The Mystic In The Theatre Eleonora Duse
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The Mystic In The Theatre Eleonora Duse
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Author : Eva Le Gallienne
language : en
Publisher: London : Bodley Head
Release Date : 1966
The Mystic In The Theatre Eleonora Duse written by Eva Le Gallienne and has been published by London : Bodley Head this book supported file pdf, txt, epub, kindle and other format this book has been release on 1966 with categories.
Eleonora Duse
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Author : Helen Sheehy
language : en
Publisher: Knopf
Release Date : 2009-02-04
Eleonora Duse written by Helen Sheehy and has been published by Knopf this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-02-04 with Biography & Autobiography categories.
A new biography, the first in two decades, of the legendary actress who inspired Anton Chekhov, popularized Henrik Ibsen, and spurred Stanislavski to create a new theory of acting based on her art and to invoke her name at every rehearsal. Writers loved her and wrote plays for her. She be-friended Rainer Maria Rilke and inspired the young James Joyce, who kept a portrait of her on his desk. Her greatest love, the poet d’Annunzio, made her the heroine of his novel Il fuoco (The Flame). She radically changed the art of acting: in a duel between the past and the future, she vanquished her rival, Sarah Bernhardt. Chekhov said of her, “I’ve never seen anything like it. Looking at Duse, I realized why the Russian theatre is such a bore.” Charlie Chaplin called her “the finest thing I have seen on the stage.” Gloria Swanson and Lillian Gish watched her perform with adoring attention, John Barrymore with awe. Shaw said she “touches you straight on the very heart.” When asked about her acting, Duse responded that, quite simply, it came from life. Except for one short film, Duse’s art has been lost. Despite dozens of books about her, her story is muffled by legend and myth. The sentimental image that prevails is of a misty, tragic heroine victimized by men, by life; an artist of unearthly purity, without ambition. Now Helen Sheehy, author of the much admired biography of Eva Le Gallienne, gives us a different Duse—a woman of strength and resolve, a woman who knew pain but could also inflict it. “Life is hard,” she said, “one must wound or be wounded.” She wanted to reveal on the stage the truth about women’s lives and she wanted her art to endure. Drawing on newly discovered material, including Duse’s own memoir, and unpublished letters and notes, Sheehy brings us to an understanding of the great actress’s unique ways of working: Duse acting out of her sense of her character’s inner life, Duse anticipating the bold aspects of modernism and performing with a sexual freedom that shocked and thrilled audiences. She edited her characters’ lines to bare skeletons, asked for the simplest sets and costumes. Where other actresses used hysterics onstage, Duse used stillness. Sheehy writes about the Duse that the actress herself tried to hide—tracing her life from her childhood as a performing member of a family of actors touring their repertory of drama and commedia dell’arte through Italy. We follow her through her twenties and through the next four decades of commissioning and directing plays, running her own company, and illuminating a series of great roles that included Emile Zola’s Thérèse Raquin, Marguerite in Dumas’s La Dame aux camélias, Nora in Ibsen’s A Doll’s House, and Hedda in his Hedda Gabler. When she thought her beauty was fading at fifty-one, she gave up the stage, only to return to the theatre in her early sixties; she traveled to America and enchanted audiences across the country. She died as she was born—on tour. Sheehy’s illuminating book brings us as close as we have ever been to the woman and the artist.
Eleonora Duse And Cenere Ashes
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Author : Maria Pia Pagani
language : en
Publisher: McFarland
Release Date : 2017-05-16
Eleonora Duse And Cenere Ashes written by Maria Pia Pagani and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-05-16 with Performing Arts categories.
The 1916 silent film Cenere (Ashes) features the great Italian actress Eleonora Duse (1858-1924) in her only cinematic role. In her meditative approach to her craft, she reprised for the screen all the "mother roles" she had created for the theater. Marking the film's 100th anniversary, this collection of essays brings together for the first time in English a range of scholarship. The difficulties involved in the making of the film are explored--Duse's perfectionism was too advanced for the Italian movie industry of the 1910s. Her work is discussed within the creative, political and historical context of the silent movie industry as it developed in wartime Italy.
