The Motivated Sign
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The Motivated Sign
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Author : Olga Fischer
language : en
Publisher: John Benjamins Publishing
Release Date : 2001-03-08
The Motivated Sign written by Olga Fischer and has been published by John Benjamins Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-03-08 with Language Arts & Disciplines categories.
This volume, a sequel to Form Miming Meaning (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the ‘mise en abyme’, to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare’s rhetoric, the structural design of Margaret Atwood’s writings and the changing fashions in fictional landscape description. Thus, these analyses of ‘the motivated sign’ represent yet another strong challenge to “Saussure’s dogma of arbitrariness” (Jakobson).
The Motivated Sign
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Author : Olga Fischer
language : en
Publisher:
Release Date : 2001
The Motivated Sign written by Olga Fischer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Language Arts & Disciplines categories.
This volume, a sequel to "Form Miming Meaning" (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the '"mise en abyme"', to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare's rhetoric, the structural design of Margaret Atwood's writings and the changing fashions in fictional landscape description. Thus, these analyses of 'the motivated sign' represent yet another strong challenge to "Saussure's dogma of arbitrariness" (Jakobson).
The Motivated Sign
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Author : Olga Fischer
language : en
Publisher: John Benjamins Publishing
Release Date : 2001-01-01
The Motivated Sign written by Olga Fischer and has been published by John Benjamins Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-01-01 with Language Arts & Disciplines categories.
This volume, a sequel to Form Miming Meaning (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the 'mise en abyme', to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare's rhetoric, the structural design of Margaret Atwood's writings and the changing fashions in fictional landscape description. Thus, these analyses of 'the motivated sign' represent yet another strong challenge to Saussure's dogma of arbitrariness (Jakobson).
The Motivated Syntax Of Arbitrary Signs
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Author : Erica C. Garcia
language : en
Publisher: John Benjamins Publishing
Release Date : 2009
The Motivated Syntax Of Arbitrary Signs written by Erica C. Garcia and has been published by John Benjamins Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Language Arts & Disciplines categories.
This detailed study challenges the claim that syntax is arbitrary and autonomous, as well as the assumption that Spanish clitic clusters constitute grammaticalized units. Diverse--apparently unrelated--restrictions on clitic clustering in both simplex VP's and Accusative cum Infinitive structures are shown to be cognitively motivated, given the meaning of the individual clitics, and the compositional/interpretative routines those meanings motivate. The analysis accounts, in coherent and principled fashion, for the absolute non-occurrence of some clusters, and the interpretation-dependent acceptability of all remaining clitic combinations: cluster acceptability depends on the ease with which the given clitic combination can be processed to yield a congruent message; there is no point in combining clitics whose meanings preclude speedy processing of the cluster. The monograph goes beyond previous work on Spanish clitics in its wealth of data, the range of syntactic phenomena discussed, and its analytic scope.
From Sign To Signing
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Author : Wolfgang G. Müller
language : en
Publisher: John Benjamins Publishing
Release Date : 2003-01-30
From Sign To Signing written by Wolfgang G. Müller and has been published by John Benjamins Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-01-30 with Language Arts & Disciplines categories.
This volume, a sequel to Form Miming Meaning (1999) and The Motivated Sign (2001), offers a selection of papers given at the Third International Symposium on Iconicity in Language and Literature (Jena 2001). The studies collected here present a number of new departures. Special consideration is given to the way non-linguistic visual and auditory signs (such as gestures and bird sounds) are represented in language, and more specifically in ‘signed’ language, and how such signs influence semantic conceptualization. Other studies examine more closely how visual signs and representations of time and space are incorporated or reflected in literary language, in fiction as well as (experimental) poetry. A further new approach concerns intermedial iconicity, which emerges in art when its medium is changed or another medium is imitated. A more abstract, diagrammatic type of iconicity is again investigated, with reference to both language and literature: some essays focus on the device of reduplication, isomorphic tendencies in word formation and on creative iconic patterns in syntax, while others explore numerical design in Dante and geometrical patterning in Dylan Thomas. A number of theoretically-oriented papers pursue post-Peircean approaches, such as the application of reader-response theory and of systems theory to iconicity.
