The Philosophy Of Science Fiction Film


The Philosophy Of Science Fiction Film
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The Philosophy Of Science Fiction Film


The Philosophy Of Science Fiction Film
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Author : Steven M. Sanders
language : en
Publisher: University Press of Kentucky
Release Date : 2007-12-14

The Philosophy Of Science Fiction Film written by Steven M. Sanders and has been published by University Press of Kentucky this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-12-14 with Performing Arts categories.


Thought-provoking essays on movies from Metropolis to The Matrix. The science fiction genre, through films such as Blade Runner, Invasion of the Body Snatchers, and The Terminator, not only entertains us but makes us think—about the implications of new technologies, the parameters and possibilities of space and time, and, in the age of artificial intelligence and robotics, the meaning of humanity itself. The Philosophy of Science Fiction Film explores the storylines, conflicts, and themes of fifteen science fiction film classics. Editor Steven M. Sanders and a group of outstanding scholars in philosophy, film studies, and other fields raise science fiction film criticism to a new level by penetrating the surfaces of the films to expose the underlying philosophical arguments, ethical perspectives, and metaphysical views.



The Philosophy Of Science Fiction Film


The Philosophy Of Science Fiction Film
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Author : Steven Sanders
language : en
Publisher: University Press of Kentucky
Release Date : 2007-12-14

The Philosophy Of Science Fiction Film written by Steven Sanders and has been published by University Press of Kentucky this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-12-14 with Performing Arts categories.


The science fiction genre maintains a remarkable hold on the imagination and enthusiasm of the filmgoing public, captivating large audiences worldwide and garnering ever-larger profits. Science fiction films entertain the possibility of time travel and extraterrestrial visitation and imaginatively transport us to worlds transformed by modern science and technology. They also provide a medium through which questions about personal identity, moral agency, artificial consciousness, and other categories of experience can be addressed. In The Philosophy of Science Fiction Film, distinguished authors explore the storylines, conflicts, and themes of fifteen science fiction film classics, from Metropolis to The Matrix. Editor Steven M. Sanders and a group of outstanding scholars in philosophy, film studies, and other fields raise science fiction film criticism to a new level by penetrating the surface of the films to expose the underlying philosophical arguments, ethical perspectives, and metaphysical views. Sanders's introduction presents an overview and evaluation of each essay and poses questions for readers to consider as they think about the films under discussion.The first section, "Enigmas of Identity and Agency," deals with the nature of humanity as it is portrayed in Blade Runner, Dark City, Frankenstein, Invasion of the Body Snatchers, and Total Recall. In the second section, "Extraterrestrial Visitation, Time Travel, and Artificial Intelligence," contributors discuss 2001: A Space Odyssey, The Terminator, 12 Monkeys, and The Day the Earth Stood Still and analyze the challenges of artificial intelligence, the paradoxes of time travel, and the ethics of war. The final section, "Brave Newer World: Science Fiction Futurism," looks at visions of the future in Metropolis, The Matrix, Alphaville, and screen adaptations of George Orwell's 1984.



The Philosopher At The End Of The Universe


The Philosopher At The End Of The Universe
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Author : Mark Rowlands
language : en
Publisher: Random House
Release Date : 2012-02-29

The Philosopher At The End Of The Universe written by Mark Rowlands and has been published by Random House this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-02-29 with Philosophy categories.


'It's Schopenhauer and the will. It's Plato, it's Hume, Baudrillard and the concept of the Nietzschean superman!' Keanu Reeves on The Matrix The Philosopher at the End of the Universe allows anyone to understand basic philosophical concepts from the comfort of their armchair, through the plots and characters of spectacular blockbusting science-fiction movies. Learn about: The Nature of Reality from The Matrix; Good and Evil from Star Wars; Morality from Aliens; Personal Identity from Total Recall; The Mind-Body Dilemma from Terminator; Free Will from Minority Report; Death and the Meaning of Life from Blade Runner; and much more. As someone once said, things must be said and knowledge known, and the cast list assembled to tell us does not disappoint: Tom Cruise, Plato, Harrison Ford, Immanuel Kant, Sigourney Weaver, Friedrich Nietzsche, Keanu Reeves and Rene Descartes. From characters in the biggest films (with lots of explosions and bad language) to Ludwig Wittgenstein (no explosions and too much language in general), hear all the arguments. I think, therefore... I'll be back!



