The Value Of Popular Music
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Performing Rites
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Author : Simon Frith
language : en
Publisher: Oxford University Press, USA
Release Date : 1996
Performing Rites written by Simon Frith and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Music categories.
Starting off from a sociologist's assumptions about musical taste, the author moves toward a theory of popular aesthetics where value judgements carry enough weight to serve as shapers of community and individual identity.
Performing Rites
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Author : Simon Frith
language : en
Publisher: Harvard University Press
Release Date : 1996
Performing Rites written by Simon Frith and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Music categories.
Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distill our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject--and discloses their place at the very center of the aesthetics that structure our culture and color our lives. Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the undeniable impact of popular aesthetics on our lives. How we nod our heads or tap our feet, grin or grimace or flip the dial; how we determine what's sublime and what's "for real"--these are part of the way we construct our social identities, and an essential response to the performance of all music. Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here as not only meriting aesthetic judgments but also demanding them, and shaping our understanding of what all music means.
The Value Of Popular Music
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Author : Alison Stone
language : en
Publisher: Springer
Release Date : 2016-12-17
The Value Of Popular Music written by Alison Stone and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-17 with Philosophy categories.
In this book, Alison Stone argues that popular music since rock-‘n’-roll is a unified form of music which has positive value. That value is that popular music affirms the importance of materiality and the body, challenging the long-standing Western elevation of the intellect above all things corporeal. Stone also argues that popular music’s stress on materiality gives it aesthetic value, drawing on ideas from the post-Kantian tradition in aesthetics by Hegel, Adorno, and others. She shows that popular music gives importance to materiality in its typical structure: in how music of this type handles the relations between matter and form, the relations between sounds and words, and in how it deals with rhythm, meaning, and emotional expression. Extensive use is made of musical examples from a wide range of popular music genres. This book is distinctive in that it defends popular music on philosophical grounds, particularly informed by the continental tradition in philosophy.
Popular Music
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Author : Simon Frith
language : en
Publisher: Psychology Press
Release Date : 2004
Popular Music written by Simon Frith and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Music categories.
Popular music studies is a rapidly expanding field with changing emphases and agendas. The music industry has changed in recent years, as has governmental involvement in popular music schemes as part of the culture industry. The distinction between the major record labels and the outsider independents has become blurred over time. Popular music, as part of this umbrella of the culture industry, has been progressively globalized and globalizing. The tensions within popular music are now no longer between national cultural identity and popular music, but between the local and the global. This four volume collection examines the changing status of popular music against this background. Simon Frith examines the heritage of popular music, and how technology has changed not only the production but the reception of this brand of sound. The collection examines how the traditional genres of rock, pop and soul have broken down and what has replaced them, as well as showing how this proliferation of musical styles has also splintered the audience of popular music.
Performing Popular Music
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Author : David Cashman
language : en
Publisher: Routledge
Release Date : 2019-11-21
Performing Popular Music written by David Cashman and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-21 with Art categories.
This book explores the fundamentals of popular music performance for students in contemporary music institutions. Drawing on the insights of performance practice research, it discusses the unwritten rules of performances in popular music, what it takes to create a memorable performance, and live popular music as a creative industry. The authors offer a practical overview of topics ranging from rehearsals to stagecraft, and what to do when things go wrong. Chapters on promotion, recordings, and the music industry place performance in the context of building a career. Performing Popular Music introduces aspiring musicians to the elements of crafting compelling performances and succeeding in the world of today’s popular music.
Popular Music Music And Identity
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Author : Simon Frith
language : en
Publisher: Psychology Press
Release Date : 2004
Popular Music Music And Identity written by Simon Frith and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Popular music categories.
Who Needs Classical Music
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Author : Julian Johnson
language : en
Publisher: Oxford University Press
Release Date : 2011-09-01
Who Needs Classical Music written by Julian Johnson and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-09-01 with Music categories.
During the last few decades, most cultural critics have come to agree that the division between "high" and "low" art is an artificial one, that Beethoven's Ninth and "Blue Suede Shoes" are equally valuable as cultural texts. In Who Needs Classical Music?, Julian Johnson challenges these assumptions about the relativism of cultural judgements. The author maintains that music is more than just "a matter of taste": while some music provides entertainment, or serves as background noise, other music claims to function as art. This book considers the value of classical music in contemporary society, arguing that it remains distinctive because it works in quite different ways to most of the other music that surrounds us. This intellectually sophisticated yet accessible book offers a new and balanced defense of the specific values of classical music in contemporary culture. Who Needs Classical Music? will stimulate readers to reflect on their own investment (or lack of it) in music and art of all kinds.
