The Musical Cyclopedia Or The Principles Of Music Considered As A Science And An Art


The Musical Cyclopedia Or The Principles Of Music Considered As A Science And An Art
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The Musical Cyclopedia Or The Principles Of Music Considered As A Science And An Art


The Musical Cyclopedia Or The Principles Of Music Considered As A Science And An Art
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FREE 30 Days

Author : William Smith Porter
language : en
Publisher:
Release Date : 1834

The Musical Cyclopedia Or The Principles Of Music Considered As A Science And An Art written by William Smith Porter and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1834 with Continuo categories.


Written under the supervision of Lowell Mason.



The Musical Cyclopedia Or The Principles Of Music Considered As A Science And An Art


The Musical Cyclopedia Or The Principles Of Music Considered As A Science And An Art
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FREE 30 Days

Author : William Smith Porter
language : en
Publisher: Forgotten Books
Release Date : 2018-01-05

The Musical Cyclopedia Or The Principles Of Music Considered As A Science And An Art written by William Smith Porter and has been published by Forgotten Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-01-05 with Music categories.


Excerpt from The Musical Cyclopedia, or the Principles of Music Considered as a Science and an Art: Embracing a Complete Musical Dictionary, and the Outlines of a Musical Grammar, and of the Theory of Sounds and Laws of Harmony; With Directions for the Practice of Vocal and Instrumental Music, and a Description of Musical Instruments VII. Musical instruments, occupying upwards of 50 pages: in which are contained their origin, history, particular descriptions and scales of the more common, together with some general directions as to the manner of playing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.



The Virtuoso As Subject


The Virtuoso As Subject
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Author : Zarko Cvejić
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2016-06-22

The Virtuoso As Subject written by Zarko Cvejić and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-06-22 with Music categories.


This book offers a novel interpretation of the sudden and steep decline of instrumental virtuosity in its critical reception between c. 1815 and c. 1850, documenting it with a large number of examples from Europe’s leading music periodicals at the time. The increasingly hostile critical reception of instrumental virtuosity during this period is interpreted from the perspective of contemporary aesthetics and philosophical conceptions of human subjectivity; the book’s main thesis is that virtuosity qua irreducibly bodily performance generated so much hostility because it was deemed incompatible with, and even threatening to, the new Romantic philosophical conception of music as a radically disembodied, abstract, autonomous art and, moreover, a symbol or model – if only a utopian one – of a similarly autonomous and free human subject, whose freedom and autonomy seemed increasingly untenable in the economic and political context of post-Napoleonic Europe. That is why music, newly reconceived as radically abstract and autonomous, plays such an important part in the philosophy of early German Romantics such as E. T. A. Hoffmann, Schelling, and Schopenhauer, with their growing misgivings about the very possibility of human freedom, and not so much in the preceding generation of thinkers, such as Kant and Hegel, who still believed in the (transcendentally) free subject of the Enlightenment. For the early German Romantics, music becomes a model of human freedom, if freedom could exist. By contrast, virtuosity, irredeemably moored in the perishable human body, ephemeral, and beholden to such base motives as making money and gaining fame, is not only incompatible with music thus conceived, but also threatens to expose it as an illusion, in other words, as irreducibly corporeal, and, by extension, the human subject it was meant to symbolise as likewise an illusion. Only with that in mind, may we begin to understand the hostility of some early to mid-19th-century critics to instrumental virtuosity, which sometimes reached truly bizarre proportions. In order to accomplish this, the book looks at contemporary aesthetics and philosophy, the contemporary reception of virtuosity in performance and composition, and the impact of 19th-century gender ideology on the reception of some leading virtuosi, male and female alike.



The Musical Cyclopedia


The Musical Cyclopedia
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FREE 30 Days

Author : William Smith Porter
language : en
Publisher:
Release Date : 1834

The Musical Cyclopedia written by William Smith Porter and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1834 with Music categories.


Written under the supervision of Lowell Mason.



The Garland Encyclopedia Of World Music


The Garland Encyclopedia Of World Music
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Author : Ellen Koskoff
language : en
Publisher: Routledge
Release Date : 2017-09-25

The Garland Encyclopedia Of World Music written by Ellen Koskoff and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-09-25 with Music categories.


