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The Vocal Instrument


The Vocal Instrument
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The Vocal Instrument


The Vocal Instrument
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Author : Radionoff, Sharon L.
language : en
Publisher: Plural Publishing
Release Date : 2008-06-01

The Vocal Instrument written by Radionoff, Sharon L. and has been published by Plural Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-06-01 with Music categories.


Within the body lie all the elements (anatomy, physiology and the connection between the mind and body) which are needed to produce sound. Every instrument has a frame. The unique thing about the human vocal instrument is that the body skeleton is the frame. The purpose of this book is to help the voice professional understand this instrument and know how to take care of it. This book defines common problems and discusses how to fix these problems based on the specialization of the voice professional.



The Vocal Instrument With Photographs


The Vocal Instrument With Photographs
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Author : John Joseph Mewburn LEVIEN
language : en
Publisher:
Release Date : 1944

The Vocal Instrument With Photographs written by John Joseph Mewburn LEVIEN and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1944 with categories.




The Vocal Instrument The Singer


The Vocal Instrument The Singer
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Author : A. G. Scott-Savage
language : en
Publisher: Halifax : Fine Arts Service, Continuing Education Program
Release Date : 1975*

The Vocal Instrument The Singer written by A. G. Scott-Savage and has been published by Halifax : Fine Arts Service, Continuing Education Program this book supported file pdf, txt, epub, kindle and other format this book has been release on 1975* with categories.




The Voice As A Musical Instrument


The Voice As A Musical Instrument
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Author : Charles Henry Stanley Davis
language : en
Publisher:
Release Date : 1879

The Voice As A Musical Instrument written by Charles Henry Stanley Davis and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1879 with Voice culture categories.




Understand The Voice As An Instrument


Understand The Voice As An Instrument
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Author : Jennifer Meade
language : en
Publisher: Les Edition Monia
Release Date : 2022-04-26

Understand The Voice As An Instrument written by Jennifer Meade and has been published by Les Edition Monia this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-04-26 with Music categories.


Singers! Are you tired of not getting the results you want when it comes to singing? This book will teach you how to use and understand your voice as an Instrument and guarantees concrete results, of consistent sound quality production, vocal freedom, vocal ease, and longevity. You will learn the fundamentals of playing the voice instrument and how to express and communicate from the very source of your being; by learning a wide variety of techniques and methods that will develop your confidence. Giving you a new perspective of the voice and a vocal maturity that will broaden your skills, and take your vocal ability to another level.



Training The Vocal Instrument


Training The Vocal Instrument
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Author : National Association of Teachers of Singing (U.S.). Advisory Committee on Vocal Education
language : en
Publisher:
Release Date : 1957

Training The Vocal Instrument written by National Association of Teachers of Singing (U.S.). Advisory Committee on Vocal Education and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1957 with Singing categories.




The Free Voice


The Free Voice
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Author : Cornelius L. Reid
language : en
Publisher: Oxford University Press
Release Date : 2018-06-15

The Free Voice written by Cornelius L. Reid and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-06-15 with Music categories.


Great vocal teachers from the 16th century through the early 19th century discovered through trial and error how to properly develop the singing voice, and the term bel canto came to be applied to both the manner of singing and the vocal music of that period. But by 1858, according to Rossini, the term was already being misused and wrongly confused with fioriture. Well-schooled in the teaching of singing, Rossini more accurately describes bel canto as being composed of: the building of the instrument; technique, or the means of using the instrument; and style, of which the ingredients are taste and feeling. In this 50th anniversary edition of The Free Voice, renowned vocal pedagogue Cornelius L. Reid articulates the teaching principles of his own school of functional vocal training, grounded firmly in the old principles while remaining in line with a modern understanding of the physical value of the vocal instrument. The muscles that move the vocal folds and the vocal folds themselves are involuntary, and as such, the singing voice is not an instrument that can be manipulated directly. Reid's approach to singing is one of indirect control, stemming from an understanding of the vocal registers and how specific patterns of pitch, intensity, and vowel affect the vocal folds. Through the vocal exercises outlined in this book, and catered to each individual, a poorly coordinated musculature can be brought to efficiency. Only when the musculature of the vocal mechanism is well-balanced and coordinated can the voice be free, and the natural beauty and resonance of the individual voice come through without force.



