The Making Of A New Indian Art
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The Making Of A New Indian Art
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Author : Tapati Guha-Thakurta
language : en
Publisher: Cambridge University Press
Release Date : 2007-12-03
The Making Of A New Indian Art written by Tapati Guha-Thakurta and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-12-03 with History categories.
This book offers a path-breaking analysis of the transformations that occurred in the art and aesthetic values of Bengal during the colonial and nationalist periods. Tapati Guha-Thakurta moves beyond most existing assumptions and narratives to explore the complexities and diversities of the changes generated by Western contacts and nationalist preoccupation's in art. She examines the shifts both in the forms and practices of painting as well as in the ideas and opinions about Indian art during the late nineteenth and early twentieth centuries.
The Making Of A New Indian Art
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Author : Tapati Guha_Thakurta
language : en
Publisher:
Release Date : 1992
The Making Of A New Indian Art written by Tapati Guha_Thakurta and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with categories.
The Making Of A New Indian Art
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Author : Guha
language : en
Publisher:
Release Date :
The Making Of A New Indian Art written by Guha and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
Monuments Objects Histories
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Author : Tapati Guha-Thakurta
language : en
Publisher: Columbia University Press
Release Date : 2004-08-05
Monuments Objects Histories written by Tapati Guha-Thakurta and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-08-05 with Art categories.
Art history as it is largely practiced in Asia as well as in the West is a western invention. In India, works of art-sculptures, monuments, paintings-were first viewed under colonial rule as archaeological antiquities, later as architectural relics, and by the mid-20th century as works of art within an elaborate art-historical classification. Tied to these views were narratives in which the works figured, respectively, as sources from which to recover India's history, markers of a lost, antique civilization, and symbols of a nation's unique aesthetic, reflecting the progression from colonialism to nationalism. The nationalist canon continues to dominate the image of Indian art in India and abroad, and yet its uncritical acceptance of the discipline's western orthodoxies remains unquestioned, the original motives and means of creation unexplored. The book examines the role of art and art history from both an insider and outsider point of view, always revealing how the demands of nationalism have shaped the concept and meaning of art in India. The author shows how western custodianship of Indian "antiquities" structured a historical interpretation of art; how indigenous Bengali scholarship in the late 19th and early 20th centuries attempted to bring Indian art into the nationalist sphere; how the importance of art as a representation of national culture crystallized in the period after Independence; and how cultural and religious clashes in modern India have resulted in conflicting "histories" and interpretations of Indian art. In particular, the author uses the depiction of Hindu goddesses to elicit conflicting scenarios of condemnation and celebration, both of which have at their core the threat and lure of the female form, which has been constructed and narrativized in art history. Monuments, Objects, Histories is a critical survey of the practices of archaeology, art history, and museums in nineteenth- and twentieth-century India. The essays gathered here look at the processes of the production of lost pasts in modern India: pasts that come to be imagined around a growing corpus of monuments, archaeological relics, and art objects. They map the scholarly and institutional authority that emerged around such structures and artifacts, making of them not only the chosen objects of art and archaeology but also the prime signifiers of the nation's civilization and antiquity. The close imbrication of the "colonial" and the "national" in the making of India's archaeological and art historical pasts and their combined legacy for the postcolonial present form one of the key themes of the book. Monuments, Objects, Histories offers both an insider's and an outsider's perspective on the growth of these scholarly fields and their institutional apparatus, analyzing the ways they have constituted and recast their objects of study. The book moves from a period that saw the consolidation of western expertise and custodianship of India's "antiquities," to the projection over the twentieth century of varying regional, nativist, and national claims around the country's architectural and artistic inheritance, into a current period that has pitched these objects and fields within a highly contentious politics of nationhood. Monuments, Objects, Histories traces the framing of an official national canon of Indian art through these different periods, showing how the workings of disciplines and institutions have been tied to the pervasive authority of the nation. At the same time, it addresses the radical reconfiguration in recent times of the meaning and scope of the "national," leading to the kinds of exclusions and chauvinisms that lie at the root of the current endangerment of these disciplines and the monuments and art objects they encompass.
Towards A New Art History
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Author : Ratan Parimoo
language : en
Publisher:
Release Date : 2003
Towards A New Art History written by Ratan Parimoo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Art categories.
The Essays Here, Challenging The Boundaries And Assumptions Of Mainstream Art History, Question Many Preconceived Notions About Meaning In Representations Artistic And Art Historical. Emphasizing On Specific Visual Cultures Within The Dynamics Of Historical Processes, They Raise Critical Issues Of Art Production, Circulation And Consumption And Attempt To Rescue Traditional Arts From A Past That Is Hermetically Sealed Off From The Present.
How Secular Is Art
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Author : Tapati Guha-Thakurta
language : en
Publisher: Cambridge University Press
Release Date : 2023-03-31
How Secular Is Art written by Tapati Guha-Thakurta and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-03-31 with History categories.
