The Paradox Of Modernism
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The Paradox Of Modernism
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Author : Arpita Sahoo
language : en
Publisher: The Little Booktique Hub
Release Date :
The Paradox Of Modernism written by Arpita Sahoo and has been published by The Little Booktique Hub this book supported file pdf, txt, epub, kindle and other format this book has been release on with Juvenile Fiction categories.
In every aspect of our life in the 21st century, we have become entrapped and confiscated in the modern world. "Paradox of Modernism" brings you the instances of how we are living the life of a caged bird in cities of skyscrapers and machines. Paradox of Modernism is a collection of poems, short stories, micro-tales and quotes related to the host and parasite relationship between humans and modernization. This book will take you to the world of realisation of heartbreaks, fallacy of luxury, contempt of materialism, lack of humanity presenting us as insects trapped in the web of a paradox. The once-upon-a-time colourful world is changing from mild tints to darker shades.
The Five Paradoxes Of Modernity
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Author : Antoine Compagnon
language : en
Publisher: Columbia University Press
Release Date : 1994
The Five Paradoxes Of Modernity written by Antoine Compagnon and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Art, Modern categories.
In this elegant, highly readable book, Compagnon confronts the postmodern's co-optation of the modern by tracing paradoxical elements in the aesthetic of the new - particularly the aesthetic and moral contradictions built into the enthusiasm for the new - in the "five paradoxes of modernity": the superstition of the new, the religion of the future, the mania for theory, the appeal to mass culture, and the passion for repudiation.
Paradoxy Of Modernism
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Author : Robert Scholes
language : en
Publisher: Yale University Press
Release Date : 2008-10-01
Paradoxy Of Modernism written by Robert Scholes and has been published by Yale University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-10-01 with Literary Criticism categories.
In this lively, personal book, Robert Scholes intervenes in ongoing discussions about modernism in the arts during the crucial half-century from 1895 to 1945. While critics of and apologists for modernism have defined modern art and literature in terms of binary oppositions—high/low, old/new, hard/soft, poetry/rhetoric—Scholes contends that these distinctions are in fact confused and misleading. Such oppositions are instances of “paradoxy”—an apparent clarity that covers real confusion. Closely examining specific literary texts, drawings, critical writings, and memoirs, Scholes seeks to complicate the neat polar oppositions attributed to modernism. He argues for the rehabilitation of works in the middle ground that have been trivialized in previous evaluations, and he fights orthodoxy with such paradoxes as “durable fluff,” “formulaic creativity,” and “iridescent mediocrity.” The book reconsiders major figures like James Joyce while underscoring the value of minor figures and addressing new attention to others rarely studied. It includes twenty-two illustrations of the artworks discussed. Filled with the observations of a personable and witty guide, this is a book that opens up for a reader’s delight the rich cultural terrain of modernism.
Snake S Tail
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Author : Jeffrey Scott Blevins
language : en
Publisher:
Release Date : 2016
Snake S Tail written by Jeffrey Scott Blevins and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with categories.
This dissertation explores how modernists envisioned thinking, judging, and acting in conditions of paradox. I hold modernism up against historical developments in logic, mathematics, and analytic philosophy to argue that T.S. Eliot, Robert Frost, Gertrude Stein, and I.A. Richards generated distinctive aesthetic, phenomenological, and affective responses to paradoxical situations. I anchor the work of these modernists in twentieth-century intellectual contexts with which they were all familiar, including the transition out of classical logic into a supposedly unparadoxical new symbolism; the waning of idealism and subsequent waxing of analytic philosophies; and the drive to “complete” mathematics. I demonstrate how modernists drew from these contexts the overarching problem of the liar paradox, whose paradoxical self-reference resisted all of logic’s attempts to resolve it. Articulating an aesthetics of paradox that is shaped by, yet often resistant to, these nascent new philosophies that were themselves defined by the liar paradox, modernists attend to the lived consequences, stylistic repercussions, and emotional tonalities of judging and acting in paradoxical situations. I argue that they bear witness to logic’s struggles against paradox with profound consequences for narrative, poetics, form, and style. And I claim that they deepen approaches to logical thinking with a focus on what self-reference looks and feels like as an aesthetic experience: on paradoxes that link stylistic fragmentation with bodily harm (Eliot); self-referential structures that model human suffering (Frost); circular predicates that mimic processes of thought (Stein); and the metalinguistic consequences of self-reference in the context of close reading (Richards). Affective and stylistic dimensions of paradox mediate between the scales of concept, art, and intellectual history: Eliot’s poetic illusions and hallucinations emerge from grammatical self-reference and a graduate-level study of logic; Frost’s depictions of marital strife root in “unvicious circles” that mirror ones Frost studied at Harvard; Stein’s drive to capture consciousness in a totalizing self-referential style carries on a mathematical dream of completeness learned from A.N. Whitehead; and Richards’s metalinguistic project borrowed from logic to develop many of the formalist tools that literary scholars use to this day. Throughout I draw connections between these aesthetic presentations of paradox and our current literary practices, offering updated accounts of inference, evidence, figuration, and especially form—as logical concept, linguistic quodlibet, literary-critical object, and stylistic protocol.
The Greenberg Paradox
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Author : Jose Luis Mejia Razo
language : en
Publisher:
Release Date : 2020
The Greenberg Paradox written by Jose Luis Mejia Razo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with categories.