Vocal Instrumental And Ensemble Learning And Teaching


Vocal Instrumental And Ensemble Learning And Teaching
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Author : Gary McPherson
language : en
Publisher: Oxford University Press
Release Date : 2018-04-30

Vocal Instrumental And Ensemble Learning And Teaching written by Gary McPherson and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-04-30 with Music categories.


Vocal, Instrumental, and Ensemble Learning and Teaching is one of five paperback books derived from the foundational two-volume Oxford Handbook of Music Education. Designed for music teachers, students, and scholars of music education, as well as educational administrators and policy makers, this third volume in the set emphasizes the types of active musical attributes that are acquired when learning an instrument or to sing, together with how these skills can be used when engaging musically with others. These chapters shed light on how the field of voice instruction has changed dramatically in recent decades and how physiological, acoustical, biomechanical, neuromuscular, and psychological evidence is helping musicians and educators question traditional practices. The authors discuss research on instrumental learning, demonstrating that there is no 'ideal' way to learn, but rather that a chosen learning approach must be appropriate for the context and desired aims. This volume rounds out with a focus on a wide range of perspectives dealing with group performance of instrumental music, an area that is organized and taught in many varied ways internationally. Contributors Alfredo Bautista, Robert Burke, James L. Byo, Jean Callaghan, Don D. Coffman, Andrea Creech, Jane W. Davidson, Steven M. Demorest, Robert A. Duke, Robert Edwin, Shirlee Emmons, Sam Evans, Helena Gaunt, Susan Hallam, Lee Higgins, Jere T. Humphreys, Harald Jers, Harald Jørgensen, Margaret Kartomi, Reinhard Kopiez , William R. Lee, Andreas C. Lehmann, Gary E. McPherson, Steven J. Morrison, John Nix, Ioulia Papageorgi, Kenneth H. Phillips, Lisa Popeil, John W. Richmond, Carlos Xavier Rodriguez, Nelson Roy, Robert T. Sataloff, Frederick A. Seddon, Sten Ternström, Michael Webb, Graham F. Welch, Jenevora Williams, Michael D. Worthy



A Programmed Introduction To The Anatomy Of The Vocal Instrument To Be Used With Compulsory Figures For Voice Level One


A Programmed Introduction To The Anatomy Of The Vocal Instrument To Be Used With Compulsory Figures For Voice Level One
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Author : Jo Estill
language : en
Publisher:
Release Date : 1997

A Programmed Introduction To The Anatomy Of The Vocal Instrument To Be Used With Compulsory Figures For Voice Level One written by Jo Estill and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Human anatomy categories.




The Free Voice


The Free Voice
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Author : Cornelius L. Reid
language : en
Publisher: Oxford University Press
Release Date : 2018-06-15

The Free Voice written by Cornelius L. Reid and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-06-15 with Music categories.


Great vocal teachers from the 16th century through the early 19th century discovered through trial and error how to properly develop the singing voice, and the term bel canto came to be applied to both the manner of singing and the vocal music of that period. But by 1858, according to Rossini, the term was already being misused and wrongly confused with fioriture. Well-schooled in the teaching of singing, Rossini more accurately describes bel canto as being composed of: the building of the instrument; technique, or the means of using the instrument; and style, of which the ingredients are taste and feeling. In this 50th anniversary edition of The Free Voice, renowned vocal pedagogue Cornelius L. Reid articulates the teaching principles of his own school of functional vocal training, grounded firmly in the old principles while remaining in line with a modern understanding of the physical value of the vocal instrument. The muscles that move the vocal folds and the vocal folds themselves are involuntary, and as such, the singing voice is not an instrument that can be manipulated directly. Reid's approach to singing is one of indirect control, stemming from an understanding of the vocal registers and how specific patterns of pitch, intensity, and vowel affect the vocal folds. Through the vocal exercises outlined in this book, and catered to each individual, a poorly coordinated musculature can be brought to efficiency. Only when the musculature of the vocal mechanism is well-balanced and coordinated can the voice be free, and the natural beauty and resonance of the individual voice come through without force.