Real and of jouissance in the experience of the human subject. There is a growing number of films in contemporary cinema that speak to film's power to challenge and disturb the complacency of spectators, and the essays in Lacan and Contemporary Film analyze some of these films and bring their power to light. Because of its dual focus on developments in Lacanian theory and in contemporary film, this collection serves as both an accessible introduction to current Lacanian film theory and an introduction to the study of contemporary cinema. Each essay provides an accessible, jargon-free analysis of one or more important films, and at the same time, each explains and utilizes key concepts of Lacanian theory. The collection stages an encounter between Lacanian theory and contemporary cinema, and the result is the enrichment of both.



Re Envisioning The Theatre Of The Absurd


Re Envisioning The Theatre Of The Absurd
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Author : Lara Alexandra Cox
language : en
Publisher:
Release Date : 2011

Re Envisioning The Theatre Of The Absurd written by Lara Alexandra Cox and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with categories.


This thesis considers the interface between the theatre of the absurd and Lacanian cultural criticism. It conceptualises a 'theoretical spectator' produced by the play texts and examines its implications for a politics of spectatorship in a postmodern age. This methodology seeks to escape the trap of existentialist criticism that has dominated ideas on the theatre of the absurd since Martin Esslin's coining of the term in 1961. I posit the modern-day relevance of absurd theatre, by putting the plays under examination into dialogue with Lacanian and current post-Lacanian cultural and political thought. The chapters theorise various 'spectatorial positions' produced by three prominent playwrights of the theatre of the absurd: Eugène Ionesco, Arthur Adamov and Fernando Arrabal. I seek to confirm and bolster my theoretical arguments by turning to contemporary empirical reaction to modern-day performances of two other absurdists playwrights, Samuel Beckett and Jean Genet. One of the key postulates is that the theatre of these playwrights chimes with Lacan's notion of the split subject. Etymologically, the word 'absurd' refers to division; thematically and aesthetically, absurd theatre bears witness to the erosion of subjective stability. The conceptual parity between Lacanian theory and absurd theatre permits me to stake out a new critical pathway with regard to this body of theatre that paves the way for its re-politicisation in a postmodern world.



Madness And Cinema


Madness And Cinema
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Author : Patrick Fuery
language : en
Publisher: Bloomsbury Publishing
Release Date : 2017-03-14

Madness And Cinema written by Patrick Fuery and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-03-14 with Performing Arts categories.


Madness and Cinema offers a radical approach to the issue of what happens when we watch films. By exploring cinema's relationship to meaning and proposing new ways to read cinema through psychoanalysis, this book develops the idea that the spectator engages in what has previously been described as an act of madness. By considering some of the key concepts from Freud and Lacan, as well as ideas from Derrida and Foucault, we are shown the common features that cinema and madness share. The film spectator is shown as the psychotic, neurotic and hysteric, as the book examines the ways in which the foundations of culture and meaning are challenged when we become the spectator of a film.



Jacques Lacan And Cinema


Jacques Lacan And Cinema
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Author : Pietro Bianchi
language : en
Publisher: Routledge
Release Date : 2018-04-24

Jacques Lacan And Cinema written by Pietro Bianchi and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-04-24 with Psychology categories.


Psychoanalysis has always been based on the eclipse of the visual and on the primacy of speech. The work of Jacques Lacan though, is strangely full of references to the visual field, from the intervention on the mirror stage in the Forties to the elaboration of the object-gaze in the Sixties. As a consequence, a long tradition of film studies used Lacanian psychoanalysis in order to explain the influence of the subject of the unconscious on the cinematographic experience. What is less known is how the late Lacanian reflection on the topic of analytic formalization opened up a further dimension of the visual that goes beyond the subjective experience of vision: not in the direction of a mystical ineffable but rather toward a subtractive mathematisation of space, as in non-Euclidean geometries. In an exhaustive overview of the whole Lacanian theorization of the visual, counterpointed by a confrontation with several thinkers of cinema (Eisenstein, Straub-Huillet, Deleuze, Ranciere), the book will lead the reader toward the discovery of the most counterintuitive approaches of Lacanian psychoanalysis to the topic of vision.



