The Production And Reading Of Music Sources
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The Production And Reading Of Music Sources
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Author : Thomas Schmidt
language : en
Publisher: Brepols Publishers
Release Date : 2018
The Production And Reading Of Music Sources written by Thomas Schmidt and has been published by Brepols Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with Music categories.
Renaissance sources of polyphonic music not only convey a rich repertoire of some of the most impressive music ever written. From the point of view of their layout or mise-en-page, they are also amongst the most complex books of their time. They typically combine verbal text, musical notation and other graphic devices, and the different voice parts are arranged to be read separately by the performers, yet to be performed simultaneously. As an integral part of the production and use of these books, the mise-en-page thus provides crucial information for the understanding of the repertoire that is transmitted through them. The present volume combines a number of studies resulting from a research project funded by the UK Arts and Humanities Research Council (AHRC) into this question, combining the examination of a number of overarching themes (e.g. luxury codices, printed polyphony, music theory books, illumination) with case studies of individual sources.
The Media Of Secular Music In The Medieval And Early Modern Period 1100 1650
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Author : Vincenzo Borghetti
language : en
Publisher: Taylor & Francis
Release Date : 2024-05-09
The Media Of Secular Music In The Medieval And Early Modern Period 1100 1650 written by Vincenzo Borghetti and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-05-09 with Music categories.
This book brings a new perspective to secular music sources from the Middle Ages and early modernity by viewing them as media communication tools, whose particular features shape the meaning of their contents. Ranging from the eleventh to seventeenth centuries, and across countries and genres, the chapters offer innovative insights into the historical relationship between music and its presentation in a wide variety of media. The lens of media enables contributors to expand music history beyond notated music manuscripts and instruments to include images, furniture, luxury items, and other objects, and to address uniquely visual and material aspects of music sources in books and literature. Drawing together an international group of contributors, the volume pays close attention to the medial and material dimensions of musical sources, considering them as multifaceted objects that not only contain but also determine the nature of the music they transmit. Transforming our understanding of musical media, this volume will be of interest to scholars of musicology, art history, and medieval and early modern cultures.
Natus Sapientia
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Author : Cristina Cassia
language : en
Publisher: A-R Editions, Inc.
Release Date : 2023
Natus Sapientia written by Cristina Cassia and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023 with Music categories.
The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical design, allowing for a new assessment of the motetti missales that goes beyond the homogenizing stereotypes of earlier literature and accounts for the individual contributions of the various composers. The editors’ insight in this repertoire is the result of two interdisciplinary research projects financed by the Swiss National Fund and carried out at the Schola Cantorum Basiliensis in 2014–21. Although most known motetti missales cycles appear within the Milanese Libroni, two unique anonymous cycles appear together in Munich, Bayerische Staatsbibliothek Mus. Ms. 3154 (the Leopold Codex), a source evidently compiled in Innsbruck. The cycle Natus sapientia, like the Milanese motetti missales cycles, consists of eight motets, but with texts focusing on the crucifixion of Jesus rather than Marian themes. This edition improves upon previously published versions by providing full text underlay for all voices and correcting apparent mistakes while retaining the unusual dissonances that characterize this cycle.
Renaissance Polyphony
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Author : Fabrice Fitch
language : en
Publisher: Cambridge University Press
Release Date : 2020-08-27
Renaissance Polyphony written by Fabrice Fitch and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-08-27 with Music categories.
This engaging study introduces Renaissance polyphony to a modern audience, balancing the listening experience with what lies beyond the notes.
Printing Music In Renaissance Rome
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Author : Jane A. Bernstein
language : en
Publisher: Oxford University Press
Release Date : 2024-02-16
Printing Music In Renaissance Rome written by Jane A. Bernstein and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-02-16 with Music categories.
In sixteenth-century Italy, Rome ranked second only to Venice as an important center for music book production. Throughout the century, printers in the Eternal City experimented more readily and more consistently with the materiality of the book than their Venetian counterparts, who, by standardizing their printing methods, came to dominate the international marketplace. The Romans' ingenuity and willingness to meet individual clients' needs resulted in music editions in a broader array of shapes and sizes, employing a wider range of printing techniques. They became "boutique" printers, eschewing the run-of-the-mill in favor of tailoring production to varied market demands. Accommodating the diverse requirements of their clientele, they supplied customized volumes, which Venetian presses either could not--or would not--produce. In Printing Music in Renaissance Rome, author Jane A. Bernstein offers a panoramic view of the cultures of music and the book in Rome from the beginning of printing in 1476 through the early seventeenth century. Emphasizing the exceptionalism of Roman music publishing, she highlights the innovative printing technologies and book forms devised by Roman bookmen. She also analyzes the Church's predominant influence on the book industry and, in turn, the Roman press's impact on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri. Drawing on innovative publications, Bernstein reveals a synergistic relationship between music repertories and the materiality of the book. In particular, she focuses on the post-Tridentine period, when musical idioms, both new and old, challenged printers to employ alternative printing methods and modes of book presentation in the creation of their music editions. Of interest to musicologists, art historians, and book historians alike, this book builds on Bernstein's previous work as she continues to chart the course of music and the book in Renaissance Italy.
Cloud Based Music Production
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Author : Matthew T. Shelvock
language : en
Publisher: CRC Press
Release Date : 2020-02-18
Cloud Based Music Production written by Matthew T. Shelvock and has been published by CRC Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-02-18 with Social Science categories.
Cloud-Based Music Production: Samples, Synthesis, and Hip-Hop presents a discussion on cloud-based music-making procedures and the musical competencies required to make hip-hop beats. By investigating how hip-hop producers make music using cloud-based music production libraries, this book reveals how those services impact music production en masse. Cloud-Based Music Production takes the reader through the creation of hip-hop beats from start to finish – from selecting samples and synthesizer presets to foundational mixing practices – and includes analysis and discussion of how various samples and synthesizers work together within an arrangement. Through case studies and online audio examples, Shelvock explains how music producers directly modify the sonic characteristics of hip-hop sounds to suit their tastes and elucidates the psychoacoustic and perceptual impact of these aesthetically nuanced music production tasks. Cloud-Based Music Production will be of interest to musicians, producers, mixers and engineers and also provides essential supplementary reading for music technology courses.
Early Music Printing In German Speaking Lands
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Author : Andrea Lindmayr-Brandl
language : en
Publisher: Routledge
Release Date : 2018-03-14
Early Music Printing In German Speaking Lands written by Andrea Lindmayr-Brandl and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-03-14 with Music categories.
The book draws upon the rich information gathered for the online database Catalogue of early German printed music / Verzeichnis deutscher Musikfrühdrucke (vdm), the first systematic descriptive catalogue of music printed in the German-speaking lands between c. 1470 and 1540, allowing precise conclusions about the material production of these printed musical sources. Chapters 8 and 9 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Embodied Awareness Of Space
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Author : Christos Kakalis
language : en
Publisher: Springer Nature
Release Date : 2025-01-16
Embodied Awareness Of Space written by Christos Kakalis and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2025-01-16 with Social Science categories.
This edited volume explores the notion of embodied experience through a diverse range of disciplines: architecture, music, literature, performance studies, philosophy, geopolitics. In doing so, it illuminates the need to redefine the role of the human body as one of the protagonists for raising awareness of space-time issues through processing, experimentation and application of histories and theories of embodied awareness of space. Critically revisiting these spatio-temporal dialogues, this book suggests a method of linking theory, history and practice: past, present and future. The authors reinstate the significance of history and theory in creative thinking, and test their applicability in a number of different areas: theoretical and buildable architectural projects, mapping and geography, representation, and performative arts. This volume will appeal to students and scholars from architecture, art, cultural studies, landscape studies, media studies, and other disciplines in the humanities and social sciences.
Reading Renaissance Music Theory
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Author : Cristle Collins Judd
language : en
Publisher: Cambridge University Press
Release Date : 2000-11-30
Reading Renaissance Music Theory written by Cristle Collins Judd and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-11-30 with Music categories.
This book examines a central group of music theory treatises that have formed the background to the study of Renaissance music. Taking theorists' music examples as a point of departure, it explores fundamental questions about how music was read, and by whom, situating the reading in specific cultural contexts. Numerous broader issues are addressed in the process: the relationship of theory and praxis; access to, and use of, printed musical sources; stated and unstated agendas of theorists; orality and literacy as it was represented via music print culture; the evaluation of anonymous repertories; and the analysis of repertories delineated by boundaries other than the usual ones of composer and genre. In particular this study illuminates the ways in which Renaissance theorists' choices have shaped later interpretation of earlier practice, and reflexively the ways in which modern theory has been mapped on to that practice.