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The Monteverdi Vespers Of 1610 Music Context Performance


The Monteverdi Vespers Of 1610 Music Context Performance
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The Monteverdi Vespers Of 1610 Music Context Performance


The Monteverdi Vespers Of 1610 Music Context Performance
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Author : Jeffrey Kurtzman
language : en
Publisher: Clarendon Press
Release Date : 2000-01-06

The Monteverdi Vespers Of 1610 Music Context Performance written by Jeffrey Kurtzman and has been published by Clarendon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-01-06 with categories.


This is a thorough-going study of Monteverdi's Vespers, the single most significant and most widely known musical print from before the time of J.S. Bach. The author examines Monteverdi's Vespers from multiple perspectives, combining his own research with all that is known and thought of the Vespers by other scholars. The historical origin as well as the musical and liturgical context of the Vespers are surveyed; similarly the controversial historiography of the Vespers in the nineteenth and twentieth centuries is scrutinized and evaluated. A series of analytical chapters attempt to clarify Monteverdi's compositional process and the relationship between music and text in the light of recent research on modal and tonal aspects of early seventeenth century music. The final section is devoted to thirteen chapters investigating performance practice issues of the early seventeenth century and their application to the Vespers, including general and specific recommendations for performance where appropriate. The book concludes with a series of informational appendices, including the psalm cursus for Vespers of all major feasts in the liturgical calendar, texts, and structural outlines for the Vespers compositions based on a cantus firmus, an analytical discography, and bibliographies of seventeenth-century musical and theoretical sources.



The Monteverdi Vespers Of 1610


The Monteverdi Vespers Of 1610
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Author : Jeffrey G. Kurtzman
language : en
Publisher:
Release Date : 2023

The Monteverdi Vespers Of 1610 written by Jeffrey G. Kurtzman and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023 with Performance practice (Music) categories.




Monteverdi Vespers 1610


Monteverdi Vespers 1610
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Author : John Whenham
language : en
Publisher: Cambridge University Press
Release Date : 1997-09-25

Monteverdi Vespers 1610 written by John Whenham and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-09-25 with Music categories.


A guide to Monteverdi's Vespers, providing in-depth information on music settings and performance practice.



Music At The Gonzaga Court In Mantua


Music At The Gonzaga Court In Mantua
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Author : Donald C. Sanders
language : en
Publisher: Lexington Books
Release Date : 2012

Music At The Gonzaga Court In Mantua written by Donald C. Sanders and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Art categories.


In Music at the Gonzaga Court in Mantua, Donald C. Sanders examines the history of musical composition and performance at the northern Italian court of Mantua from the fifteenth century to the seventeenth century. Music is discussed in the context of the visual art, poetry, and theater that graced the court and of the Gonzaga family's interaction with the major European historical figures of the era.



Choral Orchestral Repertoire


Choral Orchestral Repertoire
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Author : Jonathan D. Green
language : en
Publisher: Rowman & Littlefield
Release Date : 2019-12-05

Choral Orchestral Repertoire written by Jonathan D. Green and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-12-05 with Music categories.


Choral-Orchestral Repertoire: A Conductor’s Guide, Omnibus Edition offers an expansive compilation of choral-orchestral works from 1600 to the present. Synthesizing Jonathan D. Green’s earlier six volumes on this repertoire, this edition updates and adds to the over 750 oratorios, cantatas, choral symphonies, masses, secular works for large and small ensembles, and numerous settings of liturgical and biblical texts for a wide variety of vocal and instrumental combinations. Each entry includes a brief biographical sketch of the composer, approximate duration, text sources, performing forces, available editions, and locations of manuscript materials, as well as descriptive commentary, a discography, and a bibliography. Unique to this edition are practitioner’s evaluations of the performance issues presented in each score. These include the range, tessitura, and nature of each solo role and a determination of the difficulty of the choral and orchestral portions of each composition. There is also a description of the specific challenges, staffing, and rehearsal expectations related to the performance of each work. Choral-Orchestral Repertoire is an essential resource for conductors and students of conducting as they search for repertoire appropriate to their needs and the abilities of their ensembles.



A History Of Western Choral Music


A History Of Western Choral Music
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Author : Chester Lee Alwes
language : en
Publisher: Oxford University Press, USA
Release Date : 2015

A History Of Western Choral Music written by Chester Lee Alwes and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Music categories.


