The Musical Times And Singing Class Circular Volume 1
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The Musical Times And Singing Class Circular Volume 1
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Author : Anonymous
language : en
Publisher: Legare Street Press
Release Date : 2023-07-18
The Musical Times And Singing Class Circular Volume 1 written by Anonymous and has been published by Legare Street Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-07-18 with categories.
This periodical provides a wealth of information for music enthusiasts. With reviews of new compositions, articles on musical theory, and updates on events and concerts, it is an indispensable resource for anyone interested in the world of music. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Musical Times And Singing Class Circular Volume 1 Primary Source Edition
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Author : Anonymous
language : en
Publisher: Nabu Press
Release Date : 2013-10
The Musical Times And Singing Class Circular Volume 1 Primary Source Edition written by Anonymous and has been published by Nabu Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10 with categories.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Musical Times And Singing Class Circular, Volume 1 Novello, 1844 Music; General; Music; Music / General; Music / History & Criticism; Music / Reference
The Musical Times And Singing Class Circular
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Author :
language : en
Publisher:
Release Date : 1865
The Musical Times And Singing Class Circular written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1865 with Music categories.
Musical Times And Singing Class Circular
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Author :
language : en
Publisher:
Release Date : 1896
Musical Times And Singing Class Circular written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1896 with Music categories.
The Canterbury Catch Club 1826
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Author : Chris Price
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2018-11-30
The Canterbury Catch Club 1826 written by Chris Price and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11-30 with Music categories.
In 1825, an enterprising Canterbury newsagent by the name of Henry Ward raised a subscription to commission a lasting tribute to his beloved musical society. The result was a fine lithograph showing 100 gentlemen in assured poses, carefully placed in surroundings eloquently freighted with classical allusion, cultural literacy, deep-rooted patriotism, and strictly masculine politics. That image is the subject of this book. With insights gleaned from a unique collection of music, papers, and artefacts in the archives of the city and the cathedral, this study considers not only the accomplished performance of bourgeois status which is clearly visible in the print, but other characteristics of the Club which are either less pictorially privileged or entirely omitted. Deploying iconographical, cultural, and musicological analysis, the book discusses this curiously contradictory slice of British social history in which the respectable apparently coexisted happily with the libertine. What emerges is an unusually clear view of the production, performance and consumption of music in a provincial city at a fascinating time: a period when cultural activity was a strategic assertion of socio-political identity.
German Song Onstage
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Author : Natasha Loges
language : en
Publisher: Indiana University Press
Release Date : 2020-05-05
German Song Onstage written by Natasha Loges and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-05 with Music categories.
A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more private and more public associations than is commonly recalled. The contributors to this volume explore a broad range of venues, singers, and audiences in distinct places and time periods—including the United States, the United Kingdom, Russia, and Germany—from the mid-19th century through the early 20th century. These historical case studies are set alongside reflections from a selection of today's leading musicians, offering insights on current Lied practices that will inform future generations of performers, scholars, and connoisseurs. Together these case studies unsettle narrow and elitist assumptions about what it meant and still means to present German song onstage by providing a transnational picture of historical Lieder performance, and opening up discussions about the relationship between history and performance today.
The House Of Novello
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Author : Victoria L. Cooper
language : en
Publisher: Routledge
Release Date : 2017-07-05
The House Of Novello written by Victoria L. Cooper and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
By the mid-nineteenth century music publishing was no longer the provenance of shopkeepers, instrument makers or individual scholars, but a business enterprise undertaken by a new breed of Victorian entrepreneur. Two such were Vincent Novello and his son Alfred, whose music publishing house enjoyed significant growth between 1829 and 1866. Victoria Cooper builds up a picture of Novello during this period and the socio-economic and cultural climate that influenced the company's business decisions. Looking in detail at some of the editions Novello published, she analyzes the editing style of the firm and how this was dictated by Novello's main audience of amateur musicians and choral societies. Scrutiny of Novello's stockbook indicates the financial fortunes of these editions, while correspondence between the firm and composers such as Mendelssohn reveals how Vincent and Alfred went about acquiring new compositions. With its focus on the development of a music publishing business, this study brings a fresh dimension to musicological research. Novello was able to combine business practice with a commitment to disseminate music of educational and artistic value, and the history of the company provides illuminating evidence of the commodification of music in nineteenth-century Britain.
Catalogue Of Organ Music Also Sacred Music With English Words Published By Novello Co Etc
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Author :
language : en
Publisher:
Release Date : 1866
Catalogue Of Organ Music Also Sacred Music With English Words Published By Novello Co Etc written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1866 with categories.
The Musical Times Singing Class Circular
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Author :
language : en
Publisher:
Release Date : 1955
The Musical Times Singing Class Circular written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1955 with Music categories.
A Social History Of Amateur Music Making And Scottish National Identity Scotland S Printed Music 1880 1951
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Author : Karen E. McAulay
language : en
Publisher: Taylor & Francis
Release Date : 2024-10-30
A Social History Of Amateur Music Making And Scottish National Identity Scotland S Printed Music 1880 1951 written by Karen E. McAulay and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-10-30 with History categories.
Late Victorian Scotland had a flourishing music publishing trade, evidenced by the survival of a plethora of vocal scores and dance tune books; and whether informing us what people actually sang and played at home, danced to, or enjoyed in choirs, or reminding us of the impact of emigration from Britain for both emigrants and their families left behind, examining this neglected repertoire provides an insight into Scottish musical culture and is a valuable addition to the broader social history of Scotland. The decline of the music trade by the mid-twentieth century is attributable to various factors, some external, but others due to the conservative and perhaps somewhat parochial nature of the publishers’ output. What survives bears witness to the importance of domestic and amateur music-making in ordinary lives between 1880 and 1950. Much of the music is now little more than a historical artefact. Nonetheless, Karen E. McAulay shows that the nature of the music, the song and fiddle tune books’ contents, the paratext around the collections, its packaging, marketing and dissemination all document the social history of an era whose everyday music has often been dismissed as not significant or, indeed, properly ‘old’ enough to merit consideration. The book will be valuable for academics as well as folk musicians and those interested in the social and musical history of Scotland and the British Isles.