Advances In The Sign Language Development Of Deaf Children
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Author : Professor of Speech Language and Hearing Science Brenda Schick
language : en
Publisher: Oxford University Press on Demand
Release Date : 2005-09-02
Advances In The Sign Language Development Of Deaf Children written by Professor of Speech Language and Hearing Science Brenda Schick and has been published by Oxford University Press on Demand this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-09-02 with Education categories.
The authors provide cogent summaries of what is known about early gestural development, interactive processes adapted to visual communication, & the processes of semantic, syntactic, & pragmatic development in sign.
Arbitrariness And Complex Signs
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Author : Tilo Voltz
language : en
Publisher: GRIN Verlag
Release Date : 2009
Arbitrariness And Complex Signs written by Tilo Voltz and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with categories.
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Leipzig (Institut für Anglistik), course: Motivation and Arbitrariness in the English Language, 9 entries in the bibliography, language: English, abstract: The following essay wants to draw attention to the relation between motivation and ar-bitrariness within complex linguistic signs. Modern linguistics tries to establish motivation within the language system and by this often seems to negotiate arbitrariness. Bolinger claimed in 1980: "Arbitrary and conventional is a fitting description of distinctive sounds, less so of words, even less of sentences, and beyond that scarcely fits at all" (Fischer & Nänny, 1999, p. xxi). Dirven and Verspoor proclaim that "most of the complex forms of lan-guage...are...not arbitrary, but transparent or motivated" (Dirven & Verspoor, p. 21). Motivation is used to construct convincing explanations for sometimes mystified phe-nomena in a language. Motivated by C.S. Peirce's sign system, linguistic signs are recently moved from a box signed 'symbol' into a box signed 'icon'. Language by this is meant to be a more or less predictable act, which is based on translucent regularities and ordering princi-ples. Structural similarities are the basis of motivation, which examines and proclaims ordeing principles in all spheres of the language: phonology, morphology, lexicon and semantics Motivation even obstructs the syntax of a language. Three main ideas underlie the principle of motivation: (i) sequential ordering, (ii) quan-tity and (iii) proximity. Simplified, the ideas can be summarized as follows: (i) arrangement of linguistic elements according to temporal events, like he opened the door and came in or veni, vidi, vici; (ii) the amount of meaning is reflected in the amount of linguistic form, like I go - I went - I had gone or a car - a green car - a green convertible; (iii) conceptual distance is reflected
Reading Television
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Author : John Fiske
language : en
Publisher: Routledge
Release Date : 2004-05-05
Reading Television written by John Fiske and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-05-05 with Social Science categories.
Reading Television was the first book to push the boundaries of television studies beyond the insights offered by cultural studies and textual analysis, creating a vibrant new field of study. Using the tools and techniques in this book, it is possible for everyone with a television set to analyze both the programmes, and the culture which produces them. In this edition, Hartley reflects on recent developments in television studies, and includes suggestions for further reading. His new foreword underlines the continuing relevance of this foundational text in the study of contemporary culture.
Arbitrariness And Complex Signs
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Author : Tilo Voltz
language : en
Publisher: GRIN Verlag
Release Date : 2008-12-23
Arbitrariness And Complex Signs written by Tilo Voltz and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-12-23 with Literary Criticism categories.
