The Notation Of Medieval Music
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The Notation Of Medieval Music
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Author : Carl Parrish
language : en
Publisher: Pendragon Press
Release Date : 1978
The Notation Of Medieval Music written by Carl Parrish and has been published by Pendragon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1978 with Music categories.
The Notation Of Medieval Music Repr Mit Faks U Noten
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Author : Carl Parrish
language : en
Publisher:
Release Date : 1978
The Notation Of Medieval Music Repr Mit Faks U Noten written by Carl Parrish and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1978 with categories.
Music In Medieval Manuscripts
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Author : Nicolas Bell
language : en
Publisher: University of Toronto Press
Release Date : 2001-01-01
Music In Medieval Manuscripts written by Nicolas Bell and has been published by University of Toronto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-01-01 with Music categories.
"The history of music writing is covered from the earliest times until the fifteenth century, and the beautiful and often entertaining pictures of musicians in manuscripts show how music was performed."--BOOK JACKET.
Medieval Music
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Author : John Caldwell
language : en
Publisher: Routledge
Release Date : 2019-06-26
Medieval Music written by John Caldwell and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-06-26 with History categories.
Originally published in 1978, Medieval Music explores the fascinating development of medieval western music from its often obscure origins in the Jewish synagogue and early Church, to the mid-fifteenth century. The book is intended as a straightforward survey of medieval music and emphases the technical aspects such as form, style and notation. It is illustrated by nearly one hundred musical examples, the majority of which have been transcribed from original sources and many of which contains chapters on Latin chant and other forms of sacred monophony, secular song, early polyphony, the ars antiqua, French and Italian fourteenth-century music, English music, and fifteenth-century music. Each chapter is followed by a classified bibliography divided into musical sources, literary sources and modern studies; in addition to a comprehensive bibliography.
Where Sight Meets Sound
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Author : Emily Zazulia
language : en
Publisher:
Release Date : 2021
Where Sight Meets Sound written by Emily Zazulia and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Musical notation categories.
Late-medieval composers delighted in complicating the relationship between their music's written and sung forms, often tasking singers with reading their music in unusual ways-from slowing down a melodic line, to turning it backwards or upside down, even omitting certain notes or rests. These manipulations increasingly yielded music that was aurally all but unrecognizable as a derivative of the notated original. This book uses these unorthodox applications of notation to understand how late-medieval composers thought about the tool of musical notation. It argues that these compositions foregro.
Improvisation And Inventio In The Performance Of Medieval Music
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Author : Mariani Smith Mariani
language : en
Publisher: Oxford University Press
Release Date : 2017
Improvisation And Inventio In The Performance Of Medieval Music written by Mariani Smith Mariani and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with History categories.
Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani's impassioned stance that the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer in the present, emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice.
The Notation Of Medieval Music
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Author : Carl Parrish
language : en
Publisher: New York : Norton
Release Date : 1957
The Notation Of Medieval Music written by Carl Parrish and has been published by New York : Norton this book supported file pdf, txt, epub, kindle and other format this book has been release on 1957 with Manuscripts, Medieval categories.
This work studies the development of musical notation from the ninth to the fifteenth century.
The Critical Nexus
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Author : Charles M. Atkinson
language : en
Publisher: Oxford University Press
Release Date : 2009
The Critical Nexus written by Charles M. Atkinson and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Language Arts & Disciplines categories.
The Critical Nexus is the first book to trace the development of the notational matrix of Western music from Antiquity to the fourteenth century. It shows how principles of ancient Greek theory were grafted onto medieval practice, leading to a theory of both tone-system and mode, and a concomitant system of musical notation, that is uniquely Western.
The Sound Of Medieval Song
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Author : Timothy J. McGee
language : en
Publisher: Clarendon Press
Release Date : 1998-04-02
The Sound Of Medieval Song written by Timothy J. McGee and has been published by Clarendon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-04-02 with Music categories.
The Sound of Medieval Song is a study of how sacred and secular music was actually sung during the Middle Ages. The source of the information is the actual notation in the early manuscripts as well as statements found in approximately 50 theoretical treatises written between the years 600-1500. The writings describe various singing practices and both desirable and undesirable vocal techniques, providing a fairly accurate picture of how singers approached the music of the period. Detailed descriptions of the types and uses of improvised ornament indicate that in performance the music was highly ornate, and included trill, gliss, reverberation, pulsation, pitch inflection, non-diatonic tones, and cadenza-like passages of various lengths. The treatises also provide evidence of stylistic differences in various geographical locations. McGee draws conclusions about the kind of vocal production and techniques necessary in order to reproduce the music as it was performed during the Middle Ages, aligning the practices much more closely with those of the Middle East than has ever been previously acknowledged.
Improvisation And Inventio In The Performance Of Medieval Music
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Author : Angela Mariani
language : en
Publisher: Oxford University Press
Release Date : 2017-08-02
Improvisation And Inventio In The Performance Of Medieval Music written by Angela Mariani and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-08-02 with Music categories.
Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani's impassioned stance that "the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer in the present," emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice.