The Oxford Handbook Of Voice Studies
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The Oxford Handbook Of Voice Studies
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Author : Nina Sun Eidsheim
language : en
Publisher:
Release Date : 2019
The Oxford Handbook Of Voice Studies written by Nina Sun Eidsheim and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Singing categories.
More than two hundred years after the first speaking machine, we are accustomed to voices talking from seemingly anywhere and everywhere, including house alarm systems, cars, telephones, and digital assistants, or "smart speakers" such as Alexa and Google Home. However, vocal events still have the capacity to raise age-old questions regarding the human, the animal, the machine, and the spiritual-or in nonmetaphysical terms, questions about identity and authenticity. Individuals and groups perform, refuse, and play identity through vocal acts and by listening to and for voice. In this volume, leading scholars from multiple disciplines respond to the seemingly innocuous question: What is voice?
The Oxford Handbook Of Voice Perception
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Author : Sascha ühholz
language : en
Publisher: Oxford University Press, USA
Release Date : 2019-01-29
The Oxford Handbook Of Voice Perception written by Sascha ühholz and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-29 with Medical categories.
Speech perception has been the focus of innumerable studies over the past decades. While our abilities to recognize individuals by their voice state plays a central role in our everyday social interactions, limited scientific attention has been devoted to the perceptual and cerebral mechanisms underlying nonverbal information processing in voices. The Oxford Handbook of Voice Perception takes a comprehensive look at this emerging field and presents a selection of current research in voice perception. The forty chapters summarise the most exciting research from across several disciplines covering acoustical, clinical, evolutionary, cognitive, and computational perspectives. In particular, this handbook offers an invaluable window into the development and evolution of the 'vocal brain', and considers in detail the voice processing abilities of non-human animals or human infants. By providing a full and unique perspective on the recent developments in this burgeoning area of study, this text is an important and interdisciplinary resource for students, researchers, and scientific journalists interested in voice perception.
Vocal Instrumental And Ensemble Learning And Teaching
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Author : Gary McPherson
language : en
Publisher: Oxford University Press
Release Date : 2018
Vocal Instrumental And Ensemble Learning And Teaching written by Gary McPherson and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with Music categories.
"Volume editors: Susan Hallam, Jere T. Humphreys, & John Nix"--Page 4 of cover.
The Oxford Handbook Of Voice Studies
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Author : Nina Eidsheim
language : en
Publisher: Oxford University Press
Release Date : 2019-05-22
The Oxford Handbook Of Voice Studies written by Nina Eidsheim and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-22 with Music categories.
More than 200 years after the first speaking machine, we are accustomed to voices that speak from any- and everywhere. We interact daily with voices that emit from house alarm systems, cars, telephones, and digital assistants, such as Alexa and Google Home. However, vocal events still have the capacity to raise age-old questions about the human, the animal, the machine, and the spiritual-or in non-metaphysical terms-questions about identity and authenticity. In The Oxford Handbook of Voice Studies, contributors look to the metaphorical voice as well as the clinical understanding of the vocal apparatus to answer the seemingly innocuous question: What is voice? From a range of disciplines including the humanities, biology, culture, and technology studies, contributors draw on the unique methodologies and values each has at hand to address the uses, meanings, practices, theories, methods, and sounds of the voice. Together, they assess the ways that discipline-specific, ontological, and epistemological assumptions of voice need to shift in order to take the findings of other fields into account. This Handbook thus enables a lively discussion as multifaceted and complex as the voice itself has proven to be.
The Oxford Handbook Of Singing
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Author : Graham F. Welch
language : en
Publisher: Oxford Library of Psychology
Release Date : 2019
The Oxford Handbook Of Singing written by Graham F. Welch and has been published by Oxford Library of Psychology this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Medical categories.
This handbook is currently in development, with individual articles publishing online in advance of print publication. The table of contents will continue to grow as additional articles pass through the review process and are added to the site.
Multivocality
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Author : Katherine Meizel
language : en
Publisher: Oxford University Press, USA
Release Date : 2020-02-03
Multivocality written by Katherine Meizel and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-02-03 with Music categories.
