The Literary Mind


The Literary Mind
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The Literary Mind


The Literary Mind
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Author : Mark Turner
language : en
Publisher: Oxford University Press
Release Date : 1998-12-17

The Literary Mind written by Mark Turner and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-12-17 with Language Arts & Disciplines categories.


Turner argues that story, projection, and parable precede grammar, that language follows from these mental capacities as a consequence. Language, he concludes, is the child of the literary mind.



The Literary Mind


The Literary Mind
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Author : Max Forrester Eastman
language : en
Publisher:
Release Date : 1931

The Literary Mind written by Max Forrester Eastman and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1931 with Literature categories.




The Literary Mind


The Literary Mind
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Author : Max Eastman
language : en
Publisher:
Release Date : 1969

The Literary Mind written by Max Eastman and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1969 with Literary Criticism categories.




Behaviorism Consciousness And The Literary Mind


Behaviorism Consciousness And The Literary Mind
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Author : Joshua Gang
language : en
Publisher: JHU Press
Release Date : 2021-11-16

Behaviorism Consciousness And The Literary Mind written by Joshua Gang and has been published by JHU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-11-16 with Literary Criticism categories.


What might behaviorism, that debunked school of psychology, tell us about literature? If inanimate objects such as novels or poems have no mental properties of their own, then why do we talk about them as if they do? Why do we perceive the minds of characters, narrators, and speakers as if they were comparable to our own? In Behaviorism, Consciousness, and the Literary Mind, Joshua Gang offers a radical new approach to these questions, which are among the most challenging philosophical problems faced by literary study today. Recent cognitive criticism has tried to answer these questions by looking for similarities and analogies between literary form and the processes of the brain. In contrast, Gang turns to one of the twentieth century's most infamous psychological doctrines: behaviorism. Beginning in 1913, a range of psychologists and philosophers—including John B. Watson, B. F. Skinner, and Gilbert Ryle—argued that many of the things we talk about as mental phenomena aren't at all interior but rather misunderstood behaviors and physiological processes. Today, behaviorism has relatively little scientific value, but Gang argues for its enormous critical value for thinking about why language is so good at creating illusions of mental life. Turning to behaviorism's own literary history, Gang offers the first sustained examination of the outmoded science's place in twentieth-century literature and criticism. Through innovative readings of figures such as I. A. Richards, the American New Critics, Samuel Beckett, Harold Pinter, and J. M. Coetzee, Behaviorism, Consciousness, and the Literary Mind reveals important convergences between modernist writers, experimental psychology, and analytic philosophy of mind—while also giving readers a new framework for thinking about some of literature's most fundamental and exciting questions.



The Literary Mind


The Literary Mind
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Author : Leo Schneiderman
language : en
Publisher:
Release Date : 1988

The Literary Mind written by Leo Schneiderman and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with Literary Criticism categories.


Studies of nine outstanding modern writers: William Faulkner, Lillian Hellman, Vladimir Nabokov, Flannery O'Connor, Tennessee Williams, John Cheever, Jose Luis Borges, Samuel Beckett and Harold Pinter. The book aims to show that suffering can play a central role in creating great literature.



Freudianism And The Literary Mind


Freudianism And The Literary Mind
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Author : Frederick John Hoffman
language : en
Publisher: Praeger
Release Date : 1977-09-29

Freudianism And The Literary Mind written by Frederick John Hoffman and has been published by Praeger this book supported file pdf, txt, epub, kindle and other format this book has been release on 1977-09-29 with Literary Criticism categories.




Boredom


Boredom
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Author : Patricia Meyer Spacks
language : en
Publisher: University of Chicago Press
Release Date : 1995

Boredom written by Patricia Meyer Spacks and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Language Arts & Disciplines categories.


This book offers a witty explanation of why boredom both haunts and motivates the literary imagination. Moving from Samuel Johnson to Donald Barthelme, from Jane Austen to Anita Brookner, Spacks shows us at last how we arrived in a postmodern world where boredom is the all-encompassing name we give our discontent. Her book, anything but boring, gives us new insight into the cultural usefulness—and deep interest—of boredom as a state of mind.



Literary Reading Cognition And Emotion


Literary Reading Cognition And Emotion
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Author : Michael Burke
language : en
Publisher: Routledge
Release Date : 2010-10-18

Literary Reading Cognition And Emotion written by Michael Burke and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-10-18 with Literary Criticism categories.