Science Fiction And The Abolition Of Man


Science Fiction And The Abolition Of Man
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Author : Mark J. Boone
language : en
Publisher: Wipf and Stock Publishers
Release Date : 2016-12-13

Science Fiction And The Abolition Of Man written by Mark J. Boone and has been published by Wipf and Stock Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-13 with Philosophy categories.


The Abolition of Man, C. S. Lewis's masterpiece in ethics and the philosophy of science, warns of the danger of combining modern moral skepticism with the technological pursuit of human desires. The end result is the final destruction of human nature. From Brave New World to Star Trek, from steampunk to starships, science fiction film has considered from nearly every conceivable angle the same nexus of morality, technology, and humanity of which C. S. Lewis wrote. As a result, science fiction film has unintentionally given us stunning depictions of Lewis's terrifying vision of the future. In Science Fiction Film and the Abolition of Man, scholars of religion, philosophy, literature, and film explore the connections between sci-fi film and the three parts of Lewis's book: how sci-fi portrays "Men without Chests" incapable of responding properly to moral good, how it teaches the Tao or "The Way," and how it portrays "The Abolition of Man."



Science Fiction And Political Philosophy


Science Fiction And Political Philosophy
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Author : Nicholas Anderson
language : en
Publisher: Lexington Books
Release Date : 2020-02-14

Science Fiction And Political Philosophy written by Nicholas Anderson and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-02-14 with Political Science categories.


This edited collection uses works of science fiction to illustrate and explore the fundamental themes and concepts of political philosophy, including freedom, justice, and the advantages and disadvantages of progress.



Cosmos And Camus


Cosmos And Camus
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Author : Shy Tubali
language : en
Publisher: Peter Lang Publishing
Release Date : 2020

Cosmos And Camus written by Shy Tubali and has been published by Peter Lang Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Absurd (Philosophy) in literature categories.


"Over the last two decades, many philosophers have been increasingly inclined to consider science fiction films as philosophical exercises that center on the nature of human consciousness and existence. Albert Camus' philosophy of the absurd, however, has almost never been employed as a constructive perspective that can illumine unexplored aspects of these films. This is surprising, since science fiction films seem to be packed with visions and dialogues that echo the Sisyphean universe. Cosmos and Camus endeavors to set foot on this uncharted terrain. Its first part aims to introduce the main components of Camus' absurdity in such a way that it can be easily applied to the analysis of the films later. Equipped with these Camusean essentials, it delves into an in-depth analysis of two first-encounter films (Contact and Arrival) and two AI films (A.I. and Her). These analyses yield more than an insightful reflection of the absurd contents in science-fiction film. Indeed, imaginative collisions with nonhumans seem to tell us a lot about the nature of the absurd in the human condition, as well as raising the question of whether absurdity is exclusively a human matter. Ultimately, the interpretation of the films illuminates the films themselves just as much as it illuminates, challenges, and expands Camus' concept of absurdity, thus contributing to our current understanding of what the absurd reality is and how we can either live with it or transcend it"--



Science Fiction Cinema


Science Fiction Cinema
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Author : Christine Cornea
language : en
Publisher: Edinburgh University Press
Release Date : 2007-06-06

Science Fiction Cinema written by Christine Cornea and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-06-06 with Performing Arts categories.