In his 70 years old essay, Avant-Garde and Kitsch, Clement Greenberg stated that the artistic movements, referred as avant-garde and modernist, were the antagonist figure to the synthetic and commercial art named kitsch, which was one of the cultural outputs of the modern class-differentiated society and accelerating consumer's culture combined with the permanent folk factor1 in societies. Far from criticizing the implications of the theory behind the term coined by Greenberg, this paper intends to analyze the influence of modernity and kitsch in contemporary art and theorize - under the term of “The Greenberg Paradox” - the process in which kitsch is inserted, used or reinterpreted in new artwork, then considering several variables, this resultant new piece is highly valuated - both in qualitative and pecuniary terms.
The Marriage Paradox
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Author : Davida Pines
language : en
Publisher:
Release Date : 2005-12-31
The Marriage Paradox written by Davida Pines and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-12-31 with Literary Criticism categories.
Departing from the tradition of reading literary modernism in terms of formal innovation, Pines’ study examines literary modernism through the lens of marriage. She considers the marriage plots of selected modernist novels by Henry James, Ford Madox Ford, D.H. Lawrence, Nella Larsen, and Virginia Woolf in relation to the social and legal restructuring of marriage occurring in the late nineteenth and early twentieth centuries in Britain and the U.S. In particular, she identifies and explores the strategies by which the modernist critique of marriage paradoxically reinforces the institution and the social imperative to marry. Despite a preoccupation with the changing nature of marriage, she argues, modern literature and culture do not imagine alternatives to marriage. By examining these novels in their social, legal, and historical contexts, Pines provides insights into how a critique of marriage can paradoxically contribute to a commitment to the institution. Ultimately, she argues, this critique undermines the definition of modernism as a radical disruption of social and cultural norms and raises questions about the persistence of marriage in Anglo-American culture. In treating marriage as a social and cultural institution, Pines departs from previous feminist examinations of modernism that focus on gender roles or consider the modern marriage plot in less historical and more formalist terms. And, finally, by setting texts of High Modernism alongside texts from the Harlem Renaissance, her study argues for a more expansive definition of literary modernism.
Modernity Theory
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Author : John Jervis
language : en
Publisher: Springer
Release Date : 2018-12-29
Modernity Theory written by John Jervis and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-12-29 with Literary Criticism categories.
Modernity theory approaches modern experience as it incorporates a sense of itself as ‘modern’ (modernity), along with the possibilities and limitations of representing this in the arts and culture generally (modernism). The book interrogates modernity in the name of a fluid, unsettled, unsettling modernism. As the offspring of the Enlightenment and the Age of Sensibility, modernity is framed here through a cultural aesthetics that highlights not just an instrumental, exploitative approach to the world but the distinctive configuration of embodiment, feeling, and imagination, that we refer to as ‘civilization’, in turn both explored and subverted through modernist experimentalism and reflexive thinking in culture and the arts. This discloses the rationalizing pretensions that underlie the modern project and have resulted in the sensationalist, melodramatic conflicts of good and evil that traverse our contemporary world of politics and popular culture alike. This innovative approach permits modernity theory to link otherwise fragmented insights of separate humanities disciplines, aspects of sociology, and cultural studies, by identifying and contributing to a central strand of modern thought running from Kant through Benjamin to the present. One aspect of modernity theory that results is that it cannot escape the paradoxes inherent in reflexive involvement in its own history.
Niklas Luhmann S Modernity
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Author : William Rasch
language : en
Publisher: Stanford University Press
Release Date : 2000
Niklas Luhmann S Modernity written by William Rasch and has been published by Stanford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Social Science categories.
An introduction to the nature of modernity as envisioned by Germany's leading social theorist of the late-20th century, Niklas Luhmann. The book injects concepts derived from Luhmann's influential systems theory into debates about modernity and postmodernity, constructivist and foundationalist epistemologies, the relationship between politics and ethics, and the possibilities of interdisciplinary work that spans the great divide between science and the humanities. The book stages challenging engagements with suchthinkers as Jurgen Habermas, Jacques Derrida, Jean-Francois Lyotard, Drucilla Cornell, Judith Butler, Michel Serres, N. Katherine Hayles, and such political theorists as Chantal Mouffe and Carl Schmitt. The book closes with two interviews: one a discussion with Luhmann and Hayles on epistemology, the other with Luhmann on the functional differentiation of modern society.
Living In The Eye Of Paradox
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Author : K. Judith.* Millen
language : en
Publisher:
Release Date : 1990
Living In The Eye Of Paradox written by K. Judith.* Millen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Feminist theory categories.
Defining Modernism
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Author : Andrea Gogröf-Voorhees
language : en
Publisher: Peter Lang
Release Date : 1999
Defining Modernism written by Andrea Gogröf-Voorhees and has been published by Peter Lang this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Literary Criticism categories.
Defining Modernism investigates the intellectual connections among three leading nineteenth-century European modernists - Baudelaire, Nietzsche, and Richard Wagner. Through a close reading of Baudelaire's and Nietzsche's essays on art and culture, Wagner's role in the two writers' attempts to define the radically new concept of «modernism» is elucidated. Gogröf-Voorhees explores the affinity between the two writers, which emerges from a juxtaposition of their formulations of the idea of a fractured, contradictory modernity that at once embraces, scatters, and reevaluates an entire constellation of ideas, including romanticism, pessimism, decadence, and nihilism.