The Sixteenth Century Chanson Complete Chansons
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The Sixteenth Century Chanson Complete Chansons
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Author : Jane A Bernstein
language : fr
Publisher:
Release Date : 1987
The Sixteenth Century Chanson Complete Chansons written by Jane A Bernstein and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987 with Polyphonic chansons categories.
Courtly Song In Late Sixteenth Century France
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Author : Jeanice Brooks
language : en
Publisher: University of Chicago Press
Release Date : 2020-04-23
Courtly Song In Late Sixteenth Century France written by Jeanice Brooks and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-04-23 with Music categories.
In the late sixteenth century, the French royal court was mobile. To distinguish itself from the rest of society, it depended more on its cultural practices and attitudes than on the royal and aristocratic palaces it inhabited. Using courtly song-or the air de cour-as a window, Jeanice Brooks offers an unprecedented look into the culture of this itinerant institution. Brooks concentrates on a period in which the court's importance in projecting the symbolic centrality of monarchy was growing rapidly and considers the role of the air in defining patronage hierarchies at court and in enhancing courtly visions of masculine and feminine virtue. Her study illuminates the court's relationship to the world beyond its own confines, represented first by Italy, then by the countryside. In addition to the 40 editions of airs de cour printed between 1559 and 1589, Brooks draws on memoirs, literary works, and iconographic evidence to present a rounded vision of French Renaissance culture. The first book-length examination of the history of air de cour, this work also sheds important new light on a formative moment in French history.
French Music In The Early Sixteenth Century
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Author : Peter Woetmann Christoffersen
language : en
Publisher: Museum Tusculanum Press
Release Date : 1994-05
French Music In The Early Sixteenth Century written by Peter Woetmann Christoffersen and has been published by Museum Tusculanum Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994-05 with Literary Collections categories.
A description, reconstruction and discussion of the repertory of an exceptional musical source, the French manuscript made at Lyons c. 1520-1525 as the private collection of a music copyist. The book contains 280 compositions, sacred and secular, from the period 1450-1524 with Loyset, Compère, Alexander Agricola, Antoine de Févin, Claudin de Sermisy and Clément Janequin as the prominent composers. Besides discussing the many-faceted repertory, the book studies the circulation of music in the early sixteenth century and the relationships between popular songs and courtly chansons and between provincial music and the music of the musical centres. -- The manuscript has been in the Royal Library of Copenhagen since 1921. This is the first comprehensive study of it.
Materialities
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Author : Kate Van Orden
language : en
Publisher: New Cultural History of Music
Release Date : 2015
Materialities written by Kate Van Orden and has been published by New Cultural History of Music this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Music categories.
'Materialities' is a cultural history of song on the page. Concentrating on print in the early modern period, it approaches its topic via the French chanson, arguably the most broadly disseminated genre of polyphony in the sixteenth century. 'Materialities' is as much about how to study print culturally as it is about 'the music itself'. In this way it aligns with histories of the book by scholars such as Roger Chartier, adding a musical perspective to studies of print culture.
Chansons Of The 16th Century For Classical Guitar
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Author : Richard Metzger
language : en
Publisher: Mel Bay Publications
Release Date : 2011-02-24
Chansons Of The 16th Century For Classical Guitar written by Richard Metzger and has been published by Mel Bay Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-02-24 with Music categories.
A collection of chansons printed in various collections between 1529 and 1543 by Pierre Attaingnant, the inventor of single-impression printing. the arrangement of chansons for lute or keyboard was an important source of instrumental music in the sixteenth century. the chansons in the present anthology, the fruits of a particularly rich period in French music, are modern arrangements for guitar or lute made in accordance with procedures found in French prints of the time. the musical styles range from the serious, imitative Franco-Flemish chanson of northern composers to the charming, light-hearted, and often ribald chansons that furnished musical entertainment in early sixteenth-century Paris. Although the arrangements are instrumental, text translations are furnished to aid in interpretation of the music and to amuse the modern reader as they amused the listener in the 1530s and 1540s. Standard notation only.
The Chansons Of Orlando Di Lasso And Their Protestant Listeners
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Author : Richard Freedman
language : en
Publisher: Boydell & Brewer
Release Date : 2001
The Chansons Of Orlando Di Lasso And Their Protestant Listeners written by Richard Freedman and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Biography & Autobiography categories.
This book aims to enrich our understanding of the French secular music of Orlando di Lasso, using those songs as a means of understanding a particular community of Renaissance readers and the music books they created. The Lasso chansons dominate many of the anthologies of secular music brought out by firms such as Le Roy et Ballard (in Paris) and Pierre Phalese (in Louvain and Antwerp) during the later years of the sixteenth century. Perhaps less well known, however, is the fact that the chansons of Lasso also figured quite prominently in a number of collections of devotional reworkings of secular songs issued by Protestant printers at about the same time. Scholars have not given much credence to these collections, in which some of Lasso's profane lyrics have been changed to convey spiritual meanings, presumably because the overt presence of strong editorial control suggests remoteness from the authority of compositional intent. This study will use the example of the Lasso chansons and their appropriation by Protestant editors as a means of discovering something of how this repertory was heard and understood by a particular community of listeners during the late sixteenth century. In so doing, it will also explore the history of those chansons in print, and the history of the spiritual attitudes that shaped their reception among the Huguenots.
Early Music History
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Author : Iain Fenlon
language : en
Publisher: Cambridge University Press
Release Date : 2009-03-19
Early Music History written by Iain Fenlon and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-03-19 with Literary Criticism categories.
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume thirteen include: Ut musica poesis: Music and poetry in France in the late sixteenth century; Ronsard, the Lyric Sonnet and Late Sixteenth-Century Chanson; Italianism and Claude de Jeune; Geometry and Rhetoric in Antoine de Bertrand's Troisiesme livre de chansons.
Early Music History Volume 13
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Author : Iain Fenlon
language : en
Publisher: Cambridge University Press
Release Date : 1995-02-23
Early Music History Volume 13 written by Iain Fenlon and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995-02-23 with Music categories.
Concerned with the study of music from the early Middle Ages to the seventeenth century. Includes articles on French 16th-century music, theatre and poetry
French Music In The Early Sixteenth Century Description Reconstruction And Repertory
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Author : Peter Woetmann Christoffersen
language : en
Publisher:
Release Date : 1994
French Music In The Early Sixteenth Century Description Reconstruction And Repertory written by Peter Woetmann Christoffersen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Catalogs categories.
Fugue In The Sixteenth Century
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Author : Paul Walker
language : en
Publisher: Oxford University Press
Release Date : 2020-11-17
Fugue In The Sixteenth Century written by Paul Walker and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-17 with Music categories.
Examining the roots of the classical fugue and the early history of non-canonic fugal writing, Paul Walker's Fugue in the Sixteenth Century explores the three principal fugal genres of the period: motet, ricercar, and canonza. The volume treats each genre in turn, tracing the fugue's development throughout the century and highlighting important moments and trends along the way. Taking a two-tiered approach, Walker, on one level, examines fugue from the perspective of contemporary musicians, and on another level, takes into account fugue's later history and the elements that came to play a significant role in its formation. Walker is the first scholar to successfully tie together the various strands of the "pre-Bach fugue" thanks to the growing availability of editions of the repertories involved. He also takes account of recent work elucidating the change in compositional approach around 1500 from a basis in cantus firmus and canon to one favoring non-canonical, fugal imitation. Featuring well-chosen musical examples to illustrate the compositional developments of the sixteenth century, Fugue in the Sixteenth Century is a definitive study for both specialist musicologists and organists and harpsichordists alike.