The Routledge Companion To Popular Music History And Heritage
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Author : Sarah Baker
language : en
Publisher: Routledge
Release Date : 2018-05-16
The Routledge Companion To Popular Music History And Heritage written by Sarah Baker and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-05-16 with Social Science categories.
The Routledge Companion to Popular Music History and Heritage examines the social, cultural, political and economic value of popular music as history and heritage. Taking a cross-disciplinary approach, the volume explores the relationship between popular music and the past, and how interpretations of the changing nature of the past in post-industrial societies play out in the field of popular music. In-depth chapters cover key themes around historiography, heritage, memory and institutions, alongside case studies from around the world, including the UK, Australia, South Africa and India, exploring popular music’s connection to culture both past and present. Wide-ranging in scope, the book is an excellent introduction for students and scholars working in musicology, ethnomusicology, popular music studies, critical heritage studies, cultural studies, memory studies and other related fields.
Taking Popular Music Seriously
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Author : Simon Frith
language : en
Publisher: Routledge
Release Date : 2017-07-05
Taking Popular Music Seriously written by Simon Frith and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with History categories.
As a sociologist Simon Frith takes the starting point that music is the result of the play of social forces, whether as an idea, an experience or an activity. The essays in this important collection address these forces, recognising that music is an effect of a continuous process of negotiation, dispute and agreement between the individual actors who make up a music world. The emphasis is always on discourse, on the way in which people talk and write about music, and the part this plays in the social construction of musical meaning and value. The collection includes nineteen essays, some of which have had a major impact on the field, along with an autobiographical introduction.
Cries Of Joy Songs Of Sorrow
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Author : Marc L. Moskowitz
language : en
Publisher: University of Hawaii Press
Release Date : 2009-11-24
Cries Of Joy Songs Of Sorrow written by Marc L. Moskowitz and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-11-24 with Music categories.
Since the mid-1990s, Taiwan’s unique brand of Mandopop (Mandarin Chinese–language pop music) has dictated the musical tastes of the mainland and the rest of Chinese-speaking Asia. Cries of Joy, Songs of Sorrow explores Mandopop’s surprisingly complex cultural implications in Taiwan and the PRC, where it has established new gender roles, created a vocabulary to express individualism, and introduced transnational culture to a country that had closed its doors to the world for twenty years. In his early chapters, Marc L. Moskowitz provides the historical background necessary to understand the contemporary Mandopop scene, beginning with the birth of Chinese popular music in the East Asian jazz Mecca of 1920s Shanghai. A brief overview of alternative musical genres in the PRC such as Beijing rock and revolutionary opera is included. The section concludes with a look at the manner in which Taiwan’s musical ethos has influenced the mainland’s music industry and how Mandopop has brought Western music and cultural values to the PRC. This leads to a discussion of Taiwan pop’s exceptional hybridity, beginning with foreign influences during the colonial period under the Dutch and Japanese and continuing with the country’s political, cultural, and economic alliance with the U.S. Moskowitz addresses the resulting wealth of transnational musical influences from the rest of East Asia and the U.S. and Taiwan pop’s appeal to audiences in both the PRC and Taiwan. In doing so, he explores how Mandopop’s "songs of sorrow," with their ubiquitous themes of loneliness and isolation, engage a range of emotional expression that resonates strongly in the PRC. Later chapters examine the construction of male and female identities in Mandopop and look at the widespread condemnation of the genre by critics. Drawing on analyses and data from earlier chapters (including interviews with dozens of performers, song writers, and lay people in Taipei and Shanghai), Moskowitz attempts to answer the question: Why, if the music is as bad as some assert, is it so central to the lives of the largest population in the world? To answer, he highlights Mandopop’s important contribution as a poetic lament that simultaneously embraces and protests modern life. Cries of Joy, Songs of Sorrow is a highly readable introduction to an important but understudied East Asian phenomenon. It will find a ready audience among scholars and students of Chinese and Taiwanese popular culture as well as musicologists studying transnational music flows and non-Western popular music.