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The Roman Theatre And Its Audience


The Roman Theatre And Its Audience
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The Roman Theatre And Its Audience


The Roman Theatre And Its Audience
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Author : Richard C. Beacham
language : en
Publisher: Harvard University Press
Release Date : 1991

The Roman Theatre And Its Audience written by Richard C. Beacham and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with History categories.


Provides a general account of the Roman theater and its audience, and records some of the results of the author's experiments in constructing a full-scale replica stage based upon the wall paintings at Pompeii and Herculaneum, and producing Roman plays upon it.



The Theater Of Plautus


The Theater Of Plautus
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Author : Timothy J. Moore
language : en
Publisher: University of Texas Press
Release Date : 2010-07-05

The Theater Of Plautus written by Timothy J. Moore and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-07-05 with Literary Criticism categories.


The relationship between actors and spectators has been of perennial interest to playwrights. The Roman playwright Plautus (ca. 200 BCE) was particularly adept at manipulating this relationship. Plautus allowed his actors to acknowledge freely the illusion in which they were taking part, to elicit laughter through humorous asides and monologues, and simultaneously to flatter and tease the spectators. These metatheatrical techniques are the focus of Timothy J. Moore's innovative study of the comedies of Plautus. The first part of the book examines Plautus' techniques in detail, while the second part explores how he used them in the plays Pseudolus, Amphitruo, Curculio, Truculentus, Casina, and Captivi. Moore shows that Plautus employed these dramatic devices not only to entertain his audience but also to satirize aspects of Roman society, such as shady business practices and extravagant spending on prostitutes, and to challenge his spectators' preconceptions about such issues as marriage and slavery. These findings forge new links between Roman comedy and the social and historical context of its performance.



Living Theatre In The Ancient Roman House


Living Theatre In The Ancient Roman House
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Author : Richard C. Beacham
language : en
Publisher: Cambridge University Press
Release Date : 2022-12-31

Living Theatre In The Ancient Roman House written by Richard C. Beacham and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-12-31 with Art categories.


For the Romans, much of life was seen, expressed and experienced as a form of theatre. In their homes, patrons performed the lead, with a supporting cast of residents and visitors. This sumptuously illustrated book, the result of extensive interdisciplinary research, is the first to investigate, describe and show how ancient Roman houses and villas, in their décor, spaces, activities and function, could constitute highly-theatricalised environments, indeed, a sort of 'living theatre'. Their layout, purpose and use reflected and informed a culture in which theatre was both a major medium of entertainment and communication and an art form drawing upon myths exploring the core values and beliefs of society. For elite Romans, their homes, as veritable stage-sets, served as visible and tangible expressions of their owners' prestige, importance and achievements. The Roman home was a carefully crafted realm in which patrons displayed themselves, while 'stage-managing' the behaviour and responses of visitor-spectators.



Roman Theatre


Roman Theatre
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Author : Timothy J. Moore
language : en
Publisher: Cambridge University Press
Release Date : 2012-05-03

Roman Theatre written by Timothy J. Moore and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-05-03 with Juvenile Nonfiction categories.


An exciting series that provides students with direct access to the ancient world by offering new translations of extracts from its key texts.



Performance In Greek And Roman Theatre


Performance In Greek And Roman Theatre
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Author : George William Mallory Harrison
language : en
Publisher: BRILL
Release Date : 2013

Performance In Greek And Roman Theatre written by George William Mallory Harrison and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Literary Criticism categories.


This series has existed for the past 50 years. It provides a forum for the publication of well over 300 scholarly works on all aspects of the ancient world, including inscriptions, papyri, language, the history of material culture and mentality, the history of peoples and institutions, but also latterly the classical tradition, for example, neo-latin literature and the history of Classical scholarship.



The Roman Stage


The Roman Stage
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Author : William Beare
language : en
Publisher:
Release Date : 1965

The Roman Stage written by William Beare and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1965 with Latin drama categories.




