The Patronage Of The Last Medici


The Patronage Of The Last Medici
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The Patronage Of The Last Medici


The Patronage Of The Last Medici
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Author : Elena Ciletti
language : en
Publisher:
Release Date : 1981

The Patronage Of The Last Medici written by Elena Ciletti and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Art patronage categories.




With And Without The Medici


With And Without The Medici
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Author : Eckart Marchand
language : en
Publisher: Routledge
Release Date : 1998

With And Without The Medici written by Eckart Marchand and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Art patronage categories.


Medici dominance in the political and cultural life of Italy, and of Florence in particular has been well explored. Previous patronage studies have shown how the Medici invested great wealth in both private and public art and how the skills of Florentine artists and their products were an important part of the self-representation of Florence and the Medici in Italy and abroad. The six studies in this volume investigate the evidence for patronal interests expressed in a variety of commissions by different social groups and consider how far Medici activity as patrons can be considered paradigmatic. In examining the language in which the work was commissioned and received, the scholars explore the way the work of art reflects the patron's needs, interests or allegiance. New evidence is presented of aspects of the relationship between the patron and artists. Topics covered include commissions for the religious and secular decoration of Florentine villas, the activities and aspirations of Florentine nuns, the early practice of collecting, and the artist's response to the patron's needs through the formal qualities of the works of art. The volume is introduced by Eckart Marchand and Alison Wright who provide an invaluable historical overview of the present state of studies in Italian and especially Tuscan Renaissance art patronage.



The Art Patronage Of Maria De Medici


The Art Patronage Of Maria De Medici
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Author : Deborah Marrow
language : en
Publisher:
Release Date : 1982

The Art Patronage Of Maria De Medici written by Deborah Marrow and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with Art categories.




Women Patronage And Salvation In Renaissance Florence


 Women Patronage And Salvation In Renaissance Florence
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Author : Stefanie Solum
language : en
Publisher: Routledge
Release Date : 2017-07-05

Women Patronage And Salvation In Renaissance Florence written by Stefanie Solum and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


Long obfuscated by modern definitions of historical evidence and art patronage, Lucrezia Tornabuoni de? Medici?s impact on the visual world of her time comes to light in this book, the first full-length scholarly argument for a lay woman?s contributions to the visual arts of fifteenth-century Florence. This focused investigation of the Medici family?s domestic altarpiece, Filippo Lippi?s Adoration of the Christ Child, is broad in its ramifications. Mapping out the cultural network of gender, piety, and power in which Lippi?s painting was originally embedded, author Stefanie Solum challenges the received wisdom that women played little part in actively shaping visual culture during the Florentine Quattrocento. She uses visual evidence never before brought to bear on the topic to reveal that Lucrezia Tornabuoni - shrewd power-broker, pious poetess, and mother of the 'Magnificent' Lorenzo de? Medici - also had a profound impact on the visual arts. Lucrezia emerges as a fascinating key to understanding the ways in which female lay religiosity created the visual world of Renaissance Florence. The Medici case study establishes, at long last, a robust historical basis for the assertion of women?s agency and patronage in the deeply patriarchal and artistically dynamic society of Quattrocento Florence. As such, it offers a new paradigm for the understanding, and future study, of female patronage during this period.



Cosimo De Medici And The Florentine Renaissance


Cosimo De Medici And The Florentine Renaissance
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Author : Dale V. Kent
language : en
Publisher:
Release Date : 2000

Cosimo De Medici And The Florentine Renaissance written by Dale V. Kent and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Art categories.


"Cosimo de'Medici (1389-1464), the fabulously wealthy banker who became the leading citizen of Florence in the fifteenth century, spent lavishly as the city's most important patron of art and literature. This book is the first comprehensive examination of the whole body of works of art and architecture commissioned by Cosimo and his sons. By looking closely at this spectacular group of commissions, we gain an entirely new picture of their patron, and of the patron's point of view. Recurrent themes in the commissions - from Fra Angelico's San Marco altarpiece to the Medici palace - indicate the main interests to which Cosimo's patronage gave visual expression. Dale Kent offers new insights and perspectives on the individual objects comprising the Medici oeuvre by setting them within the context of civic and popular culture in early Renaissance Florence, and of Cosimo's life as the leader of the Medici lineage and the dominant force in the governing elite." "From the wealth of available documentation illuminating Cosimo de'Medici's life, the author considers how his own experience influenced his patronage; how the culture of Renaissance Florence provided a common idiom for the patron, his artists, and his audience; what he preferred and intended as a patron; and how focussing on his patronage of art alters the image of him that is based on his roles as banker and politician. Cosimo was as much a product as a shaper of Florentine society, Kent concludes. She identifies civic patriotism and devotion as the main themes of his oeuvre and argues that religious imperatives may well have been more important than political ones in shaping the art for which he was responsible and its reception."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved



Lorenzo De Medici


Lorenzo De Medici
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Author : Lee Hancock
language : en
Publisher: The Rosen Publishing Group, Inc
Release Date : 2004-12-15

Lorenzo De Medici written by Lee Hancock and has been published by The Rosen Publishing Group, Inc this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-12-15 with Juvenile Nonfiction categories.


Presents the life and accomplishments of the fifteenth-century ruler of Florence who was renowned for his passion for the arts, and who sponsored Michelangelo.



The Age Of Lorenzo De Medici


The Age Of Lorenzo De Medici
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Author : National Gallery of Art (U.S.)
language : en
Publisher:
Release Date : 1992

The Age Of Lorenzo De Medici written by National Gallery of Art (U.S.) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Art patronage categories.




After Vasari


After Vasari
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Author : Edward L. Goldberg
language : en
Publisher:
Release Date : 1988

After Vasari written by Edward L. Goldberg and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with Art categories.


Giorgio Vasari, author of the famed sixteenth-century compendium Lives, was the most influential proponent of the Medici art myth: the doctrine that painting, sculpture, and architecture reached unique perfection in Florence through inspired Medici patronage. By the mid-seventeenth century, however, Vasari's claims were drawing vehement criticism throughout Italy. Seeking to reaffirm the cultural prestige of his family and his nation, Cardinal Prince Leopoldo de' Medici (1617-1675) sponsored a new Florentine edition of artists' lives in the Vasarian tradition. In After Vasari, Edward Goldberg focuses on Filippo Baldinucci (1625-1696), the chief curator of Leopoldo's remarkable collections. For many years after his patron's death, Baldinucci struggled to realize this great art historiographic project but was continually frustrated by a lack of financial support and by the bitter enmity of other writers on art. He also suffered from chronic depression and from destructive religious obsessions. In tracing the pattern of Baldinucci's successes and failures, Goldberg sheds much new light on the values and customs of late Medici Florence, and on the human dimension of contemporary art historical controversies.



Patronage In Renaissance Italy


Patronage In Renaissance Italy
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Author : Mary Hollingsworth
language : en
Publisher:
Release Date : 1994

Patronage In Renaissance Italy written by Mary Hollingsworth and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Art categories.


This is the first comprehensive study of patrons in the Italian quattrocento. It will be of great interest to art historians and their students and to lovers of Renaissance art and civilization. At the start of the fifteenth century the patron, not the artist, was seen as the creator and he carefully controlled both subject and medium. In a competitive and voilent age, image and ostentation were essential statements of power. Buildings, bronze or tapestry were much more eloquent statements than the cheaper marble or fresco. The artistic quality that concerns us was less important than perceived cost. The arts in any case were just part of a pattern of conspicuous expenditure which would have included for instance holy relics, manuscripts and jewels - all of which had the added advantage that they were portable and could be used as collateral for bank loans. Since Christian teaching frowned on wealth and power, money had also to be spent on religious endowments made in expiation. But here too the patron was in control, and used the arts and other means to express religious belief, not aesthetic sensibility. Thus artists in the Early Renaissance were employed as craftsmen. Only late in the century did their relations with patrons start to adopt a pattern we might recognize today. This book, which also discusses the important differences between mercantile republics like Florence and Venice, the princely states such as Naples and Milan, and the papal court in Rome, is essential for a full understanding of why the works of this seminal period take the forms they do. --inside cover.



Changing Patrons Social Identity And The Visual Arts In Renaissance Florence


Changing Patrons Social Identity And The Visual Arts In Renaissance Florence
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Author :
language : en
Publisher: Penn State Press
Release Date :

Changing Patrons Social Identity And The Visual Arts In Renaissance Florence written by and has been published by Penn State Press this book supported file pdf, txt, epub, kindle and other format this book has been release on with Art categories.


To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.