The Blue Box


The Blue Box
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Author : Frances Restuccia
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2012-03-01

The Blue Box written by Frances Restuccia and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-03-01 with Performing Arts categories.


Informed by the theory of Julia Kristeva, Frances Restuccia analyzes a variety of contemporary films replete with psychoanalytic subject matter and styles. She examines films that present elaborate fantasies and, through them, prompt the viewer to cut across a crippling fundamental fantasy-by enabling a mapping of his or her private fantasy onto the one being played out on the screen. Such absorption is a function of the semiotic dimension of the film, which offers the spectator an experience of intimacy, negativity, the gaze, and death. Kristeva stresses that cinema has the power to bestow desiring subjectivity as a way of resisting the society of the spectacle through the specular. Through analyses of complex films such as Streitfeld's Female Perversions, Lynch's Mulholland Drive, Almodóvar's Volver, and Haneke's Caché, The Blue Box: Kristevan/Lacanian Readings of Contemporary Film demonstrates Julia Kristeva's concept of the "thought specular," from her fascinating chapter "Fantasy and Cinema" in Intimate Revolt. Kristeva deserves our full attention as a film theorist.



World Spectators


World Spectators
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Author : Kaja Silverman
language : en
Publisher: Stanford University Press
Release Date : 2000

World Spectators written by Kaja Silverman and has been published by Stanford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Philosophy categories.


Combining phenomenology and psychoanalysis in highly innovative ways, this book seeks to undo the binary opposition between appearance and Being that has been in place since Plato’s parable of the cave. It is, essentially, an essay on what could be called “world love,” the possibility and necessity for psychic survival of a profound and vital erotic investment by a human being in the cosmic surround. Here, the author takes her cue from Freud’s assertion that the “loss of reality” associated with psychosis is a function of a disturbance not in the capacity to reason or perceive, but rather in the capacity for world love, the libidinal and semiotic circuity by means of which such love actualizes itself. In an implicit challenge to poststructuralist thought, the author claims that this love is always in response to a call issued by the world—that the world has, as it were, a vocation: its beauty ought to be seen. We must think of our own being-in-the world as a response to a primordial calling out to respond to this beauty. We are, the author suggests, at the very core of our being, summoned to what she terms world spectatorship. Drawing on Heidegger’s phenomenological elaboration of care as the being distinctive of human being and the primarily Lacanian conceptualization of the language of desire specific to each human subject, this metapsychology of love attempts to integrate issues in the fields of psychoanalysis, philosophy, visual culture, art history, and literary and film studies.



The Spectator


The Spectator
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Author :
language : en
Publisher:
Release Date : 1994

The Spectator written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Motion pictures categories.




Projecting Illusion


Projecting Illusion
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Author : Richard Allen
language : en
Publisher: Cambridge University Press
Release Date : 1995

Projecting Illusion written by Richard Allen and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Performing Arts categories.


On cinema and illusion.



The Real Gaze


The Real Gaze
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Author : Todd McGowan
language : en
Publisher: State University of New York Press
Release Date : 2012-02-01

The Real Gaze written by Todd McGowan and has been published by State University of New York Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-02-01 with Performing Arts categories.


Winner of the 2008 Gradiva Award, Theoretical Category, presented by the National Association for the Advancement of Psychoanalysis The Real Gaze develops a new theory of the cinema by rethinking the concept of the gaze, which has long been central in film theory. Historically film scholars have located the gaze on the side of the spectator; however, Todd McGowan positions it within the filmic image, where it has the radical potential to disrupt the spectator's sense of identity and challenge the foundations of ideology. This book demonstrates several distinct cinematic forms that vary in terms of how the gaze functions within the films. Through a detailed investigation of directors such as Orson Welles, Claire Denis, Stanley Kubrick, Spike Lee, Federico Fellini, Ron Howard, Steven Spielberg, Andrei Tarkovsky, Wim Wenders, and David Lynch, McGowan explores the political, cultural, and existential ramifications of these differing roles of the gaze.