The Subject Of Documentary
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The Subject Of Documentary
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Author : Michael Renov
language : en
Publisher: U of Minnesota Press
Release Date : 2004
The Subject Of Documentary written by Michael Renov and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Performing Arts categories.
The documentary, a genre as old as cinema itself, has traditionally aspired to objectivity. Whether making ethnographic, propagandistic, or educational films, documentarians have pointed the camera outward, drawing as little attention to themselves as possible. In recent decades, however, a new kind of documentary has emerged in which the filmmaker has become the subject of the work. Whether chronicling family history, sexual identity, or a personal or social world, this new generation of nonfiction filmmakers has defiantly embraced autobiography.In The Subject of Documentary, Michael Renov focuses on how documentary filmmaking has become an important means for both examining and constructing selfhood. By looking at key figures in documentary filmmaking as well as noncanonical video art and avant-garde artists, Renov broadens the definition of what counts as documentary, and explores the intersection of the personal and political, considering how memory can create a way into asking troubling questions about identity, oppression, and resiliency.Offering historical context for the explosion of personal nonfiction filmmaking in the 1980s and 1990s, Renov analyzes films in which the subjectivity of the filmmaker is expressly defined in relation to political struggle or historical trauma, from Haskell Wexler's Medium Cool to Jonas Mekas's Lost, Lost, Lost. And, looking beyond the traditional documentary, Renov contemplates such nontraditional modes of autobiographical practice as the essay film, the video confession, and the personal Web page.Unique in its attention to diverse expressions of personal nonfiction filmmaking, The Subject of Documentary forges a new understanding of the heightened role and function of subjectivity in contemporary documentary practice.Michael Renov is professor of critical studies at the USC School of Cinema-Television. He is the editor of Theorizing Documentary and the coeditor of Resolutions: Contemporary Video Practices (Minnesota, 1996) and Collecting Visible Evidence (Minnesota, 1999).
The Cinema Of Me
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Author : Alisa Lebow
language : en
Publisher: Columbia University Press
Release Date : 2012
The Cinema Of Me written by Alisa Lebow and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Performing Arts categories.
When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play - the matter and the maker--thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.
Theorizing Documentary
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Author : Michael Renov
language : en
Publisher:
Release Date : 1993
Theorizing Documentary written by Michael Renov and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Language Arts & Disciplines categories.
A key collection of essays that looks at the specific issues related to the documentary form. Questions addressed include What is documentary?' and How fictional is nonfiction?'
Subject To Reality
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Author : Shilyh Warren
language : en
Publisher: University of Illinois Press
Release Date : 2019-05-16
Subject To Reality written by Shilyh Warren and has been published by University of Illinois Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-16 with Performing Arts categories.
Revolutionary thinking around gender and race merged with new film technologies to usher in a wave of women's documentaries in the 1970s. Driven by the various promises of second-wave feminism, activist filmmakers believed authentic stories about women would bring more people into an imminent revolution. Yet their films soon faded into obscurity. Shilyh Warren reopens this understudied period and links it to a neglected era of women's filmmaking that took place from 1920 to 1940, another key period of thinking around documentary, race, and gender. Drawing women’s cultural expression during these two explosive times into conversation, Warren reconsiders key debates about subjectivity, feminism, realism, and documentary and their lasting epistemological and material consequences for film and feminist studies. She also excavates the lost ethnographic history of women's documentary filmmaking in the earlier era and explores the political and aesthetic legacy of these films in more explicitly feminist periods like the Seventies. Filled with challenging insights and new close readings, Subject to Reality sheds light on a profound and unexamined history of feminist documentaries while revealing their influence on the filmmakers of today.
Ethics Of Filmmaker Subject Relationships In Documentary
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Author : Olga Khrustaleva
language : en
Publisher:
Release Date : 2014
Ethics Of Filmmaker Subject Relationships In Documentary written by Olga Khrustaleva and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Documentary films categories.
The relationship between filmmaker and subjects is one of the central issues in scholarly research of the documentary genre. It raises many ethical questions - is it possible to document the reality without intervening, and without expressing a certain viewpoint? Does establishing friendly relationships benefit the story or not? Are filmmakers exploiting people by documenting their lives? How truthful are stories of people in a documentary if only a small percentage of footage is used in the final film? Through semi-structured interviews with six prominent independent documentary filmmakers, this study examined filmmakers' relationships with their subjects, and how these relationships influenced ethical decision-making. The study also explored gatekeeping forces affecting the decision-making processes. After the analysis of the interviews the following phenomena emerged as primary findings. Filmmakers choose to have friendly relationships with their subjects, and in critical situations they would intervene and help the subjects versus observing or recording. Committed to telling truthful stories documentarians face the conflict between ethics and aesthetics. Acknowledging some similarities with journalism, filmmakers do not consider what they do journalism. The biggest responsibility filmmakers admit to is a responsibility to their subjects.
Documentary Film A Very Short Introduction
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Author : Patricia Aufderheide
language : en
Publisher: Oxford University Press
Release Date : 2007-11-28
Documentary Film A Very Short Introduction written by Patricia Aufderheide and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-11-28 with Performing Arts categories.
Documentary film can encompass anything from Robert Flaherty's pioneering ethnography Nanook of the North to Michael Moore's anti-Iraq War polemic Fahrenheit 9/11, from Dziga Vertov's artful Soviet propaganda piece Man with a Movie Camera to Luc Jacquet's heart-tugging wildlife epic March of the Penguins. In this concise, crisply written guide, Patricia Aufderheide takes readers along the diverse paths of documentary history and charts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling. Beginning with an overview of the central issues of documentary filmmaking--its definitions and purposes, its forms and founders--Aufderheide focuses on several of its key subgenres, including public affairs films, government propaganda (particularly the works produced during World War II), historical documentaries, and nature films. Her thematic approach allows readers to enter the subject matter through the kinds of films that first attracted them to documentaries, and it permits her to make connections between eras, as well as revealing the ongoing nature of documentary's core controversies involving objectivity, advocacy, and bias. Interwoven throughout are discussions of the ethical and practical considerations that arise with every aspect of documentary production. A particularly useful feature of the book is an appended list of "100 great documentaries" that anyone with a serious interest in the genre should see. Drawing on the author's four decades of experience as a film scholar and critic, this book is the perfect introduction not just for teachers and students but also for all thoughtful filmgoers and for those who aspire to make documentaries themselves. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.
Image Ethics
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Author : Larry Gross
language : en
Publisher: Oxford University Press
Release Date : 1991-02-28
Image Ethics written by Larry Gross and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991-02-28 with Social Science categories.
This pathbreaking collection of thirteen original essays examines the moral rights of the subjects of documentary film, photography, and television. Image makers--photographers and filmmakers--are coming under increasing criticism for presenting images of people that are considered intrusive and embarrassing to the subject. Portraying subjects in a "false light," appropriating their images, and failing to secure "informed consent" are all practices that intensify the debate between advocates of the right to privacy and the public's right to know. Discussing these questions from a variety of perspectives, the authors here explore such issues as informed consent, the "right" of individuals and minority groups to be represented fairly and accurately, the right of individuals to profit from their own image, and the peculiar moral obligations of minorities who image themselves and the producers of autobiographical documentaries. The book includes a series of provocative case studies on: the documentaries of Frederick Wiseman, particularly Titicut Follies; British documentaries of the 1930s; the libel suit of General Westmoreland against CBS News; the film Witness and its portrayal of the Amish; the film The Gods Must be Crazy and its portrayal of the San people of southern Africa; and the treatment of Arabs and gays on television. The first book to explore the moral issues peculiar to the production of visual images, Image Ethics will interest a wide range of general readers and students and specialists in film and television production, photography, communications, media, and the social sciences.
The Female Gaze In Documentary Film
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Author : Lisa French
language : en
Publisher: Springer Nature
Release Date : 2021-07-04
The Female Gaze In Documentary Film written by Lisa French and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-07-04 with Performing Arts categories.
The Female Gaze in Documentary Film – an International Perspective makes a timely contribution to the recent rise in interest in the status, presence, achievements and issues for women in contemporary screen industries. It examines the works, contributions and participation of female documentary directors globally. The central preoccupation of the book is to consider what might constitute a ‘female gaze’, an inquiry that has had a long history in filmmaking, film theory and women’s art. It fills a gap in the literature which to date has not substantially examined the work of female documentary directors. Moreover, research on sex, gender and the gaze has infrequently been the subject of scholarship on documentary film, particularly in comparison to narrative film or television drama. A distinctive feature of the book is that it is based on interviews with significant female documentarians from Europe, Asia and North America.
Documentary
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Author : John Ellis
language : en
Publisher: Routledge
Release Date : 2011-07-20
Documentary written by John Ellis and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-07-20 with Art categories.
Documentary: Witness and Self-Revelation takes an audience-centred approach to documentary, arguing that everyday experiences of what it feels like to film and to be filmed have developed a new sophistication and skepticism in today’s viewers. The book argues that documentary has developed a new third phase of its century long history: films now tend to document the encounters between filmers and the filmed. But what do we really know about those encounters?
Introduction To Documentary
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Author : Bill Nichols
language : en
Publisher: Indiana University Press
Release Date : 2001
Introduction To Documentary written by Bill Nichols and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Performing Arts categories.
Provides a one-of-a-kind overview of the most important topics and issues in documentary history and criticism.