Theatre And Judaism


Theatre And Judaism
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Theatre And Judaism


Theatre And Judaism
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Author : Yair Lipshitz
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-03-16

Theatre And Judaism written by Yair Lipshitz and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-03-16 with Performing Arts categories.


This new title in the Theatre & series explores the intersections between theatre and Judaism, offering a uniquely nuanced approach as a counterpart to the more common discourse surrounding Jewish theatre. Arguing that theatre allows for a subtle engagement with religious heritage that does not easily fall into a religious/secular dichotomy, it examines the ways in which Jewish tradition lends itself to theatrical performance. With rigorous scholarship and a fresh perspective, Theatre and Judaism promotes a transnational and comparative approach, considering Judaism as a religious-cultural tradition rather than focusing on a particular national context. Exciting and thought-provoking, this is the perfect companion for undergraduate and postgraduate students of theatre or religious studies.



Jewish Theatre A Global View


Jewish Theatre A Global View
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Author : Edna Nahshon
language : en
Publisher: BRILL
Release Date : 2009-07-30

Jewish Theatre A Global View written by Edna Nahshon and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-07-30 with Religion categories.


While a frequently used term, Jewish Theatre has become a contested concept that defies precise definition. Is it theatre by Jews? For Jews? About Jews? Though there are no easy answers for these questions, Jewish Theatre: A Global View, contributes greatly to the conversation by offering an impressive collection of original essays written by an international cadre of noted scholars from Europe, the United States, and Israel. The essays discuss historical and current texts and performance practices, covering a wide gamut of genres and traditions.



The Judaic Nature Of Israeli Theatre


The Judaic Nature Of Israeli Theatre
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Author : Dan Urian
language : en
Publisher: Routledge
Release Date : 2013-12-19

The Judaic Nature Of Israeli Theatre written by Dan Urian and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-19 with Performing Arts categories.


Theatre has, since the time of the Jewish Enlightenment, served the secular community in its conflict with the religious. This book surveys the secular-religious rift and then describes the enhanced concern of the secular community in Israel for its own Jewishness and its expression in the theatre - especially following the 1967 War. It then moves on to a specific study of the play Bruira and finally reviews the phenomenon of the return to Orthodox Judaism by secular individuals.



Jews And Theater In An Intercultural Context


Jews And Theater In An Intercultural Context
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Author : Edna Nahshon
language : en
Publisher: BRILL
Release Date : 2012-04-03

Jews And Theater In An Intercultural Context written by Edna Nahshon and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-04-03 with Drama categories.


A collection of essays by an international cadre of theater scholars, which addresses Jewish theater practitioners, playwrights, critics, financiers and audiences roles in the development of the European and American theater.



Jews And The Making Of Modern German Theatre


Jews And The Making Of Modern German Theatre
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Author : Jeanette R. Malkin
language : en
Publisher: University of Iowa Press
Release Date : 2010-04-15

Jews And The Making Of Modern German Theatre written by Jeanette R. Malkin and has been published by University of Iowa Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-04-15 with Performing Arts categories.


While it is common knowledge that Jews were prominent in literature, music, cinema, and science in pre-1933 Germany, the fascinating story of Jewish co-creation of modern German theatre is less often discussed. Yet for a brief time, during the Second Reich and the Weimar Republic, Jewish artists and intellectuals moved away from a segregated Jewish theatre to work within canonic German theatre and performance venues, claiming the right to be part of the very fabric of German culture. Their involvement, especially in the theatre capital of Berlin, was of a major magnitude both numerically and in terms of power and influence. The essays in this stimulating collection etch onto the conventional view of modern German theatre the history and conflicts of its Jewish participants in the last third of the nineteenth and first third of the twentieth centuries and illuminate the influence of Jewish ethnicity in the creation of the modernist German theatre. The nontraditional forms and themes known as modernism date roughly from German unification in 1871 to the end of the Weimar Republic in 1933. This is also the period when Jews acquired full legal and trade equality, which enabled their ownership and directorship of theatre and performance venues. The extraordinary artistic innovations that Germans and Jews co-created during the relatively short period of this era of creativity reached across the old assumptions, traditions, and prejudices that had separated people as the modern arts sought to reformulate human relations from the foundations to the pinnacles of society. The essayists, writing from a variety of perspectives, carve out historical overviews of the role of theatre in the constitution of Jewish identity in Germany, the position of Jewish theatre artists in the cultural vortex of imperial Berlin, the role played by theatre in German Jewish cultural education, and the impact of Yiddish theatre on German and Austrian Jews and on German theatre. They view German Jewish theatre activity through Jewish philosophical and critical perspectives and examine two important genres within which Jewish artists were particularly prominent: the Cabaret and Expressionist theatre. Finally, they provide close-ups of the Jewish artists Alexander Granach, Shimon Finkel, Max Reinhardt, and Leopold Jessner. By probing the interplay between “Jewish” and “German” cultural and cognitive identities based in the field of theatre and performance and querying the effect of theatre on Jewish self-understanding, they add to the richness of intercultural understanding as well as to the complex history of theatre and performance in Germany.



The Jewish Theatre


The Jewish Theatre
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Author :
language : en
Publisher:
Release Date : 1970

The Jewish Theatre written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1970 with Theater, Yiddish categories.




Jewish Drama Theatre


Jewish Drama Theatre
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Author : Eli Rozik
language : en
Publisher: Liverpool University Press
Release Date : 2013-07-01

Jewish Drama Theatre written by Eli Rozik and has been published by Liverpool University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-01 with Performing Arts categories.