Multivocality frames vocality as a way to investigate the voice in music, as a concept encompassing all the implications with which voice is inscribed-the negotiation of sound and Self, individual and culture, medium and meaning, ontology and embodiment. Like identity, vocality is fluid and constructed continually; even the most iconic of singers do not simply exercise a static voice throughout a lifetime. As 21st century singers habitually perform across styles, genres, cultural contexts, histories, and identities, the author suggests that they are not only performing in multiple vocalities, but more critically, they are performing multivocality-creating and recreating identity through the process of singing with many voices. Multivocality constitutes an effort toward a fuller understanding of how the singing voice figures in the negotiation of identity. Author Katherine Meizel recovers the idea of multivocality from its previously abstract treatment, and re-embodies it in the lived experiences of singers who work on and across the fluid borders of identity. Highlighting singers in vocal motion, Multivocality focuses on their transitions and transgressions across genre and gender boundaries, cultural borders, the lines between body and technology, between religious contexts, between found voices and lost ones.
The Oxford Handbook Of Film Music Studies
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Author : David Neumeyer
language : en
Publisher: Oxford University Press, USA
Release Date : 2014
The Oxford Handbook Of Film Music Studies written by David Neumeyer and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Music categories.
The Oxford Handbook of Film Music Studies gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history, genre and medium, analysis and criticism, and interpretation.
The Oxford Handbook Of Music And Disability Studies
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Author : Blake Howe
language : en
Publisher: Oxford Handbooks
Release Date : 2016
The Oxford Handbook Of Music And Disability Studies written by Blake Howe and has been published by Oxford Handbooks this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Music categories.
Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in the variety of bodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, and mobility impairment often coupled with bodily deformity. Cultural Disability Studies has, from its inception, been oriented toward physical and sensory disabilities, and has generally been less effective in dealing with cognitive and intellectual impairments and with the sorts of emotions and behaviors that in our era are often medicalized as "mental illness." In that context, it is notable that so many of these essays are centrally concerned with madness, that broad and ever-shifting cultural category. There is also in impressive diversity of subject matter including YouTube videos, Ghanaian drumming, Cirque du Soleil, piano competitions, castrati, medieval smoking songs, and popular musicals. Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments.0First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery of culture and music, but something central to our art and to our humanity.
The Oxford Handbook Of Mobile Music Studies Volume 1
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Author : Sumanth Gopinath
language : en
Publisher: Oxford University Press
Release Date : 2014-03
The Oxford Handbook Of Mobile Music Studies Volume 1 written by Sumanth Gopinath and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-03 with Music categories.
The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inquiry that addresses how mechanical, electrical, and digital technologies and their corresponding economies of scale have rendered music and sound increasingly mobile-portable, fungible, and ubiquitous. At once a marketing term, a common mode of everyday-life performance, and an instigator of experimental aesthetics, "mobile music" opens up a space for studying the momentous transformations in the production, distribution, consumption, and experience of music and sound that took place between the late nineteenth and the early twenty-first centuries. Taken together, the two volumes cover a large swath of the world-the US, the UK, Japan, Brazil, Germany, Turkey, Mexico, France, China, Jamaica, Iraq, the Philippines, India, Sweden-and a similarly broad array of the musical and nonmusical sounds suffusing the soundscapes of mobility. Volume 1 provides an introduction to the study of mobile music through the examination of its devices, markets, and theories. Conceptualizing a long history of mobile music extending from the late nineteenth century to the present, the volume focuses on the conjunction of human mobility and forms of sound production and reproduction. The volume's chapters investigate the MP3, copyright law and digital downloading, music and cloud computing, the iPod, the transistor radio, the automated call center, sound and text messaging, the mobile phone, the militarization of iPod usage, the cochlear implant, the portable sound recorder, listening practices of schoolchildren and teenagers, the ringtone, mobile music in the urban soundscape, the boombox, mobile music marketing in Mexico and Brazil, music piracy in India, and online radio in Japan and the US.
The Oxford Handbook Of Music Performance Volume 2
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Author : Gary McPherson
language : en
Publisher: Oxford University Press
Release Date : 2022-02-03
The Oxford Handbook Of Music Performance Volume 2 written by Gary McPherson and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-02-03 with Music categories.
The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.