This work seeks to chart what happens in the embodied minds of engaged readers when they read literature. Despite the recent stylistic, linguistic, and cognitive advances that have been made in text-processing methodology and practice, very little is known about this cultural-cognitive process and especially about the role that emotion plays. Burk’s theoretical and empirical study focuses on three central issues: the role emotions play in a core cognitive event like literary text processing; the kinds of bottom-up and top-down inputs most prominently involved in the literary reading process; and what might be happening in the minds and bodies of engaged readers when they experience intense or heightened emotions: a phenomenon sometimes labelled "reader epiphany." This study postulates that there is a free-flow of bottom-up and top-down affective, cognitive inputs during the engaged act of literary reading, and that reading does not necessarily begin or end when our eyes apprehend the words on the page. Burke argues that the literary reading human mind might best be considered both figuratively and literally, not as computational or mechanical, but as oceanic.



Theory Of Mind And Literature


Theory Of Mind And Literature
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Author : Paula Leverage
language : en
Publisher: Purdue University Press
Release Date : 2011

Theory Of Mind And Literature written by Paula Leverage and has been published by Purdue University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Literary Collections categories.


Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction -- 1: Theory of Mind Now and Then: Evolutionary and Historical Perspectives -- Theory of Mind and Theory of Minds in Literature Keith Oatley -- Social Minds in Little Dorrit Alan Palmer -- The Way We Imagine Mark Turner -- Theory of Mind and Fictions of Embodied Transparency Lisa Zunshine -- 2: Mind Reading and Literary Characterization -- Theory of the Murderous Mind: Understanding the Emotional Intensity of John Doyle's Interpretation of Sondheim's Sweeney Todd Diana Calderazzo -- Distraction as Liveliness of Mind: A Cognitive Approach to Characterization in Jane Austen Natalie Phillips -- Sancho Panza's Theory of Mind Howard Mancing -- Is Perceval Autistic?: Theory of Mind in the Conte del Graal Paula Leverage -- 3: Theory of Mind and Literary / Linguistic Structure -- Whose Mind's Eye? Free Indirect Discourse and the Covert Narrator in Marlene Streeruwitz's Nachwelt Jennifer Marston William -- Attractors, Trajectors, and Agents in Racine's "Récit de Théramène" Allen G. Wood -- The Importance of Deixis and Attributive Style for the Study of Theory of Mind: The Example of William Faulkner's Disturbed Characters Ineke Bockting -- 4: Alternate States of Mind -- Alternative Theory of Mind for Arti.cial Brains: A Logical Approach to Interpreting Alien Minds Orley K. Marron -- Reading Phantom Minds: Marie Darrieussecq's Naissance des fantômes and Ghosts' Body Language Mikko Keskinen -- Theory of Mind and Metamorphoses in Dreams: Jekyll & Hyde, and The Metamorphosis Richard Schweickert and Zhuangzhuang Xi -- Mother/Daughter Mind Reading and Ghostly Intervention in Toni Morrison's Beloved Klarina Priborkin -- 5: Theoretical, Philosophical, Political Approaches.



The Literary Mind And The Carving Of Dragons


The Literary Mind And The Carving Of Dragons
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Author : Liu Hsieh
language : en
Publisher: New York Review of Books
Release Date : 2015-01-13

The Literary Mind And The Carving Of Dragons written by Liu Hsieh and has been published by New York Review of Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-01-13 with Literary Criticism categories.


The Literary Mind and the Carving of Dragons is the first comprehensive work of literary criticism in Chinese, and one that has been considered essential reading for writers and scholars since it was written some 1,500 years ago. A vast compendium of all that was known about Chinese literature at the time, it is simultaneously a taxonomy and history of genres and styles and a manual for good writing. Its chapters, organized according to the I Ching, cover such topics as “Choice of Style,” “Emotion and Literary Expression,” “Humor and Enigma,” “Spiritual Thought or Imagination,” “The Nourishing of Vitality,” and “Literary Flaws.” “Mind” is the ideas, impressions, and emotions that take form—the “carving of the dragon”—in a literary work. Full of examples and delightful anecdotes drawn from Liu Hsieh’s encyclopedic knowledge of Chinese literature, readers will discover distinctive concepts and standards of the art of writing that are both alien and familiar. The Literary Mind and the Carving of Dragons is not only a summa of classical Chinese literary aesthetics but also a wellspring of advice from the distant past on how to write.