Jewish drama and theatre has followed a tortuous path from extreme rabbinical intolerance to eventual secular liberalism, with its openness to the heritages of both Judaism as a culture and prominent foreign cultures, to the extent of multicultural integration. No wonder, therefore, that since biblical times until the seventeenth century there are only examples of tangential theatre practices. This initial intolerance, shared by the Church, was rooted in pagan connotations of theatre rather than in the neutral nature of the theatre medium, capable of formulating and communicating contrasting thoughts. Whereas by the tenth century the Church understood that theatre could be harnessed to its own ends, Jewish theatre was only created seven centuries later through spontaneous and amateurish theatrical practices, such as the Yiddish purim-shpil and the purim-rabbi. Due to their carnivalesque and cathartic nature these practices were tolerated by the rabbinical establishment, albeit only during the Purim holiday. But as a result, Jewish drama and theatre were created and emerged despite rabbinical antagonism. Under the influence of the Jewish Enlightenment, Yiddish-speaking theatres were increasingly established, a trend that became central in the cultural enterprise of the Jews in Israel. This process involved a renewed use of Hebrew as a spoken language, and the transition from a profound religious identity to a secular Jewish one, characterised by a basic liberalism to the extent of openness to cultures traditionally perceived as archetypal enemies of Judaism. This book sets out to analyse play-scripts and performance-texts produced in the Israeli theatre in order to illustrate these trends, and concludes that only a liberal society can bring about the full realisation of theatre's potentialities.



Transposing Broadway


Transposing Broadway
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Author : S. Hecht
language : en
Publisher: Springer
Release Date : 2014-10-01

Transposing Broadway written by S. Hecht and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-10-01 with Religion categories.


Over the last hundred years, musical theatre artists - from Berlin to Rodgers and Hammerstein to Sondheim - have developed a form that corresponds directly to the Americanization of the increasingly Jewish New York audience; and that audience's aspirations and concerns have played out in the shows themselves. Musicals thus became a paradigm which instructed newcomers in how to assimilate while correspondingly envisioning "American Dream" America as democratic and inclusive. Broadway musicals still continue to function today as "cultural Ellis Islands" for fringe populations seeking acceptance into the nation's mainstream - including women, blacks, Latinos, and gays - all essentially modeled upon the Jewish example. Stuart J. Hecht offers a fascinatingexamination of the relationship between Jews, assimilation, and the changing face of the American musical.



Theatrical Liberalism


Theatrical Liberalism
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Author : Andrea Most
language : en
Publisher: NYU Press
Release Date : 2013-05-20

Theatrical Liberalism written by Andrea Most and has been published by NYU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-05-20 with History categories.


“Makes new sense of aspects of popular culture we have all grown up with and thought we knew only too well. Most bridges religious studies and theater, political theory and American studies, high criticism and middlebrow performance. Her book will help us see better how Jews and their Jewishness did not merely ‘enter’ American popular culture, but did so much to invent it.”—Jonathan Boyarin Leonard and Tobee Kaplan Distinguished Professor of Modern Jewish Thought, University of North Carolina For centuries, Jews were one of the few European cultures without any official public theatrical tradition. Yet in the modern era, Jews were among the most important creators of popular theater and film–especially in America. Why? In Theatrical Liberalism, Andrea Most illustrates how American Jews used the theatre and other media to navigate their encounters with modern culture, politics, religion, and identity, negotiating a position for themselves within and alongside Protestant American liberalism by reimagining key aspects of traditional Judaism as theatrical. Discussing works as diverse as the Hebrew Bible, The Jazz Singer, and Death of a Salesman—among many others—Most situates American popular culture in the multiple religious traditions that informed the worldviews of its practitioners. Offering a comprehensive history of the role of Judaism in the creation of American entertainment, Theatrical Liberalism re-examines the distinction between the secular and the religious in both Jewish and American contexts, providing a new way of understanding Jewish liberalism and its place in a pluralist society. With extensive scholarship and compelling evidence, Theatrical Liberalism shows how the Jewish worldview that permeates American culture has reached far beyond the Jews who created it.



Nine Contemporary Jewish Plays


Nine Contemporary Jewish Plays
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Author : Ellen Schiff
language : en
Publisher: University of Texas Press
Release Date : 2005-11-01

Nine Contemporary Jewish Plays written by Ellen Schiff and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-11-01 with Drama categories.


Jewish theatre—plays about and usually by Jews—enters the twenty-first century with a long and distinguished history. To keep this vibrant tradition alive, the National Foundation for Jewish Culture established the New Play Commissions in Jewish Theatre in 1994. The commissions are awarded in an annual competition. Their goal is to help emerging and established dramatists develop new works in collaboration with a wide variety of theatres. Since its inception, the New Play Commissions has contributed support to more than seventy-five professional productions, staged readings, and workshops. This anthology brings together nine commissioned plays that have gone on to full production. Ellen Schiff and Michael Posnick have selected works that reflect many of the historical and social forces that have shaped contemporary Jewish experience and defined Jewish identity—among them, surviving the Holocaust, the Israeli-Palestinian conflict, and the lives of newcomers in America, Israel, and Argentina. Following a foreword by Theodore Bikel, the editors provide introductory explanations of the New Play Commissions and an overview of Jewish theatre. The playwrights comment on the genesis of their work and its production history.