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Leipzig (Institut für Anglistik), course: Motivation and Arbitrariness in the English Language, language: English, abstract: The following essay wants to draw attention to the relation between motivation and ar-bitrariness within complex linguistic signs. Modern linguistics tries to establish motivation within the language system and by this often seems to negotiate arbitrariness. Bolinger claimed in 1980: “Arbitrary and conventional is a fitting description of distinctive sounds, less so of words, even less of sentences, and beyond that scarcely fits at all“ (Fischer & Nänny, 1999, p. xxi). Dirven and Verspoor proclaim that “most of the complex forms of lan-guage...are...not arbitrary, but transparent or motivated“ (Dirven & Verspoor, p. 21). Motivation is used to construct convincing explanations for sometimes mystified phe-nomena in a language. Motivated by C.S. Peirce’s sign system, linguistic signs are recently moved from a box signed ‘symbol’ into a box signed ‘icon’. Language by this is meant to be a more or less predictable act, which is based on translucent regularities and ordering princi-ples. Structural similarities are the basis of motivation, which examines and proclaims ordeing principles in all spheres of the language: phonology, morphology, lexicon and semantics Motivation even obstructs the syntax of a language. Three main ideas underlie the principle of motivation: (i) sequential ordering, (ii) quan-tity and (iii) proximity. Simplified, the ideas can be summarized as follows: (i) arrangement of linguistic elements according to temporal events, like he opened the door and came in or veni, vidi, vici; (ii) the amount of meaning is reflected in the amount of linguistic form , like I go – I went – I had gone or a car – a green car – a green convertible; (iii) conceptual distance is reflected in formal distance, like I made her leave – I wanted her to leave – I wished she would leave. Essential to all three principles of iconicity is the kind of motivation they supply. What can be identified by sequential ordering, quantity and proximity is the formal and conceptual structure of a linguistic sign. Metaphorically speaking, motivation provides the bones (formal structure) and the muscles (conceptual structure) to complex linguistic sign. What motiva-tion can neither answer nor negotiate is the question of element’s arbitrariness, and why a certain concept is conventionally linked to a representing sound pattern. Moreover, it is the arbitrary character of simplex forms, which enables the understanding of complex signs. The aim of this paper is to raise an awareness for the inseparable connection of arbi-trariness and motivation in the analysis of complex signs. This aim will be achieved in three steps. First, the distinction between simplex and complex sign is focused, followed by a short introduction of the linguistic sign and a simplified understanding of language. Beyond, two important possibilities of analyzing linguistic signs and language are proposed: a sign inter-nal and a sign related analysis. In a second step, arbitrariness and motivation are correlated to the two processes of analyzing a language. In a last step, the thesis will be exemplified.
Emerging Sign Languages Of The Americas
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Author : Olivier Le Guen
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2020-11-23
Emerging Sign Languages Of The Americas written by Olivier Le Guen and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-23 with Language Arts & Disciplines categories.
This volume is the first to bring together researchers studying a range of different types of emerging sign languages in the Americas, and their relationship to the gestures produced in the surrounding communities of hearing individuals. Contents Acknowledgements Olivier Le Guen, Marie Coppola and Josefina Safar Introduction: How Emerging Sign Languages in the Americas contributes to the study of linguistics and (emerging) sign languages Part I: Emerging sign languages of the Americas. Descriptions and analysis John Haviland Signs, interaction, coordination, and gaze: interactive foundations of “Z”—an emerging (sign) language from Chiapas, Mexico Laura Horton Representational strategies in shared homesign systems from Nebaj, Guatemala Josefina Safar and Rodrigo Petatillo Chan Strategies of noun-verb distinction in Yucatec Maya Sign Languages Emmanuella Martinod, Brigitte Garcia and Ivani Fusellier A typological perspective on the meaningful handshapes in the emerging sign languages on Marajó Island (Brazil) Ben Braithwaite Emerging sign languages in the Caribbean Olivier Le Guen, Rebeca Petatillo and Rita (Rossy) Kinil Canché Yucatec Maya multimodal interaction as the basis for Yucatec Maya Sign Language Marie Coppola Gestures, homesign, sign language: Cultural and social factors driving lexical conventionalization Part II: Sociolinguistic sketches John B. Haviland Zinacantec family homesign (or “Z”) Laura Horton A sociolinguistic sketch of deaf individuals and families from Nebaj, Guatemala Josefina Safar and Olivier Le Guen Yucatec Maya Sign Language(s): A sociolinguistic overview Emmanuella Martinod, Brigitte Garcia and Ivani Fusellier Sign Languages on Marajó Island (Brazil) Ben Braithwaite Sociolinguistic sketch of Providence Island Sign Language Kristian Ali and Ben Braithwaite Bay Islands Sign Language: A Sociolinguistic Sketch Marie Coppola Sociolinguistic sketch: Nicaraguan Sign Language and Homesign Systems in Nicaragua