Theaters Of Desire Authors Readers And The Reproduction Of Early Chinese Song Drama 1300 2000
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Theaters Of Desire Authors Readers And The Reproduction Of Early Chinese Song Drama 1300 2000
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Author : P. Sieber
language : en
Publisher: Palgrave Macmillan
Release Date : 2004-01-20
Theaters Of Desire Authors Readers And The Reproduction Of Early Chinese Song Drama 1300 2000 written by P. Sieber and has been published by Palgrave Macmillan this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-01-20 with Literary Criticism categories.
Blending a flair for textual nuance with theoretical engagement, Theaters of Desire not only contributes to our understanding of the most influential form of early Chinese song-drama in local and international cultural contexts, but adds a Chinese perspective to the scholarship on print culture, authorship, and the regulatory discourses of desire. The book argues that, particularly between 1550 and 1680, Chinese elite editors rewrote and printed early plays and songs, so-called Yuan-dynasty zaju and sanqu , to imagine and embody new concepts of authorship, readership and desire, an interpretation that contrasts starkly with the national and racially-oriented reception of song-drama developed by European critics after 1735 and subsequently modified by Japanese and Chinese critics after 1897. By analyzing the critical and material facets of the early song and play tradition across different historical periods and cultural settings, Theaters of Desire presents a compelling case study of literary canon formation.
Theaters Of Desire Authors Readers And The Reproduction Of Early Chinese Song Drama 1300 2000
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Author : P. Sieber
language : en
Publisher: Springer
Release Date : 2003-07-17
Theaters Of Desire Authors Readers And The Reproduction Of Early Chinese Song Drama 1300 2000 written by P. Sieber and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-07-17 with Literary Criticism categories.
Blending a flair for textual nuance with theoretical engagement, Theaters of Desire not only contributes to our understanding of the most influential form of early Chinese song-drama in local and international cultural contexts, but adds a Chinese perspective to the scholarship on print culture, authorship, and the regulatory discourses of desire. The book argues that, particularly between 1550 and 1680, Chinese elite editors rewrote and printed early plays and songs, so-called Yuan-dynasty zaju and sanqu , to imagine and embody new concepts of authorship, readership and desire, an interpretation that contrasts starkly with the national and racially-oriented reception of song-drama developed by European critics after 1735 and subsequently modified by Japanese and Chinese critics after 1897. By analyzing the critical and material facets of the early song and play tradition across different historical periods and cultural settings, Theaters of Desire presents a compelling case study of literary canon formation.
How To Read Chinese Drama
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Author : Patricia Sieber
language : en
Publisher: Columbia University Press
Release Date : 2022-01-25
How To Read Chinese Drama written by Patricia Sieber and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-01-25 with Drama categories.
This book is a comprehensive and inviting introduction to the literary forms and cultural significance of Chinese drama as both text and performance. Each chapter offers an accessible overview and critical analysis of one or more plays—canonical as well as less frequently studied works—and their historical contexts. How to Read Chinese Drama highlights how each play sheds light on key aspects of the dramatic tradition, including genre conventions, staging practices, musical performance, audience participation, and political resonances, emphasizing interconnections among chapters. It brings together leading scholars spanning anthropology, art history, ethnomusicology, history, literature, and theater studies. How to Read Chinese Drama is straightforward, clear, and concise, written for undergraduate students and their instructors as well as a wider audience interested in world theater. For students of Chinese literature and language, the book provides questions to explore when reading, watching, and listening to plays, and it features bilingual excerpts. For teachers, an analytical table of contents, a theater-specific chronology of events, and lists of visual resources and translations provide pedagogical resources for exploring Chinese theater within broader cultural and comparative contexts. For theater practitioners, the volume offers deeply researched readings of important plays together with background on historical performance conventions, audience responses, and select modern adaptations.
Historical Dictionary Of Chinese Theater
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Author : Tan Ye
language : en
Publisher: Rowman & Littlefield
Release Date : 2020-03-04
Historical Dictionary Of Chinese Theater written by Tan Ye and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-04 with Performing Arts categories.
There is a sense of timelessness in the Chinese theater: ever since its maturation, its format has not changed in any significant way. Chinese Theater matured into its final format in the 13th century and flourished during the Yuan, Ming, and Qing Dynasties. It is a unique, exclusive, and self-sufficient system, whose evolution has received little influence from the West and whose influence on Western theaters has been minimal and often misinterpreted. It is essentially a performer's theater; the actors attract the audience with splendid performances perfected through many years of rigorous training. This second edition of Historical Dictionary of Chinese Theater contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,500 cross-referenced entries on performers, directors, producers, designers, actors, theaters, dynasties, and emperors. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese theater.
Operatic China
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Author : D. Lei
language : en
Publisher: Springer
Release Date : 2016-09-23
Operatic China written by D. Lei and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-09-23 with Performing Arts categories.
In this study Lei focuses on the notion of 'performing Chinese' in traditional opera in the 'contact zones', where two or more cultures, ethnicities, and/or ideologies meet and clash. This work seeks to create discourse among theatre and performance studies, Asian and Asian American studies, and transnational and diasporic studies.
Staging Personhood
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Author : Guojun Wang
language : en
Publisher: Columbia University Press
Release Date : 2020-04-07
Staging Personhood written by Guojun Wang and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-04-07 with Literary Criticism categories.
After toppling the Ming dynasty, the Qing conquerors forced Han Chinese males to adopt Manchu hairstyle and clothing. Yet China’s new rulers tolerated the use of traditional Chinese attire in performances, making theater one of the only areas of life where Han garments could still be seen and where Manchu rule could be contested. Staging Personhood uncovers a hidden history of the Ming–Qing transition by exploring what it meant for the clothing of a deposed dynasty to survive onstage. Reading dramatic works against Qing sartorial regulations, Guojun Wang offers an interdisciplinary lens on the entanglements between Chinese drama and nascent Manchu rule in seventeenth-century China. He reveals not just how political and ethnic conflicts shaped theatrical costuming but also the ways costuming enabled different modes of identity negotiation during the dynastic transition. In case studies of theatrical texts and performances, Wang considers clothing and costumes as indices of changing ethnic and gender identities. He contends that theatrical costuming provided a productive way to reconnect bodies, clothes, and identities disrupted by political turmoil. Through careful attention to a variety of canonical and lesser-known plays, visual and performance records, and historical documents, Staging Personhood provides a pathbreaking perspective on the cultural dynamics of early Qing China.
1616 Shakespeare And Tang Xianzu S China
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Author : Tian Yuan Tan
language : en
Publisher: Bloomsbury Publishing
Release Date : 2016-02-25
1616 Shakespeare And Tang Xianzu S China written by Tian Yuan Tan and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-02-25 with Literary Criticism categories.
The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time.
Li Zhi Confucianism And The Virtue Of Desire
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Author : Pauline C. Lee
language : en
Publisher: State University of New York Press
Release Date : 2012-03-06
Li Zhi Confucianism And The Virtue Of Desire written by Pauline C. Lee and has been published by State University of New York Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-03-06 with Philosophy categories.
Li Zhi (1527–1602) was a bestselling author with a devoted readership. His biting, shrewd, and visionary writings with titles like A Book to Hide and A Book to Burn were both inspiring and inflammatory. Widely read from his own time to the present, Li Zhi has long been acknowledged as an important figure in Chinese cultural history. While he is esteemed as a stinging social critic and an impassioned writer, Li Zhi's ideas have been dismissed as lacking a deeper or constructive vision. Pauline C. Lee convincingly shows us otherwise. Situating Li Zhi within the highly charged world of the late-Ming culture of "feelings," Lee presents his slippery and unruly yet clear and robust ethical vision. Li Zhi is a Confucian thinker whose consuming concern is a powerful interior world of abundance, distinctive to each individual: the realm of the emotions. Critical to his ideal of the good life is the ability to express one's feelings well. In the work's conclusion, Lee brings Li Zhi's insights into conversation with contemporary philosophical debates about the role of feelings, an ethics of authenticity, and the virtue of desire.
Routledge Handbook Of Asian Theatre
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Author : Siyuan Liu
language : en
Publisher: Routledge
Release Date : 2016-02-05
Routledge Handbook Of Asian Theatre written by Siyuan Liu and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-02-05 with Performing Arts categories.
Routledge Handbook of Asian Theatre is an advanced level reference guide which surveys the rich and diverse traditions of classical and contemporary performing arts in Asia, showcasing significant scholarship in recent years. An international team of over 50 contributors provide authoritative overviews on a variety of topics across Asia, including dance, music, puppetry, make-up and costume, architecture, colonialism, modernity, gender, musicals, and intercultural Shakespeare. This volume is divided into four sections covering: Representative Theatrical Traditions in Asia. Cross-Regional Aspects of Classical and Folk Theatres. Modern and Contemporary Theatres in Asian Countries. Modernity, Gender Performance, Intercultural and Musical Theatre in Asia. Offering a cutting edge overview of Asian theatre and performance, the Handbook is an invaluable resource for academics, researchers and students studying this ever-evolving field.
China Reinterpreted
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Author : Leo Shingchi Yip
language : en
Publisher: Lexington Books
Release Date : 2016-04-04
China Reinterpreted written by Leo Shingchi Yip and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-04 with Literary Criticism categories.
China Reinterpreted is the first comprehensive study on the representation of Chinese figures and motifs in Muromachi Japanese noh theater. Given that China had a strong influence on Japanese culture from the sixth to the early seventeenth centuries, research on Japanese reception of Chinese culture abounds.This book examines how noh theater integrated earlier reception of Chinese culture in various disciplines to produce its reinterpretation of China and Chinese culture on stage. Centering on a group of noh plays that features Chinese characters and motifs, China Reinterpreted explores not only the different means and methods of adaptation, but also the intricate (re)construction of diverse and complex images of China. This studysituates the selected Chinese plays in the context of the dramaturgy and artistic conventions of noh, as well as the sociopolitical stances and artistic preferences of the audiences, and thus highlights the aesthetics, cultural, and sociopolitical agendas of noh theater of the time. By analyzing the various images of China (Japan’s cultural Other) staged in Muromachi noh theater, China Reinterpreted offers a case study of the representation of the Other in an intra-Asia context.