Theatre Audience Organization
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Expanding The New Audience For Theatre
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Author : Nat Eek
language : en
Publisher: Sunstone Press
Release Date : 2011-03
Expanding The New Audience For Theatre written by Nat Eek and has been published by Sunstone Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-03 with International Association of Theatre for Children and Young People categories.
In June 1965 a group of dedicated professional artists of the theatre met in Paris, France, to create the International Association of Theatre for Children and Youth (ASSITEJ). This edition covers the organization from 1976-1990, a period of the greatest divisiveness, which ultimately resulted in a rededication and a worldwide expansion under new leadership.
Theatre Audience Organization
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Author : Cecil W. Davies
language : en
Publisher:
Release Date : 1972
Theatre Audience Organization written by Cecil W. Davies and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1972 with categories.
Young Audiences Theatre And The Cultural Conversation
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Author : John O'Toole
language : en
Publisher: Springer Science & Business Media
Release Date : 2013-12-17
Young Audiences Theatre And The Cultural Conversation written by John O'Toole and has been published by Springer Science & Business Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-17 with Education categories.
This volume offers rare insights into the connection between young audiences and the performing arts. Based on studies of adolescent and post-adolescent audiences, ages 14 to 25, the book examines to what extent they are part of our society’s cultural conversation. It studies how these young people read and understand theatrical performance. It looks at what the educational components in their theatre literacy are, and what they make of the whole social event of theatre. It studies their views on the relationship between what they themselves decide and what others decide for them. The book uses qualitative and quantitative data collected in a six-year study carried out in the three largest Australian States, thirteen major performing arts companies, including the Sydney Opera House, three state theatre companies and three funding organisations. The book’s perspectives are derived from world-wide literature and company practices and its significance and ramifications are international. The book is written to be engaging and accessible to theatre professionals and lay readers interested in theatre, as well as scholars and researchers. “This extraordinary book thoroughly explains why young people (ages 14-25+) do and do not attend theatre into adulthood by delineating how three inter-linked factors (literacy, confidence, and etiquette) influence their decisions. Given that theatre happens inside spectators’ minds, the authors balance the theatre equation by focusing upon young spectators and thereby dispel numerous beliefs held by theatre artists and educators. Each clearly written chapter engages readers with astute insights and compelling examples of pertinent responses from young people, teachers, and theatre professionals. To stem the tide of decreasing theatre attendance, this highly useful book offers pragmatic strategies for artistic, educational, and marketing directors, as well as national theatre organizations and arts councils around the world. I have no doubt that its brilliantly conceived research, conducted across multiple contexts in Australia, will make a significant and original contribution to the profession of theatre on an international scale.” Jeanne Klein, University of Kansas, USA “Young Audiences, Theatre and the Cultural Conversation is a compelling and comprehensive study on attitudes and habits of youth theatre audiences by leading international scholars in the field. This benchmark study offers unique insights by and for theatre makers and administrators, theatre educators and researchers, schools, parents, teachers, students, audience members of all ages. A key strength within the book centers on the emphasis of the participant voices, particularly the voices of the youth. Youth voices, along with those of teachers and theatre artists, position the extensive field research front and center.” George Belliveau, The University of British Columbia, Canada
Organizations As Theatre
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Author : I. L. Mangham
language : en
Publisher: John Wiley & Sons
Release Date : 1987
Organizations As Theatre written by I. L. Mangham and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987 with Business & Economics categories.
This book presents compelling arguments for the concept of theatre as a coherent and internally consistent model for understanding organizational behaviour. It spells out the full dimensions of such a model, tracing the historical and contemporary roots and extent of more partial efforts to use the same model.
Theatre Audience Organisation
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Author : Cecil William Davies
language : en
Publisher: Manchester : University of Manchester, Department of Extra-Mural Studies
Release Date : 1972
Theatre Audience Organisation written by Cecil William Davies and has been published by Manchester : University of Manchester, Department of Extra-Mural Studies this book supported file pdf, txt, epub, kindle and other format this book has been release on 1972 with Performing Arts categories.
Audience Organization
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Author : Mark Marvin
language : en
Publisher:
Release Date : 1936
Audience Organization written by Mark Marvin and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1936 with Theater categories.
Theatre Audiences
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Author : Susan Bennett
language : en
Publisher: Psychology Press
Release Date : 1997
Theatre Audiences written by Susan Bennett and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Criticism categories.
The revised edition of Susan Bennett's highly successful Theatre Audiences is a unique full-length study of the audience as cultural phenomenon, which looks at both the theories of spectatorship and the practices of theatres.
Theatre Management In America Principle And Practice
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Author : Stephen Langley
language : en
Publisher: [New York] : Drama Book Specialists
Release Date : 1974
Theatre Management In America Principle And Practice written by Stephen Langley and has been published by [New York] : Drama Book Specialists this book supported file pdf, txt, epub, kindle and other format this book has been release on 1974 with Education categories.
Audience Studies Of The Performing Arts And Museums
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Author : Paul DiMaggio
language : en
Publisher:
Release Date : 1978
Audience Studies Of The Performing Arts And Museums written by Paul DiMaggio and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1978 with Art exhibition audiences categories.
Culture Shift Creative Leadership For Audience Centric Performing Arts Organisations
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Author : Benita Lipps
language : en
Publisher: Lulu.com
Release Date : 2015-07-04
Culture Shift Creative Leadership For Audience Centric Performing Arts Organisations written by Benita Lipps and has been published by Lulu.com this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-04 with Business & Economics categories.
Culture.Shift is a practical, hands-on guide to strategic audience development for the performing arts in Europe. It aims to be a companion to creative leaders interested in developing their audiences and creating deeper connections with their communities. It wants to encourage and support performing arts organisations on the road to a more strategic approach to audience and community engagement. Created by creative leaders for their peers, it combines insights, tips, debates and best practice examples. By presenting the stories of houses that have already had their 'Culture.Shift', the book wants to inspire others to follow their example and contribute to the European debate on audience development.