"A History of Western Choral Music explores the various genres, important composers, and influential works essential to the development of the western choral tradition. Divided across two volumes, this comprehensive investigation moves from the Medieval period through the Avant-Garde." -- Publisher description.



Renaissance Music


Renaissance Music
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Author : Kenneth Kreitner
language : en
Publisher: Routledge
Release Date : 2017-07-05

Renaissance Music written by Kenneth Kreitner and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with History categories.


We know what, say, a Josquin mass looks like but what did it sound like? This is a much more complex and difficult question than it may seem. Kenneth Kreitner has assembled twenty articles, published between 1946 and 2009, by scholars exploring the performance of music from the fifteenth and sixteenth centuries. The collection includes works by David Fallows, Howard Mayer Brown, Christopher Page, Margaret Bent, and others covering the voices-and-instruments debate of the 1980s, the performance of sixteenth-century sacred and secular music, the role of instrumental ensembles, and problems of pitch standards and musica ficta. Together the papers form not just a comprehensive introduction to the issues of renaissance performance practice, but a compendium of clear thinking and elegant writing about a perpetually intriguing period of music history.



From Renaissance To Baroque


From Renaissance To Baroque
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Author : Jonathan Wainwright
language : en
Publisher: Routledge
Release Date : 2017-07-05

From Renaissance To Baroque written by Jonathan Wainwright and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.



Sacred Music As Public Image For Holy Roman Emperor Ferdinand Iii


Sacred Music As Public Image For Holy Roman Emperor Ferdinand Iii
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Author : Andrew H. Weaver
language : en
Publisher: Routledge
Release Date : 2016-04-08

Sacred Music As Public Image For Holy Roman Emperor Ferdinand Iii written by Andrew H. Weaver and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-08 with Music categories.


Ferdinand III played a crucial role both in helping to end the Thirty Years' War and in re-establishing Habsburg sovereignty within his hereditary lands, and yet he remains one of the most neglected of all Habsburg emperors. The underlying premise of Sacred Music as Public Image for Holy Roman Emperor Ferdinand III is that Ferdinand's accomplishments came not through diplomacy or strong leadership but primarily through a skillful manipulation of the arts, through which he communicated important messages to his subjects and secured their allegiance to the Catholic Church. An important locus for cultural activity at court, especially as related to the Habsburgs' political power, was the Emperor's public image. Ferdinand III offers a fascinating case study in monarchical representation, for the war necessitated that he revise the image he had cultivated at the beginning of his reign, that of a powerful, victorious warrior. Weaver argues that by focusing on the patronage of sacred music (rather than the more traditional visual and theatrical means of representation), Ferdinand III was able to uphold his reputation as a pious Catholic reformer and subtly revise his triumphant martial image without sacrificing his power, while also achieving his Counter-Reformation goal of unifying his hereditary lands under the Catholic church. Drawing upon recent methodological approaches to the representation of other early modern monarchs, as well as upon the theory of confessionalization, this book places the sacred vocal music composed by imperial musicians into the rich cultural, political, and religious contexts of mid-seventeenth-century Central Europe. The book incorporates dramatic productions such as opera, oratorio, and Jesuit drama (as well as works in other media), but the primary focus is the more numerous and more frequently performed Latin-texted paraliturgical genre of the motet, which has generally not been considered by scholars as a vehicle for monarchical representation. By examining the representation of this little-studied emperor during a crucial time in European history, this book opens a window into the unique world view of the Habsburgs, allowing for a previously untold narrative of the end of the Thirty Years' War as seen through the eyes of this important ruling family.



Monteverdi


Monteverdi
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Author : Richard Wistreich
language : en
Publisher: Routledge
Release Date : 2017-07-05

Monteverdi written by Richard Wistreich and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


Claudio Monteverdi is now recognized as the towering figure of a critical transitional moment of Western music history: relentless innovator in every genre within chamber, church and theatre music; self-proclaimed leader of a 'new dispensation' between words and their musical expression; perhaps even 'Creator of Modern Music'. During recent years, as his arrestingly attractive music has been brought back to life in performance, so too have some of the most outstanding musicologists focussed intensely on Monteverdi as they worked through the 'big' questions in the historiography and hermeneutics of early Baroque music, including musical representation of language; compositional theory; social, institutional, cultural and gender history; performance practices and more. The 17 articles in this volume have been selected by Richard Wistreich to exemplify the best scholarship in English and because each, in retrospect, turns out to have been a ground-breaking contribution to one or more significant strands in Monteverdi studies.