This volume makes available the full range of the American/Canadian musical experience, covering-for the first time in print-all major regions, ethnic groups, and traditional and popular contexts. From musical comedy to world beat, from the songs of the Arctic to rap and house music, from Hispanic Texas to the Chinese communities of Vancouver, the coverage captures the rich diversity and continuities of the vibrant music we hear around us. Special attention is paid to recent immigrant groups, to Native American traditions, and to such socio-musical topics as class, race, gender, religion, government policy, media, and technology.



Listening And Longing


Listening And Longing
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Author : Daniel Cavicchi
language : en
Publisher: Wesleyan University Press
Release Date : 2011-12-15

Listening And Longing written by Daniel Cavicchi and has been published by Wesleyan University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-12-15 with Music categories.


Winner of the Northeast Popular Culture Association’s Peter C. Rollins Book Award (2012) Winner of the ASCAP Deems Taylor Award (2012) Listening and Longing explores the emergence of music listening in the United States, from its early stages in the antebellum era, when entrepreneurs first packaged and sold the experience of hearing musical performance, to the Gilded Age, when genteel critics began to successfully redefine the cultural value of listening to music. In a series of interconnected stories, American studies scholar Daniel Cavicchi focuses on the impact of industrialization, urbanization, and commercialization in shaping practices of music audiences in America. Grounding our contemporary culture of listening in its seminal historical moment—before the iPod, stereo system, or phonograph—Cavicchi offers a fresh understanding of the role of listening in the history of music.



The Symphonic Repertoire Volume I


The Symphonic Repertoire Volume I
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Author : Mary Sue Morrow
language : en
Publisher: Indiana University Press
Release Date : 2024-03-29

The Symphonic Repertoire Volume I written by Mary Sue Morrow and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-03-29 with Music categories.


Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.



Gems Of Exquisite Beauty


Gems Of Exquisite Beauty
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Author : Peter Mercer-Taylor
language : en
Publisher: Oxford University Press, USA
Release Date : 2020

Gems Of Exquisite Beauty written by Peter Mercer-Taylor and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Music categories.


In the antebellum period, most Americans first encountered European classical music through hundreds of hymn tunes that tapped into classical melodies. This book is the first in-depth study of the rise and fall of these popular, but largely overlooked, adaptations and their place in nineteenth-century American musical life.



Beethoven S Symphonies And J S Dwight


Beethoven S Symphonies And J S Dwight
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Author : Ora Frishberg Saloman
language : en
Publisher: UPNE
Release Date : 1995

Beethoven S Symphonies And J S Dwight written by Ora Frishberg Saloman and has been published by UPNE this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Music categories.


John Sullivan Dwight (1813-1893), the first American critic of art music and the founder of Dwight's Journal of Music, set a new standard for musical criticism in the 1840s by fostering the American reception of Ludwig van Beethoven's then unfamiliar symphonies. Drawing upon extraordinary and painstaking research, Ora Frishberg Saloman details the progressive and influential musical vision of the young Dwight, offering a dramatic and long overdue corrective to the conservative image of the critic that has prevailed for most of this century.



Listening Well


Listening Well
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Author : Ora Frishberg Saloman
language : en
Publisher: Peter Lang
Release Date : 2009

Listening Well written by Ora Frishberg Saloman and has been published by Peter Lang this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Art categories.


The twelve essays in Listening Well illuminate aesthetic, educative, and evaluative strategies utilized by writers in Paris, Boston, and New York to guide listeners in confronting the challenges of musical modernity between 1764 and 1890. They interpret criticism from treatises, journals, and newspapers for its importance in cultural history and consider the reception of major works by Beethoven and by Berlioz. The essays explore contrasting responses to new operas and symphonies by composers, librettists, authors, critics, and conductors as well as by writers including Chabanon, Lacépède, Berlioz, Urhan, D'Ortigue, Dwight, Fuller, Watson, and Hassard. Readers interested in perceptions of Classicism and Romanticism in music as they relate to French, German, and American literature and criticism will discover how audiences on both sides of the Atlantic were encouraged to listen attentively to the new and controversial in music of the eighteenth and nineteenth centuries.