Theatergeschichte Europas Romantik
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Theatergeschichte Europas Romantik
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Author : Heinz Kindermann
language : en
Publisher:
Release Date : 1957
Theatergeschichte Europas Romantik written by Heinz Kindermann and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1957 with Theater categories.
Theatergeschichte Europas Von Der Aufkl Rung Zur Romantik
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Author : Heinz Kindermann
language : en
Publisher:
Release Date : 1961
Theatergeschichte Europas Von Der Aufkl Rung Zur Romantik written by Heinz Kindermann and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1961 with Theater categories.
Theatergeschichte Europas Realismus
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Author : Heinz Kindermann
language : en
Publisher:
Release Date : 1965
Theatergeschichte Europas Realismus written by Heinz Kindermann and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1965 with Theater categories.
Romantic Drama
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Author : Gerald Ernest Paul Gillespie
language : en
Publisher: John Benjamins Publishing
Release Date : 1994
Romantic Drama written by Gerald Ernest Paul Gillespie and has been published by John Benjamins Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Literary Criticism categories.
It does not treat Romanticism as a limited "period" dominated by some construed singular master-ethos or dialectic; rather, it follows the literary patterns and dynamics of Romanticism as a flow of interactive currents across geocultural frontiers
Theater And Nation In Eighteenth Century Germany
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Author : Michael J. Sosulski
language : en
Publisher: Routledge
Release Date : 2017-03-02
Theater And Nation In Eighteenth Century Germany written by Michael J. Sosulski and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-03-02 with Literary Criticism categories.
In 1767, more than a century before Germany was incorporated as a modern nation-state, the city of Hamburg chartered the first Deutsches Nationaltheater. What can it have meant for a German playhouse to have been a national theater, and what did that imply about the way these theaters operated? Michael Sosulski contends that the idea of German nationhood not only existed prior to the Napoleonic Wars but was decisive in shaping cultural production in the last third of the eighteenth century, operating not on the level of popular consciousness but instead within representational practices and institutions. Grounding his study in a Foucauldian understanding of emergent technologies of the self, Sosulski connects the increasing performance of body discipline by professional actors, soldiers, and schoolchildren to the growing interest in German national identity. The idea of a German cultural nation gradually emerged as a conceptual force through the work of an influential series of literary intellectuals and advocates of a national theater, including G. E. Lessing and Friedrich Schiller. Sosulski combines fresh readings of canonical and lesser-known dramas, with analysis of eighteenth-century theories of nationhood and evolving acting theories, to show that the very lack of a strong national consciousness in the late eighteenth century actually spurred the emergence of the German Nationaltheater, which were conceived in the spirit of the Enlightenment as educational institutions. Since for Germans, nationality was a performed identity, theater emerged as an ideal space in which to imagine that nation.
Goethe 2000
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Author : Paul Bishop
language : en
Publisher: Routledge
Release Date : 2017-12-02
Goethe 2000 written by Paul Bishop and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-12-02 with Literary Criticism categories.
"The two-hundred-and-fiftieth anniversary of the birth of Johann Wolfgang von Goethe was celebrated in Scotland by a colloquium held under the auspices of the University of Glasgow's Centre for Intercultural Germanistics in April 1999. Its aim was to reflect both Goethe's own commitment to Weltliteratur and the pressing need in our global village at the turn of the millennium for cultural exchange between scholars of different nations. For if, as Goethe said, 'wer fremde Sprachen nicht kennt, weis nichts von seiner eigenen', then it is also true that 'wer fremde Kulturen nicht kennt; weis nichts von seiner eigenen'.Discussing different themes, different texts, and working with different methodological presuppositions, the papers in this collection nevertheless share the conviction that the significance of Goethe for the new millennium can best be shown by setting his works in an intercultural context. The volume also includes John Michael Krois' Inaugural Ernst Cassirer Lecture in Intercultural Relations, held in the University of Glasgow in April 2000, entitled 'Ernst Cassirer and the Renaissance of Cultural Theory'."
E T A Hoffmann Cosmopolitanism And The Struggle For German Opera
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Author : Francien Markx
language : en
Publisher: BRILL
Release Date : 2015-11-02
E T A Hoffmann Cosmopolitanism And The Struggle For German Opera written by Francien Markx and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-11-02 with Literary Criticism categories.
