The Language And Style Of Film Criticism
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The Language And Style Of Film Criticism
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Author : Andrew Klevan
language : en
Publisher: Taylor & Francis
Release Date : 2011-04-26
The Language And Style Of Film Criticism written by Andrew Klevan and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-04-26 with History categories.
The Language and Style of Film Criticism brings together original essays from an international range of academics and film critics highlighting the achievements, complexities and potential of film criticism. In recent years, in contrast to the theoretical, historical and cultural study of film, film criticism has been relatively marginalised, especially within the academy. This book highlights the distinctiveness of film criticism and addresses ways in which it can take a more central place within the academy and develop in dynamic ways outside it. The Language and Style of Film Criticism is essential reading for academics, teachers, students and journalists who wish to understand and appreciate the language and style of film criticism.
Style And Meaning
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Author : John Gibbs
language : en
Publisher: Manchester University Press
Release Date : 2005-08-06
Style And Meaning written by John Gibbs and has been published by Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-08-06 with Literary Criticism categories.
With a common focus on the decisions made by filmmakers, the essays in this collection explore different aspects of the relationship between textual detail and broader conceptual frameworks. These texts reflect not only those areas of film history which have traditionally been explored through mise-en-scène criticism, but also areas such as the avant-garde and television drama which have not tended to receive such detailed investigation. In these ways, the book conducts a series of dialogues with issues in film study which are specifically provoked by close analysis.
Gilles Deleuze And Film Criticism
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Author : Dominic Lash
language : en
Publisher: Springer Nature
Release Date : 2023-08-07
Gilles Deleuze And Film Criticism written by Dominic Lash and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-08-07 with Performing Arts categories.
This book is the first collection of essays to offer detailed examinations of the role that close attention to individual films plays in the philosopher Gilles Deleuze’s work on cinema. In the last two decades, Deleuze's two books on film have had an enormous influence on Film Studies, profoundly affecting thinking about movement, time, history, and other topics. Theoretically ambitious and philosophically rich but clearly written by a broad range of established and emerging international film scholars, the chapters in this volume will both contribute to, and in places challenge, the vibrant field of Deleuzian film studies. Topics covered range from the relationship of Deleuze to film criticism; the role of theories of movement; and studies of works by major filmmakers including Federico Fellini, Werner Herzog, Vincente Minnelli, and Orson Welles. This book will be of interest not only to specialists in Deleuze but to anybody engaged with the close study of film and its philosophical ramifications.
Film Criticism As A Cultural Institution
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Author : Huw Walmsley-Evans
language : en
Publisher: Routledge
Release Date : 2018-03-28
Film Criticism As A Cultural Institution written by Huw Walmsley-Evans and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-03-28 with Social Science categories.
At the beginning of the 21st century film criticism was described as in crisis. The decline of print journalism, a series of lay-offs of prominent critics, and the rise of "amateur" reviewing online spurred a conversation about the decline, even death, of film criticism. This discourse flourished in part because film criticism has been little examined in scholarship to date. This book takes a deeper look at film criticism by focusing on its institutional contours. This is achieved through a combination of archival research and interviews with prominent film critics and stakeholders, including Adrian Martin (LOLA), Stephanie Zacharek (Time), Peter Bart (Variety), and Andrew Sarris (The Village Voice). Film Criticism as a Cultural Institution first examines the contemporary crisis conversation surrounding film criticism, comparing this to historical precedents. It then provides what today’s crisis conversation does not: an account of film criticism’s institutional formations. Using primarily U.S. and Australian case studies based on interviews, observation and archival research—as well as accounts from other national schools—the book maps contemporary film criticism. Across various sites, such as publications or online spaces, and organisations, such as film critics circles, it elucidates film criticism’s institutional practices, tasks, comportments, and personae. Looking at the history of conversations about film criticism shows us that "crisis" has always been a leitmotif. While acknowledging the considerable changes and challenges that film criticism faces today, this book situates these within an historical context and proposes an institutional framework that allows us to move beyond crisis discourse. Looking at film criticism in this way allows us to see that the very question of what counts as film criticism is continually contested within an institutional ecology made up of distinctive critical comportments addressed to distinctive audiences.
The Language Of Film
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Author : Robert Edgar
language : en
Publisher: Bloomsbury Publishing
Release Date : 2015-08-27
The Language Of Film written by Robert Edgar and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-27 with Art categories.
An effective filmmaker needs to have a good understanding of how film language works, and more importantly, how to actively influence an audience's thoughts and feelings and guide their gaze around the screen. Packed with examples from classic and contemporary cinema, The Language of Film reveals the essential building blocks of film and explains how the screen communicates meaning to its audience. You will learn about fundamental theories and concepts, including film semiotics, narrative structures, ideology, and genre, as well as how elements such as shot size, camera movement, editing technique, and color come together to create the cinematic image. With insightful case studies and discussion questions, dozens of practical tips and exercises, and a new chapter on film sound, this new edition of The Language of Film is a must-have guide for aspiring filmmakers.
