The Russian Hero In Modern Chinese Fiction
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The Russian Hero In Modern Chinese Fiction
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Author : Mau-sang Ng
language : en
Publisher:
Release Date : 1988
The Russian Hero In Modern Chinese Fiction written by Mau-sang Ng and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with Literary Criticism categories.
Russian Hero In Modern Chinese Fiction
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Author : Mau-sang Ng
language : en
Publisher:
Release Date : 1986
Russian Hero In Modern Chinese Fiction written by Mau-sang Ng and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with categories.
The Russian Hero In Modern Chinese Fiction
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Author : Mau-sang Ng
language : en
Publisher: SUNY Press
Release Date : 1988-01-01
The Russian Hero In Modern Chinese Fiction written by Mau-sang Ng and has been published by SUNY Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988-01-01 with Literary Criticism categories.
The Russian influence took root in the Chinese intellectual tradition that evolved after the Literary Revolution of 1917. When the Chinese communists turned to Russia for their inspiration they also accepted the Russian version of the novel's form and function in society. However, they did not accept it uncritically. Chinese understanding of the arts goes back for thousands of years and thus Chinese intellectuals brought their own kinds of tradition and intelligence to these new arts and political solutions. In this lucid study, the author demonstrates how Chinese writers, guided by Russian authors such as Chekhov, Turgenev, and Andreyev, created works of art that are both original and Chinese. However, he also shows that the familiar heroes of such famous novelists as Lu Xun, Yu Dafu, Mao Dun, and Ba Jin have a strong Russian flavor linked to prototypes in the Russian literary tradition. The author depicts the fortune of Soviet literature and the fate of the intellectual hero in the People's Republic of China. He believes that the humanistic May Fourth intellectual tradition, which inspired enthusiasm for classical Russian literature, has been revived with the publication of works like Dai Houying's Man ah, Man! and Zhao Zhenkai's Waves.
The Intellectual Hero In Chinese Fiction Of The Nineteen Twenties And Early Thirties In Relation To Russian Inflences
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Author : Mau Sang Ng
language : en
Publisher:
Release Date : 1984
The Intellectual Hero In Chinese Fiction Of The Nineteen Twenties And Early Thirties In Relation To Russian Inflences written by Mau Sang Ng and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Chinese fiction categories.
The Reading Of Russian Literature In China
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Author : M. Gamsa
language : en
Publisher: Springer
Release Date : 2010-05-24
The Reading Of Russian Literature In China written by M. Gamsa and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-05-24 with History categories.
This book traces the profound influence that Russian literature, which was tied inseparably to the political victory of the Russian revolution, had on China during a period that saw the collapse of imperial rule and the rise of the Communist Party.
The Chinese Translation Of Russian Literature
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Author : Mark Gamsa
language : en
Publisher: BRILL
Release Date : 2008
The Chinese Translation Of Russian Literature written by Mark Gamsa and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with History categories.
Focusing on the translation and translators of Boris Savinkov, Mikhail Artsybashev and Leonid Andreev, this book explores the processes of the translation, transmission and interpretation of Russian literature in China during the first half of the 20th century.
The Chinese Translation Of Russian Literature
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Author : Mark Gamsa
language : en
Publisher: BRILL
Release Date : 2008-08-31
The Chinese Translation Of Russian Literature written by Mark Gamsa and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-08-31 with Literary Criticism categories.
A history of the translation, transmission and interpretation of modernist Russian literature in China during the first half of the 20th century, this book views modern Chinese literary culture from an original and revealing perspective. It is the first English-language study of the subject to draw on sources in both Russian and Chinese, and it also shows the crucial role of English, German and Japanese translations in mediating knowledge of Russian literature in China.
Modern Chinese Literature In The May Fourth Era
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Author : Merle Goldman
language : en
Publisher: Harvard University Press
Release Date : 1977
Modern Chinese Literature In The May Fourth Era written by Merle Goldman and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1977 with History categories.
One of the most creative and brilliant episodes in modern Chinese history, the cultural and literary flowering that takes the name of the May Fourth Movement, is the subject of this comprehensive and insightful book. This is the first study of modern Chinese literature that shows how China's Confucian traditions were combined with Western influences to create a literature of new values and consciousness for the Chinese people.
The Mother And Narrative Politics In Modern China
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Author : Sally Taylor Lieberman
language : en
Publisher: University of Virginia Press
Release Date : 1998
The Mother And Narrative Politics In Modern China written by Sally Taylor Lieberman and has been published by University of Virginia Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Literary Criticism categories.
A modernist icon, an object of forbidden desire, a symbol of loss and suffering, and an incorrigible survivor - the mother takes all of these forms in Chinese literature from the 1920s and 1930s. In an innovative analysis, Sally Taylor Lieberman explores the meanings the maternal figure acquired at a particular place and time and then engages those meanings in a feminist rereading of the master narratives of modern Chinese intellectual and literary history. Drawing on feminist literary criticism and the theories of Julia Kristeva, Melanie Klein, and Sigmund Freud, Lieberman breaks traditional analytical boundaries as she explores the place of the mother in the ideological struggles through which the modern Chinese canon attained its present shape.
Literary Authority And The Modern Chinese Writer
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Author : Wendy Larson
language : en
Publisher:
Release Date : 1991
Literary Authority And The Modern Chinese Writer written by Wendy Larson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with Biography & Autobiography categories.
Throughout the twentieth century, Chinese writers have confronted the problem of creating a new literary tradition that both maintains the culturally unique aspects of a rich heritage and succeeds in promoting a new modernity. In the first book-length treatment of the topic, Wendy Larson examines the contradictory forms of authority at work in the autobiographical texts of modern Chinese writers and scholars and the way these conflicts helped to shape and determine the manner in which writers viewed themselves, their texts, and their work. Larson focuses on the most famous writers associated with the May Fourth Movement, a group most active in the 1920s and 1930s, and their fundamental ambivalence about writing. She analyzes how their writing paradoxically characterized textual labor as passive, negative, and inferior to material labor and the more physical political work of social progress, and she describes the ways they used textual means to devalue literary labor. The impact of China's increasing contact with the West--particularly the ways in which Western notions of "individualism" and "democracy" influenced Chinese ideologies of self and work--is considered. Larson also studies the changes in China's social structure, notably those linked to the abolition in 1905 of the educational exam system, which subsequently broke the link between the mastery of certain texts and the attainment of political power, further denigrating the cultural role of the writer.