Eleonora Duse In Life And Art
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Author : Giovanni Pontiero
language : en
Publisher: Frankfurt am Main ; New York : V.P. Lang
Release Date : 1986
Eleonora Duse In Life And Art written by Giovanni Pontiero and has been published by Frankfurt am Main ; New York : V.P. Lang this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with Biography & Autobiography categories.
This new biography of the Italian actress Eleonora Duse (1858-1924) traces her progress from obscurity to international acclaim as one of the most charismatic and influential actresses of her generation. A true pioneer in the theatre, Duse perfected an introspective style of acting which left critics and audiences spellbound. Vision and courage were the hallmark of her unique personality and no sacrifice was too great in her untiring quest for a «theatre of poetry».
Shattered Applause
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Author : Robert A Schanke
language : en
Publisher: SIU Press
Release Date : 2010-08-20
Shattered Applause written by Robert A Schanke and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-08-20 with Performing Arts categories.
This comprehensive biography of the actress film critic Rex Reed called “a national treasure” draws on Robert A. Schanke’s interviews and correspondence not only with Eva Le Gallienne but also with more than one hundred of her colleagues and friends, including Glenda Jackson, Burgess Meredith, Eli Wallach, Peter Falk, Ellen Burstyn, Anne Jackson, Farley Granger, Jane Alexander, Uta Hagen, and Rosemary Harris. Forty-two illustrations offer highlights of Le Gallienne’s many notable performances in such plays as Hedda Gabler, Liliom, The Cherry Orchard, Peter Pan, Camille, Mary Stuart, The Royal Family,and The Dream Watcher. Behind her public role as a famous actress and as the founding and maintaining force of the first civic repertory theatre in the United States, Eva Le Gallienne led a private life complicated by her identity as a lesbian. Schanke considers Le Gallienne’s sexuality and how it played a role in the struggles, defeats, and triumphs that combined to inspire her greatness. Shattered Applause, a finalist for the Lambda Literary Award for Lesbian Nonfiction, tells a fascinating story that also serves as a barometer of the changing values, tastes, and attitudes of American society.
Theatre And Evolution From Ibsen To Beckett
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Author : Kirsten E. Shepherd-Barr
language : en
Publisher: Columbia University Press
Release Date : 2015-03-03
Theatre And Evolution From Ibsen To Beckett written by Kirsten E. Shepherd-Barr and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-03-03 with Performing Arts categories.
Evolutionary theory made its stage debut as early as the 1840s, reflecting a scientific advancement that was fast changing the world. Tracing this development in dozens of mainstream European and American plays, as well as in circus, vaudeville, pantomime, and "missing link" performances, Theatre and Evolution from Ibsen to Beckett reveals the deep, transformative entanglement among science, art, and culture in modern times. The stage proved to be no mere handmaiden to evolutionary science, though, often resisting and altering the ideas at its core. Many dramatists cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging directly with the relation of science and culture, this book considers the influence of not only Darwin but also Lamarck, Chambers, Spencer, Wallace, Haeckel, de Vries, and other evolutionists on 150 years of theater. It shares significant new insights into the work of Ibsen, Shaw, Wilder, and Beckett, and writes female playwrights, such as Susan Glaspell and Elizabeth Baker, into the theatrical record, unpacking their dramatic explorations of biological determinism, gender essentialism, the maternal instinct, and the "cult of motherhood." It is likely that more people encountered evolution at the theater than through any other art form in the late nineteenth and early twentieth centuries. Considering the liveliness and immediacy of the theater and its reliance on a diverse community of spectators and the power that entails, this book is a key text for grasping the extent of the public's adaptation to the new theory and the legacy of its representation on the perceived legitimacy (or illegitimacy) of scientific work.
Playing Sick
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Author : Meredith Conti
language : en
Publisher: Routledge
Release Date : 2018-07-27
Playing Sick written by Meredith Conti and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-07-27 with Performing Arts categories.
Few life occurrences shaped individual and collective identities within Victorian-era society as critically as witnessing or suffering from illness. The prevalence of illness narratives within late nineteenth-century popular culture was made manifest on the period’s British and American stages, where theatrical embodiments of illness were indisputable staples of actors’ repertoires. Playing Sick: Performances of Illness in the Age of Victorian Medicine reconstructs how actors embodied three of the era’s most provocative illnesses: tuberculosis, drug addiction, and mental illness. In placing performances of illness within wider medicocultural contexts, Meredith Conti analyzes how such depictions confirmed or resisted salient constructions of diseases and the diseased. Conti’s case studies, which range from Eleonora Duse’s portrayal of the consumptive courtesan Marguerite Gautier to Henry Irving’s performance of senile dementia in King Lear, help to illuminate the interdependence of medical science and theatre in constructing nineteenth-century illness narratives. Through reconstructing these performances, Conti isolates from the period’s acting practices a lexicon of embodied illness: a flexible set of physical and vocal techniques that performers employed to theatricalize the sick body. In an age when medical science encouraged a gradual decentering of the patient from their own diagnosis and treatment, late nineteenth-century performances of illness symbolically restored the sick to positions of visibility and consequence.
Duse On Tour
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Author : Guido Noccioli
language : en
Publisher: Manchester University Press
Release Date : 1982
Duse On Tour written by Guido Noccioli and has been published by Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with Actors categories.
Japanese Theatre And The International Stage
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Author : Stanca Scholz-Cionca
language : en
Publisher: BRILL
Release Date : 2021-08-04
Japanese Theatre And The International Stage written by Stanca Scholz-Cionca and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-08-04 with Drama categories.
This well-illustrated work is the first attempt to bridge the gap between several specialized discourses concerning Japanese theatre. Central are problems of scholarly and practical reception of Japanese theatre forms in the West. The essays by a careful selection of internationally well-reputed scholars range widely through Japanese theatre, from the ancient to the postmodern, or, one might say, from kagura to angura. It deals with reception of Japanese theatre in the West, the treatment of the body in stage art and drama, Western influence, the impact of Japanese theatre practice and theory upon the actor’s training, and stage directing in the West. Readers will come across a wide variety of intriguing topics, such as lion dances, kabuki, nôh, folk theatre, taishu engeki, and several important modern playwrights, etc. This book truly promises to intensify future dialogue between the many disciplines concerned with Japanese theatre.
Playing To The Gods
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Author : Peter Rader
language : en
Publisher: Simon & Schuster
Release Date : 2019-08-13
Playing To The Gods written by Peter Rader and has been published by Simon & Schuster this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-08-13 with Biography & Autobiography categories.
The riveting story of the rivalry between the two most renowned actresses of the nineteenth century: legendary Sarah Bernhardt, whose eccentricity on and off the stage made her the original diva, and mystical Eleonora Duse, who broke all the rules to popularize the natural style of acting we celebrate today. Audiences across Europe and the Americas clamored to see the divine Sarah Bernhardt swoon—and she gave them their money’s worth. The world’s first superstar, she traveled with a chimpanzee named Darwin and a pet alligator that drank champagne, shamelessly supplementing her income by endorsing everything from aperitifs to beef bouillon, and spreading rumors that she slept in a coffin to better understand the macabre heroines she played. Eleonora Duse shied away from the spotlight. Born to a penniless family of itinerant troubadours, she disappeared into the characters she portrayed—channeling their spirits, she claimed. Her new, empathetic style of acting revolutionized the theater—and earned her the ire of Sarah Bernhardt in what would become the most tumultuous theatrical showdown of the nineteenth century. Bernhardt and Duse seduced each other’s lovers, stole one another’s favorite playwrights, and took to the world’s stages to outperform their rival in her most iconic roles. A scandalous, enormously entertaining history full of high drama and low blows, Playing to the Gods is the perfect “book for all of us who binge-watched Feud” (Daniel de Visé, author of Andy & Don: The Making of a Friendship and a Classic American TV Show).