Movies And Methods
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Author : Bill Nichols
language : en
Publisher: Univ of California Press
Release Date : 1985-09-06
Movies And Methods written by Bill Nichols and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985-09-06 with Performing Arts categories.
The original Movies and Methods volume (1976) captured the dynamic evolution of film theory and criticism into an important new discipline, incorporating methods from structuralism, semiotics, and feminist thought. Now there is again ferment in the field. Movies and Methods, Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights. In his thoughtful introduction, Nichols provides a context for the paradoxes that confront film studies today. He shows how shared methods and approaches continue to stimulate much of the best writing about film, points to common problems most critics and theorists have tried to resolve, and describes the internal contraditions that have restricted the usefulness of post-structuralism. Mini-introductions place each essay in a larger context and suggest its linkages with other essays in the volume. A great variety of approaches and methods characterize film writing today, and the final part conveys their diversity—from statistical style analysis to phenomenology and from gay criticisms to neoformalism. This concluding part also shows how the rigorous use of a broad range of approaches has helped remove post-structuralist criticism from its position of dominance through most of the seventies and early eighties. The writings collected in this volume exhibit not only a strong sense of personal engagement but als a persistent awareness of the social importance of the cinema in our culture. Movies and Methods, Volume II, will prove as invaluable to the serious student of cinema as its predecessor; it will be an essential reference work for years to come.
A Comparative Statistical Film Style Analysis Of Four Selected Contemporary American Movies Within The Drama Genre In Terms Of Their Average Shot Length And Scale
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Author : Andreas Schneider
language : en
Publisher: GRIN Verlag
Release Date : 2018-02-19
A Comparative Statistical Film Style Analysis Of Four Selected Contemporary American Movies Within The Drama Genre In Terms Of Their Average Shot Length And Scale written by Andreas Schneider and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-02-19 with Performing Arts categories.
Bachelor Thesis from the year 2006 in the subject Film Science, grade: 1, , language: English, abstract: This case study investigates the average shot length and scale by using a comparative statistical film style analysis of contemporary American movies within the drama genre. This research was conducted in a systematic fashion; utilising appropriate tools and documenting each of the key stages. To ensure a high degree of validity the research investigates four successful box office movies of two award winning editors which were selected. The report is divided into ten sections. These are Introduction, Definitions of Key Terms, Scope and Limitations, Background Information, Literature Review, Research Plan and Analysis of Methodologies, Research Implementation, Presentation and Analysis of the Data, Comment and Critique of the Findings and finally the Summary and Conclusion. The scope of the work is limited to an examination of the descriptive statistics such as average shot length and categorisation of the shot scales. Correlations of the movie content were not considered. The research concludes with demonstrated support for the hypothesis that the use of digital nonlinear editing systems has had a significant impact on the shot length and framing in contemporary American drama feature films over the past fifteen years. Evidence is derived from primary, secondary and tertiary data including interviews with industry professionals.
V F Perkins On Movies
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Author : Douglas Pye
language : en
Publisher: Wayne State University Press
Release Date : 2020-11-10
V F Perkins On Movies written by Douglas Pye and has been published by Wayne State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-10 with Performing Arts categories.
Perkins on Movies gives unimpeded access to one of the most distinctive and distinguished of critical voices and will be widely welcomed by academics, students of film, and informed film enthusiasts.
Film Criticism In The Digital Age
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Author : Mattias Frey
language : en
Publisher: Rutgers University Press
Release Date : 2015-04-20
Film Criticism In The Digital Age written by Mattias Frey and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-04-20 with Performing Arts categories.
Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a “crisis of criticism” and mourned the “death of the critic.” Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,” urgent questions have emerged about the status and purpose of film criticism in the twenty-first century. In Film Criticism in the Digital Age, ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book’s contributors find many signs of the film critic’s declining clout, but they also locate surprising examples of how critics—whether moonlighting bloggers or salaried writers—have been able to intervene in current popular discourse about arts and culture. In addition to collecting a plethora of scholarly perspectives, Film Criticism in the Digital Age includes statements from key bloggers and print critics, like Armond White and Nick James. Neither an uncritical celebration of digital culture nor a jeremiad against it, this anthology offers a comprehensive look at the challenges and possibilities that the Internet brings to the evaluation, promotion, and explanation of artistic works.
Film Theory And Criticism
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Author : Gerald Mast
language : en
Publisher: Oxford University Press, USA
Release Date : 1985
Film Theory And Criticism written by Gerald Mast and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with Language Arts & Disciplines categories.
The third edition of this popular collection on film aesthetics and criticism includes new material on Howard Hawks and Mae West, and new pieces by Christian Metz, Jean-Louis Comolli, and David Antin. Two sections, "The Film Artist" and "Film: Society, Ideology, Psychology,"--as well as chapter introductions throughout the book-- have been thoroughly revised to reflect current topics in film theory--psychoanalytic, feminist, and Marxist approaches among them.