As an invitation to interrogate the secular modality of art, the book unsettles both the categories of 'art' and 'secular' in their theoretical and historical implications. It questions the temporal, spatial and cultural binaries between the 'sacred' and the 'secular' that have shaped art historical scholarship as well as artistic practice. All the essays here are anchored in a conception of a region, whether we call it South Asia or the Indian subcontinent – one, fissured by histories of partition, state formations and religious nationalisms, but still offering a collective site from which to speak to the disciplines of art and the knowledge worlds in which they are embedded. The book asks: How do we complicate the religious designations of pre-modern art and architecture and the new forms of their resurgence in contemporary iconographies and monuments? How do we re-conceptualize the public and the political, as fiery contestations and new curatorial practices reconfigure the meaning of art in the proliferating spaces of museums, galleries, biennales and festivals? How do we understand South Asian art's deep entanglements with the politics of the present?
The Making Of Modern Art
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Author : Yashodhara Dalmia
language : en
Publisher:
Release Date : 2001-08-09
The Making Of Modern Art written by Yashodhara Dalmia and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-08-09 with Art categories.
This Pioneering Book Is An Authentic Portrayal Of The Formative Years Of Modern Indian Art, When Its Parameters Were Being Established. Looks At Painters As Diverse As M.F. Hussain, S.M. Raza, F.N. Souza, K.H. Ara, Tyeb Mehta, Ram Kumar Among Many Others.
The Making Of A Modern Indian Artist Craftsman
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Author : Naman Ahuja
language : en
Publisher: Taylor & Francis
Release Date : 2022-01-26
The Making Of A Modern Indian Artist Craftsman written by Naman Ahuja and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-01-26 with Art categories.
The Making of the Modern Indian Artist-Craftsman is intended to be a biographical and critical insight into the work of the potter, painter and photographer Devi Prasad. Apart from the making of his personal history and his times, it leads us to why the act of making (art) itself takes on such a fundamental philosophical significance in his life. This, the author explains, derives directly from his absorption of Gandhi’s philosophy that looked at the act of making or doing as an ethical ideal, and further back to the impact of the Arts and Crafts Movement on the ideology of ‘Swadeshi’ and on the milieu of Santiniketan. This book examines his art along with his role in political activism which, although garnered on Indian soil made him crisscross national borders and assume an important role in the international arena of war resistance. Devi Prasad graduated from Tagore’s Santiniketan in 1944 when he joined the Hindustani Talimi Sangh (which promulgated Nayee Taleem) at Gandhi’s ashram Sevagram as Art ‘Teacher’. His political consciousness saw him participate actively in the Quit India Movement in 1942, in Vinoba Bhave’s Bhoodan and later from 1962 onward as Secretary General (later Chairman) of the War Resisters’ International, the oldest world pacifist organisation based in London. From there he was able to extend his Gandhian values internationally. All of this, while continuing with his life as a prolific artist. Rather than view them as separate worlds or professions, Devi harmonises them within an ethical and conscionable whole. He has written widely on the inextricable link between peace and creativity, on child /basic education, Gandhi and Tagore, on politics and art, in English, Hindi and Bangla. In 2007 he was awarded the Lalit Kala Akademi Ratna and in 2008, the Desikottama by Visva Bharati University, Santiniketan.
Indian Art And Aesthetics
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Author : Maruti Nandan Prasad Tiwari
language : en
Publisher: Spotlight Poets
Release Date : 2004
Indian Art And Aesthetics written by Maruti Nandan Prasad Tiwari and has been published by Spotlight Poets this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Art categories.
A New Deal For Native Art
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Author : Jennifer McLerran
language : en
Publisher: University of Arizona Press
Release Date : 2022-08-16
A New Deal For Native Art written by Jennifer McLerran and has been published by University of Arizona Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-08-16 with History categories.
As the Great Depression touched every corner of America, the New Deal promoted indigenous arts and crafts as a means of bootstrapping Native American peoples. But New Deal administrators' romanticization of indigenous artists predisposed them to favor pre-industrial forms rather than art that responded to contemporary markets. In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and crafts. And by unraveling the complex ways in which commodification was negotiated and the roles that producers, consumers, and New Deal administrators played in that process, she sheds new light on native art’s commodity status and the artist’s position as colonial subject. In this first book to address the ways in which New Deal Indian policy specifically advanced commodification and colonization, McLerran reviews its multi-pronged effort to improve the market for Indian art through the Indian Arts and Crafts Board, arts and crafts cooperatives, murals, museum exhibits, and Civilian Conservation Corps projects. Presenting nationwide case studies that demonstrate transcultural dynamics of production and reception, she argues for viewing Indian art as a commodity, as part of the national economy, and as part of national political trends and reform efforts. McLerran marks the contributions of key individuals, from John Collier and Rene d’Harnoncourt to Navajo artist Gerald Nailor, whose mural in the Navajo Nation Council House conveyed distinctly different messages to outsiders and tribal members. Featuring dozens of illustrations, A New Deal for Native Art offers a new look at the complexities of folk art “revivals” as it opens a new window on the Indian New Deal.