In this first monograph on E. T. A. Hoffmann and opera, Francien Markx examines Hoffmann’s writings on opera and the challenges they pose to established narratives of aesthetic autonomy, the search for a national opera, and Hoffmann’s biography. Markx discusses Hoffmann’s lifelong fascination with opera against the backdrop of eighteenth-century theater reform, the creation of national identity, contemporary performance practices and musical and aesthetic discourses as voiced by C. M. von Weber, A. W. Schlegel, Heine, and Wagner, among others. The book reconsiders the traditional view that German opera followed a deterministic trajectory toward Wagner’s Gesamtkunstwerk and reveals a cosmopolitan spirit in Hoffmann’s operatic vision, most notably exemplified by his controversial advocacy for Spontini in Berlin.
The Oxford Handbook Of European Romanticism
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Author : Paul Hamilton
language : en
Publisher: Oxford University Press
Release Date : 2016
The Oxford Handbook Of European Romanticism written by Paul Hamilton and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Literary Criticism categories.
The Oxford Handbook of European Romanticism focuses on the period beginning with the French Revolution and extending to the uprisings of 1848 across Europe. It brings together leading scholars in the field to examine the intellectual, literary, philosophical, and political elements ofEuropean Romanticism. The volume begins with a series of chapters examining key texts written by major writers in languages including French, German, Italian, Spanish, Russian, Hungarian, Greek, and Polish amongst others. Then follows a second section based on the naturally inter-disciplinaryquality of Romanticism, encapsulated by the different discourses with which writers of the time, set up an internal comparative dynamic. These chapters highlight the sense a discourse gives of being written knowledgeably against other pretenders to completeness or comprehensiveness of understanding,and the Enlightenment encyclopaedic project. Discourses typically push their individual claims to resume European culture, collaborating and trying to assimilate each other in the process. The main examples featuring here are history, geography, drama, theology, language, geography, philosophy,political theory, the sciences, and the media. Each chapter offers original and individual interpretation of individual aspects of an inherently comparative world of individual writers and the discursive idioms to which they are historically subject. Together the forty-one chapters provide acomprehensive and unique overview of European Romanticism.
European Shakespeares Translating Shakespeare In The Romantic Age
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Author : Dirk Delabastita
language : en
Publisher: John Benjamins Publishing
Release Date : 1993-03-04
European Shakespeares Translating Shakespeare In The Romantic Age written by Dirk Delabastita and has been published by John Benjamins Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993-03-04 with Language Arts & Disciplines categories.
Where, when, and why did European Romantics take to Shakespeare? How about Shakespeare's reception in enduring Neoclassical or in popular traditions? And above all: which Shakespeare did these various groups promote? This collection of essays leaves behind the time-honoured commonplaces about Shakespearean translation (the 'translatability' of Shakespeare's forms and meanings, the issue of 'loss' and 'gain' in translation, the distinction between 'translation' and 'adaptation', translation as an 'art'. etc.) and joins modern Shakespearean scholarship in its attempt to lay bare the cultural mechanisms endowing Shakespeare's texts with their supposedly inherent meanings. The book presents a fresh approach to the subject by its radically descriptive stance, by its search for an adequate underlying theory along interdisciplinary lines, and not in the least by its truly European scope. It traces common trends and local features not just in France and Germany, but also in Hungary, Italy, the Netherlands, Portugal, Russia, Scandinavia, and the West Slavic cultures.
Women Warriors In Romantic Drama
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Author : Wendy C. Nielsen
language : en
Publisher: Rowman & Littlefield
Release Date : 2013
Women Warriors In Romantic Drama written by Wendy C. Nielsen and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Literary Criticism categories.
Women Warriors in Romantic Drama advances scholarship on late eighteenth- and early nineteenth-century theater by bringing together, for the first time, female and male dramatists as well as British, German, Irish, and French writers, thinkers, actors, and philosophers. This transnational perspective allows Women Warriors in Romantic Drama to make the provocative claim that in some instances, the violence of the French Revolution--and especially women's participation in it--advances proto-feminist concerns.