The Sounds Of Radio
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The Sounds Of Radio
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Author : Shawn Gary VanCour
language : en
Publisher:
Release Date : 2008
The Sounds Of Radio written by Shawn Gary VanCour and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with categories.
Sound Effects
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Author : Robert L. Mott
language : en
Publisher: McFarland
Release Date : 2014-06-27
Sound Effects written by Robert L. Mott and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-27 with Performing Arts categories.
This work, first published in 1989, includes discussions of the history of sound effects, the different types of sound effects, creating sound effects from scratch, recording sounds in the studio and field, the advantages of live sounds over tape, knowing why and when to use sound effects, the difference between radio, TV and film sounds, Foleying and the Foley stage, and recording and editing equipment.
The Sounds Of Radio
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Author : Carin Åberg
language : en
Publisher:
Release Date : 1999
The Sounds Of Radio written by Carin Åberg and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Radio categories.
Radio Sound Effects
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Author : Joseph Creamer
language : en
Publisher:
Release Date : 1945
Radio Sound Effects written by Joseph Creamer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1945 with Radio broadcasting categories.
Tuning In
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Author : Eve Stwertka
language : en
Publisher: Julian Messner
Release Date : 1993-01-01
Tuning In written by Eve Stwertka and has been published by Julian Messner this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993-01-01 with Radio categories.
Discusses how radio works, how it was developed, and the different ways in which it is used. Includes related activities.
Sound Streams
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Author : Andrew J Bottomley
language : en
Publisher: University of Michigan Press
Release Date : 2020-06-01
Sound Streams written by Andrew J Bottomley and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-06-01 with Music categories.
In talking about contemporary media, we often use a language of newness, applying words like “revolution” and “disruption.” Yet, the emergence of new sound media technologies and content—from the earliest internet radio broadcasts to the development of algorithmic music services and the origins of podcasting—are not a disruption, but a continuation of the century-long history of radio. Today’s most innovative media makers are reintroducing forms of audio storytelling from radio’s past. Sound Streams is the first book to historicize radio-internet convergence from the early ’90s through the present, demonstrating how so-called new media represent an evolutionary shift that is nevertheless historically consistent with earlier modes of broadcasting. Various iterations of internet radio, from streaming audio to podcasting, are all new radio practices rather than each being a separate new medium: radio is any sound media that is purposefully crafted to be heard by an audience. Rather than a particular set of technologies or textual conventions, web-based broadcasting combines unique practices and features and ideas from radio history. In addition, there exists a distinctive conversationality and reflexivity to radio talk, including a propensity for personal stories and emotional disclosure, that suits networked digital media culture. What media convergence has done is extend and intensify radio’s logics of connectivity and sharing; sonically mediated personal expression intended for public consideration abounds in online media networks. Sound Streams marks a significant contribution to digital media and internet studies. Its mix of cultural history, industry research, and genre and formal analysis, especially of contemporary audio storytelling, will appeal to media scholars, radio and podcast practitioners, audio journalism students, and dedicated podcast fans.
Radio S New Wave
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Author : Jason Loviglio
language : en
Publisher: Routledge
Release Date : 2013-06-19
Radio S New Wave written by Jason Loviglio and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-06-19 with Performing Arts categories.
Radio’s New Wave explores the evolution of audio media and sound scholarship in the digital age. Extending and updating the focus of their widely acclaimed 2001 book The Radio Reader, Hilmes and Loviglio gather together innovative work by both established and rising scholars to explore the ways that radio has transformed in the digital environment. Contributors explore what sound looks like on screens, how digital listening moves us, new forms of sonic expression, radio’s convergence with mobile media, and the creative activities of old and new audiences. Even radio’s history has been altered by research made possible by digital and global convergence. Together, these twelve concise chapters chart the dissolution of radio’s boundaries and its expansion to include a wide-ranging universe of sound, visuals, tactile interfaces, and cultural roles, as radio rides the digital wave into its second century.
Radio Sound Effects
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Author : Robert L. Mott
language : en
Publisher: McFarland
Release Date : 2005-02-18
Radio Sound Effects written by Robert L. Mott and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-02-18 with Performing Arts categories.
To today's radio listener, it is difficult to imagine the influence radio once held over the American people. Unlike movies or newspapers, radio both informed and entertained its audience without requiring them to participate. Part of its success depended upon the people who created the sound effects--a squeaking door, the approach of a horse, or a typewriter. The author did live sound effects during the "Golden Age" of radio. He provides many insights into the early days of the medium as it grappled with entertaining an audience based on a single sense (hearing). How the sounds were produced is fully covered as are the artists responsible for their production. Stories of successful effects production are balanced by embarrassing or funny failures. A list of artists and their shows is included.
Radio S Legacy In Popular Culture
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Author : Martin Cooper (College teacher)
language : en
Publisher:
Release Date : 2022
Radio S Legacy In Popular Culture written by Martin Cooper (College teacher) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with Electronic books categories.
Explores the enduring cultural fascination with radio by looking at 100 years of the representation of radio in fiction, film, TV and pop music
Experimental Sound And Radio
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Author : Allen S. Weiss
language : en
Publisher: MIT Press
Release Date : 2001-06-27
Experimental Sound And Radio written by Allen S. Weiss and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-06-27 with Technology & Engineering categories.
This book, which originally appeared as a special issue of TDR/The Drama Review, explores the myriad aesthetic, cultural, and experimental possibilities of radiophony and sound art. Art making and criticism have focused mainly on the visual media. This book, which originally appeared as a special issue of TDR/The Drama Review, explores the myriad aesthetic, cultural, and experimental possibilities of radiophony and sound art. Taking the approach that there is no single entity that constitutes "radio," but rather a multitude of radios, the essays explore various aspects of its apparatus, practice, forms, and utopias. The approaches include historical, political, popular cultural, archeological, semiotic, and feminist. Topics include the formal properties of radiophony, the disembodiment of the radiophonic voice, aesthetic implications of psychopathology, gender differences in broadcast musical voices and in narrative radio, erotic fantasy, and radio as an electronic memento mori. The book includes a new piece by Allen Weiss on the origins of sound recording. Contributors John Corbett, Tony Dove, René Farabet, Richard Foreman, Rev. Dwight Frizzell, Mary Louise Hill, G. X. Jupitter-Larsen, Douglas Kahn, Terri Kapsalis, Alexandra L. M. Keller, Lou Mallozzi, Jay Mandeville, Christof Migone, Joe Milutis, Kaye Mortley, Mark S. Roberts, Susan Stone, Allen S. Weiss, Gregory Whitehead, David Williams, Ellen Zweig