The Relationship Between Performance Space And Production Of Shakespeare S Roman Plays


The Relationship Between Performance Space And Production Of Shakespeare S Roman Plays
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Author : Philipp Reul
language : en
Publisher: GRIN Verlag
Release Date : 2007-05-10

The Relationship Between Performance Space And Production Of Shakespeare S Roman Plays written by Philipp Reul and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-05-10 with Literary Criticism categories.


Examination Thesis from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Cologne (Englisches Seminar ), language: English, abstract: Peter Brook’s1 beginning of the ‘Empty Space’ assumes that a theatre performance consists of three very basic components. According to Brook, performances are dependent on a space in which spectator and actor come together and agree on a place which they call stage. It is in this real space that actors and audience imagine a fictional world. Brook’s quotation, beautifully, encapusulates the simplicity of any theatre performance while it oversimplifies the complicated processes of bringing a play to life in the same breath. The empty space which Brook defines in his work is not realistic. It rather symbolizes his personal need to liberate his artistic talent from the fixed and institutionalized British theatre venues of the 1960’s. In fact, for the majority of modern theatre performances, it is the theatre building which provides the space for all three basic parts. Although, it is true that no more than an empty space is needed for staging a play, during the last centuries the majority of performances have been sheltered by purpose built theatres. Most theatres provide a stage in the form of a proscenium stage, thrust stage or stage in the round. How a spectator looks at the actors performing on this stage differs, depending on the charcteristics of each theatre venue. A space in the theatre, may it be empty or filled, connects the two most important parts of any theatrical event, the audience and the actors. Space in the theatre is, therefore, crucial for every performance. The Elizabethan times mark the most influential period for modern theatre. Closely intertwined with the world’s most famous playwright, William Shakespeare, it is in this time that the first modern theatres were erected. Therfore, Shakespeare’s times and works are always closely connected with practices of today’s theatre. The aim of this study is to research the relationship between the performance space of specific theatres and production of Shakespeare’s Roman plays in Great Britain, in 2006. It will be discovered to what extent performance space can influence production of Shakespeare’s Roman plays. Likewise, it will be examined how different productions make use of performance space. The question of which performance space works best for staging Shakespeare’s Roman plays in 2006 forms the basis of this case study.



Roman Drama And Its Contexts


Roman Drama And Its Contexts
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Author : Stavros Frangoulidis
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2016-03-21

Roman Drama And Its Contexts written by Stavros Frangoulidis and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-21 with Literary Criticism categories.


This volume takes a new approach to Roman drama by looking at comic and tragic plays from the Republican and imperial periods in ‘context’. By presenting a number of case studies and considerations of wider issues, the 33 international contributors explore the role of Roman drama in contexts such as the literary tradition, the relationship to works in other literary genres, the historical and social situation or the intellectual background.



The Cambridge Companion To Greek And Roman Theatre


The Cambridge Companion To Greek And Roman Theatre
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Author : Marianne McDonald
language : en
Publisher: Cambridge University Press
Release Date : 2007-05-31

The Cambridge Companion To Greek And Roman Theatre written by Marianne McDonald and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-05-31 with Drama categories.


This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching through to the latter days of the Roman Empire and beyond, this 2007 Companion covers many aspects of these broad presentational societies. Dramatic performances that are text-based form only one part of cultures where presentation is a major element of all social and political life. Individual chapters range across a two thousand year timescale, and include specific chapters on acting traditions, masks, properties, playing places, festivals, religion and drama, comedy and society, and commodity, concluding with the dramatic legacy of myth and the modern media. The book addresses the needs of students of drama and classics, as well as anyone with an interest in the theatre's history and practice.



The Oxford Handbook Of Greek And Roman Comedy


The Oxford Handbook Of Greek And Roman Comedy
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Author : Michael Fontaine
language : en
Publisher: Oxford University Press
Release Date : 2014-04

The Oxford Handbook Of Greek And Roman Comedy written by Michael Fontaine and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-04 with Drama categories.


The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain.