The Talmadge Girls
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The Talmadge Girls
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Author : Anita Loos
language : en
Publisher: Viking Adult
Release Date : 1978
The Talmadge Girls written by Anita Loos and has been published by Viking Adult this book supported file pdf, txt, epub, kindle and other format this book has been release on 1978 with Biography & Autobiography categories.
Setting copy, typescript, of biography about silent movie stars Constance and Norma Talmadge. Copy is heavily corrected by Loos, with editor's annotations, proofreaders' marks, and printer's annotations.
Without Lying Down
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Author : Cari Beauchamp
language : en
Publisher: Univ of California Press
Release Date : 1998-04-23
Without Lying Down written by Cari Beauchamp and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-04-23 with Performing Arts categories.
Cari Beauchamp masterfully combines biography with social and cultural history to examine the lives of Frances Marion and her many female colleagues who shaped filmmaking from 1912 through the 1940s. Frances Marion was Hollywood's highest paid screenwriter—male or female—or almost three decades, wrote almost 200 produced films and won Academy Awards for writing "The Big House" and "The Champ."
Buster Keaton Cut To The Chase
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Author : Marion Meade
language : en
Publisher: Open Road Media
Release Date : 2014-04-01
Buster Keaton Cut To The Chase written by Marion Meade and has been published by Open Road Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-04-01 with Biography & Autobiography categories.
An American icon, Joseph Frank “Buster” Keaton is easily acknowledged as one of the greatest filmmakers in early cinema and beyond. His elaborate slapstick made audiences scream with laughter. But, his stone face hid an internal turmoil. In BUSTER KEATON: CUT TO THE CHASE, biographer Marion Meade seamlessly lays out the life and works of this comedy genius who lacked any formal education. “Buster” made his name as a child of vaudeville, thrown around the stage by his father in a cartoon pantomime of very real abuse. The lessons he carried forward from that experience translated into some of the greatest silent films of all time. Keaton wrote, directed, performed, and edited dozens of features and shorts, including his masterpiece, The General. However, those early scars also led to decades of drinking and mistreatment of women. Keaton saw huge successes, Hollywood sex scandals, years of neglect from studios and audiences, and finally a shaky resurrection that assured his place in Hollywood’s film canon. Meticulously researched, this book brings together four years of research and hundreds of interviews to paint a nuanced portrait of a compelling artist. No comedy fan or film buff should miss this insider story of the man behind the stone face.
A To Z Of American Women In The Performing Arts
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Author : Liz Sonneborn
language : en
Publisher: Infobase Publishing
Release Date : 2014-05-14
A To Z Of American Women In The Performing Arts written by Liz Sonneborn and has been published by Infobase Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-05-14 with United States categories.
Presents biographical profiles of 150 American women of achievement in the field of performing arts, including birth and death dates, major accomplishments, and historical influence.
Go West Young Women
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Author : Hilary Hallett
language : en
Publisher: Univ of California Press
Release Date : 2013-01-15
Go West Young Women written by Hilary Hallett and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-01-15 with History categories.
In the early part of the twentieth century, migrants made their way from rural homes to cities in record numbers and many traveled west. Los Angeles became a destination. Women flocked to the growing town to join the film industry as workers and spectators, creating a “New Woman.” Their efforts transformed filmmaking from a marginal business to a cosmopolitan, glamorous, and bohemian one. By 1920, Los Angeles had become the only western city where women outnumbered men. In Go West, Young Women, Hilary A. Hallett explores these relatively unknown new western women and their role in the development of Los Angeles and the nascent film industry. From Mary Pickford’s rise to become perhaps the most powerful woman of her age, to the racist moral panics of the post–World War I years that culminated in Hollywood’s first sex scandal, Hallett describes how the path through early Hollywood presaged the struggles over modern gender roles that animated the century to come.
Silent Players
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Author : Anthony Slide
language : en
Publisher: University Press of Kentucky
Release Date : 2010-09-12
Silent Players written by Anthony Slide and has been published by University Press of Kentucky this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-09-12 with Biography & Autobiography categories.
" From his unique perspective of friendship with many of the actors and actresses about whom he writes, silent film historian Anthony Slide creates vivid portraits of the careers and often eccentric lives of 100 players from the American silent film industry. He profiles the era’s shining stars such as Lillian Gish and Blanche Sweet; leading men including William Bakewell and Robert Harron; gifted leading ladies such as Laura La Plante and Alice Terry; ingénues like Mary Astor and Mary Brian; and even Hollywood’s most famous extra, Bess Flowers. Although each original essay is accompanied by significant documentation and an extensive bibliography, Silent Players is not simply a reference book or encyclopedic recitation of facts culled from the pages of fan magazines and trade periodicals. It contains a series of insightful portraits of the characters who symbolize an original and pioneering era in motion history and explores their unique talents and extraordinary private lives. Slide offers a potentially revisionist view of many of the stars he profiles, repudiating the status of some and restoring to fame others who have slipped from view. He personally interviewed many of his subjects and knew several of them intimately, putting him in a distinctive position to tell their true stories.
William Cameron Menzies
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Author : James Curtis
language : en
Publisher: Pantheon
Release Date : 2015-11-17
William Cameron Menzies written by James Curtis and has been published by Pantheon this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-11-17 with Biography & Autobiography categories.
He was the consummate designer of film architecture on a grand scale, influenced by German expressionism and the work of the great European directors. He was known for his visual flair and timeless innovation, a man who meticulously preplanned the color and design of each film through a series of continuity sketches that made clear camera angles, lighting, and the actors’ positions for each scene, translating dramatic conventions of the stage to the new capabilities of film. Here is the long-awaited book on William Cameron Menzies, Hollywood’s first and greatest production designer, a job title David O. Selznick invented for Menzies’ extraordinary, all-encompassing, Academy Award–winning work on Gone With the Wind (which he effectively co-directed). It was Menzies—winner of the first-ever Academy Award for Art Direction, jointly for The Dove (1927) and Tempest (1928), and who was as well a director (fourteen pictures) and a producer (twelve pictures)—who changed the way movies were (and still are) made, in a career that spanned four decades, from the 1920s through the 1950s. His more than 120 films include Rosita (1923), Things to Come (1936), Foreign Correspondent (1940), Kings Row (1942), Mr. Lucky (1943), The Pride of the Yankees (1943), For Whom the Bell Tolls (1943), Address Unknown (1944), It’s a Wonderful Life (1947), Invaders from Mars (1953), and Around the World in 80 Days (1956). Now, James Curtis, acclaimed film historian and biographer, writes of Menzies’ life and work as the most influential designer in the history of film. His artistry encompassed the large, scenic drawings of Douglas Fairbanks’ The Thief of Bagdad (1924), which created a new standard for beauty on the screen and whose exotic fairy-tale sets are still regarded as pure genius. (“I saw The Thief of Bagdad when it first came out,” said Orson Welles—he was, at the time, a nine-year-old boy. “I’ll never forget it.”) Curtis writes of Menzies’ design and supervision of John Barrymore’s Beloved Rogue (1927), a film that remains a masterpiece of craft and synthesis, one of the most distinctive pictures to emerge from Hollywood’s waning days of silent films, and of his extraordinary, opulent appointments for Gone With the Wind (1939). It was Menzies who defined and solidified the role of art director as having overall control of the look of the motion picture, collaborating with producers like David O. Selznick and Samuel Goldwyn; with directors such as D. W. Griffith, Raoul Walsh, Alfred Hitchcock, Lewis Milestone, and Frank Capra. And with actors as varied as Ingrid Bergman, W. C. Fields, Cary Grant, Clark Gable, John Barrymore, Barbara Stanwyck, Ronald Reagan, Gary Cooper, Vivien Leigh, Carole Lombard, Mary Pickford, Gloria Swanson, and David Niven. Interviewing colleagues, actors, directors, friends, and family, and with full access to the William Cameron Menzies family collection of original artwork, correspondence, scrapbooks, and unpublished writing, Curtis brilliantly gives us the path-finding work of the movies’ most daring and dynamic production designer: his evolution as artist, art director, production designer, and director. Here is a portrait of a man in his time that makes clear how the movies were forever transformed by his startling, visionary work. (With 16 pages of color illustrations, and black-and-white photographs throughout.)
Gods Like Us
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Author : Ty Burr
language : en
Publisher: Vintage
Release Date : 2012-09-18
Gods Like Us written by Ty Burr and has been published by Vintage this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-09-18 with Performing Arts categories.
WITH 8 PAGES OF BLACK-AND-WHITE PHOTOGRAPHS How—and why—do we obsess over movie stars? How does fame both reflect and mask the person behind it? How have the image of stardom and our stars’ images altered over a century of cultural and technological change? Do we create celebrities, or do they create us? Ty Burr, film critic for The Boston Globe, answers these questions in this lively and fascinating anecdotal history of stardom, with all its blessings and curses for star and stargazer alike. From Mary Pickford and Charlie Chaplin to Archie Leach (a.k.a. Cary Grant) and Marion Morrison (a.k.a. John Wayne), Tom Cruise and Julia Roberts, and such no-cal stars of today as the Kardashians and the new online celebrity (i.e., you and me), Burr takes us on an insightful and entertaining journey through the modern fame game at its flashiest, most indulgent, occasionally most tragic, and ultimately, its most revealing.
Idols Of Modernity
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Author : Patrice Petro
language : en
Publisher: Rutgers University Press
Release Date : 2010
Idols Of Modernity written by Patrice Petro and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Biography & Autobiography categories.
Focusing on stardom during the 1920s, this title reveals strong connections & dissonances in matters of storytelling & performance that can be traced both backwards & forwards, from the silent era to the emergence of sound.
Comic Venus
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Author : Kristen Anderson Wagner
language : en
Publisher: Wayne State University Press
Release Date : 2018-03-05
Comic Venus written by Kristen Anderson Wagner and has been published by Wayne State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-03-05 with Performing Arts categories.
For many people the term “silent comedy” conjures up images of Charlie Chaplin’s Little Tramp, Buster Keaton’s Stoneface, or Harold Lloyd hanging precariously from the side of a skyscraper. Even people who have never seen a silent film can recognize these comedians at a glance. But what about the female comedians? Gale Henry, Louise Fazenda, Colleen Moore, Constance Talmadge—these and numerous others were wildly popular during the silent film era, appearing in countless motion pictures and earning top salaries, and yet, their names have been almost entirely forgotten. As a consequence, recovering their history is all the more compelling given that they laid the foundation for generations of funny women, from Lucille Ball to Carol Burnett to Tina Fey. These women constitute an essential and neglected sector of film history, reflecting a turning point in women’s social and political history. Their talent and brave spirit continues to be felt today, and Comic Venus: Women and Comedy in American Silent Film seeks to provide a better understanding of women’s experiences in the early twentieth century, and to better understand and appreciate the unruly and boundary-breaking women who have followed. The diversity and breadth of archival materials explored in Comic Venus illuminate the social and historical period of comediennes and silent film. In four sections, Kristen Anderson Wagner enumerates the relationship between women and comedy, beginning with the question of why historically women weren’t seen as funny or couldn’t possibly be funny in the public and male eye, a question that persists even today. Wagner delves into the idea of women’s “delicate sensibilities,” which presumably prevented them from being funny, and in chapter two traces ideas about feminine beauty and what a woman should express versus what these comedic women did express, as Wagner notes, “comediennes challenged the assumption that beauty was a fundamental component of ideal femininity.” In chapter three, Wagner discusses how comediennes such as Clara Bow, Marie Dressler, and Colleen Moore used humor to gain recognition and power through performances of sexuality and desire. Women comedians presented “sexuality as fun and playful, suggesting that personal relationships could be fluid rather than stable.” Chapter four examines silent comediennes’ relationships to the modern world and argues that these women exemplified modernity and new womanhood. The final chapter of Comic Venus brings readers to understand comediennes and their impact on silent-era cinema, as well as their lasting influence on later generations of funny women. Comic Venus is the first book to explore the overlooked contributions made by comediennes in American silent film. Those with a taste for film and representations of femininity in comedy will be fascinated by the analytical connections and thoroughly researched histories of these women and their groundbreaking movements in comedy and stage.