This major new study offers a broad historical and theoretical reassessment of the science fiction film genre. The book explores the development of science fiction in cinema from its beginnings in early film through to recent examples of the genre. Each chapter sets analyses of chosen films within a wider historical/cultural context, while concentrating on a specific thematic issue. The book therefore presents vital and unique perspectives in its approach to the genre, which include discussion of the relevance of psychedelic imagery, the 'new woman of science', generic performance and the prevalence of 'techno-orientalism' in recent films. While American films will be one of the principle areas covered, the author also engages with a range of pertinent examples from other nations, as well as discussing the centrality of science fiction as a transnational film genre. Films discussed include The Day the Earth Stood Still, The Body Snatchers, Forbidden Planet, The Quatermass Experiment, 2001: A Space Odyssey, Demon Seed, Star Trek: The Motion Picture, Star Wars, Altered States, Alien, Blade Runner, The Brother from Another Planet, Back to the Future, The Terminator, Predator, The One, Dark City, The Matrix, Fifth Element and eXistenZ. Key Features*Thematically organised for use as a course text.*Introduces current and past theories and practices, and provides an overview of the main themes, approaches and areas of study.*Covers new and burgeoning approaches such as generic performance and aspects of postmodern identity.*Includes new interviews with some of the main practitioners in the field: Roland Emmerich, Paul Verhoeven, Ken Russell, Stan Winston, William Gibson, Brian Aldiss, Joe Morton, Dean Norris and Billy Gray.



Endangering Science Fiction Film


Endangering Science Fiction Film
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Author : Sean Redmond
language : en
Publisher: Routledge
Release Date : 2015-06-26

Endangering Science Fiction Film written by Sean Redmond and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-26 with Performing Arts categories.


Endangering Science Fiction Film explores the ways in which science fiction film is a dangerous and endangering genre. The collection argues that science fiction's cinematic power rests in its ability to imagine ‘Other’ worlds that challenge and disturb the lived conditions of the ‘real’ world, as it is presently known to us. From classic films such as 2001: A Space Odyssey and Solaris to modern blockbusters including World War Z and Gravity, and directors from David Cronenberg to Alfonso Cuarón, contributors comment on the way science fiction film engages with dangerous encounters, liminal experiences, sublime aesthetics, and untethers space and time to question the very nature of human existence. With the analysis of a diverse range of films from Europe, Asia, North and South America, Endangering Science Fiction Film offers a uniquely interdisciplinary view of the evolving and dangerous sentiments and sensibility of this genre.



Science Fiction And Philosophy


Science Fiction And Philosophy
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Author : Susan Schneider
language : en
Publisher: John Wiley & Sons
Release Date : 2016-03-07

Science Fiction And Philosophy written by Susan Schneider and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-07 with Philosophy categories.


Featuring numerous updates and enhancements, Science Fiction and Philosophy, 2nd Edition, presents a collection of readings that utilize concepts developed from science fiction to explore a variety of classic and contemporary philosophical issues. Uses science fiction to address a series of classic and contemporary philosophical issues, including many raised by recent scientific developments Explores questions relating to transhumanism, brain enhancement, time travel, the nature of the self, and the ethics of artificial intelligence Features numerous updates to the popular and highly acclaimed first edition, including new chapters addressing the cutting-edge topic of the technological singularity Draws on a broad range of science fiction’s more familiar novels, films, and TV series, including I, Robot, The Hunger Games, The Matrix, Star Trek, Blade Runner, and Brave New World Provides a gateway into classic philosophical puzzles and topics informed by the latest technology



Screening Space


Screening Space
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Author : Vivian Carol Sobchack
language : en
Publisher: Rutgers University Press
Release Date : 1997

Screening Space written by Vivian Carol Sobchack and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Performing Arts categories.


This text attempts to shape definitions of the American science fiction film, studying the connection between the films and social preconceptions. It covers many classic films and discusses their import, seeking to rescue the genre from the neglect of film theorists. The book should appeal to both film buff and fans of science fiction.