Theorizing Music Evolution


Theorizing Music Evolution
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Theorizing Music Evolution


Theorizing Music Evolution
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Author : Miriam Piilonen
language : en
Publisher: Oxford University Press
Release Date : 2024

Theorizing Music Evolution written by Miriam Piilonen and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024 with Music categories.


Theorizing Music Evolution is a critical examination of ideas about musical origins, with emphasis on nineteenth-century music-evolutionary texts by Charles Darwin and Herbert Spencer. In a ground-breaking contribution to music theory and histories of science, author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in lights of its ties to a recently revitalized subfield of evolutionary musicology.



Theorizing Music Evolution


Theorizing Music Evolution
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Author : Miriam Piilonen
language : en
Publisher: Oxford University Press
Release Date : 2024-01-02

Theorizing Music Evolution written by Miriam Piilonen and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-01-02 with Music categories.


What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research? Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer. Author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in light of its ties to a recently revitalized subfield of evolutionary musicology. Taking an interdisciplinary approach to music theorizing, Piilonen explores how historical thinkers constructed music in evolutionist terms and argues for an updated understanding of music as an especially fraught area of evolutionary thought. In this book, Piilonen delves into how historical evolutionists, in particular Darwin and Spencer, developed and applied a concept of music that served as a boundary-drawing device, used to trace or obscure the conceptual borders between human and animal. She takes as primary texts the early evolutionary treatises that double as theoretical accounts of music's origins. For Darwin, music served as a kind of proto-language common to humans and animals alike; he heard the songs of birds and the chirps of mice as musical, as articulated in texts such as The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872). Spencer, on the other hand, viewed music as a specifically human stage of evolutionary advance, beyond language acquisition, as outlined in his essay, "The Origin and Function of Music" (1857). These competing views established radically different perspectives on the origin and function of music in human cultural expression, while at the same time being mutually constitutive of one another. A ground-breaking contribution to music theory and histories of science, Theorizing Music Evolution turns to music evolution with an eye toward disrupting and intervening in these questions as they recur in the present.



Style And Music


Style And Music
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Author : Leonard B. Meyer
language : en
Publisher: University of Chicago Press
Release Date : 1996

Style And Music written by Leonard B. Meyer and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Music categories.


Leonard Meyer proposes a theory of style and style change that relates the choices made by composers to the constraints of psychology, cultural context, and musical traditions. He explores why, out of the abundance of compositional possibilities, composers choose to replicate some patterns and neglect others. Meyer devotes the latter part of his book to a sketch-history of nineteenth-century music. He shows explicitly how the beliefs and attitudes of Romanticism influenced the choices of composers from Beethoven to Mahler and into our own time. "A monumental work. . . . Most authors concede the relation of music to its cultural milieu, but few have probed so deeply in demonstrating this interaction."—Choice "Probes the foundations of musical research precisely at the joints where theory and history fold into one another."—Kevin Korsyn, Journal of American Musicological Society "A remarkably rich and multifaceted, yet unified argument. . . . No one else could have brought off this immense project with anything like Meyer's command."—Robert P. Morgan, Music Perception "Anyone who attempts to deal with Romanticism in scholarly depth must bring to the task not only musical and historical expertise but unquenchable optimism. Because Leonard B. Meyer has those qualities in abundance, he has been able to offer fresh insight into the Romantic concept."—Donal Henahan, New York Times



The Event Of Music History


The Event Of Music History
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Author : J. P. E. Harper-Scott
language : en
Publisher: Boydell & Brewer
Release Date : 2021

The Event Of Music History written by J. P. E. Harper-Scott and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with MUSIC categories.


Brings musicology to the cutting edge of debates in the postmodern philosophy of history.



Theorizing Music Videos Of The Late 2010s


Theorizing Music Videos Of The Late 2010s
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Author : Leo Feisthauer
language : en
Publisher: Springer Nature
Release Date : 2022-03-30

Theorizing Music Videos Of The Late 2010s written by Leo Feisthauer and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-03-30 with Music categories.


The work formulates a status quo of the music video medium in the late 2010s and shows which trends, aesthetics and (new) standards have established themselves. Particularly the role of the prosumer amidst evolved technical conditions is highlighted in this context, which strongly influences the evolution of music video in this period. Moreover, the author understands music videos as socio-political actors and examines the resulting questions of their interaction with culture.



The Cambridge History Of Western Music Theory


The Cambridge History Of Western Music Theory
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Author :
language : en
Publisher:
Release Date : 2002

The Cambridge History Of Western Music Theory written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with categories.




Reader S Guide To Music


Reader S Guide To Music
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Author : Murray Steib
language : en
Publisher: Routledge
Release Date : 2013-12-02

Reader S Guide To Music written by Murray Steib and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-02 with Music categories.


The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).



The Memetics Of Music


The Memetics Of Music
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Author : Steven Jan
language : en
Publisher: Routledge
Release Date : 2017-07-05

The Memetics Of Music written by Steven Jan and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


Richard Dawkins's formulation of the meme concept in his 1976 classic The Selfish Gene has inspired three decades of work in what many see as the burgeoning science of memetics. Its underpinning theory proposes that human culture is composed of a multitude of particulate units, memes, which are analogous to the genes of biological transmission. These cultural replicators are transmitted by imitation between members of a community and are subject to mutational-evolutionary pressures over time. Despite Dawkins and several others using music in their exemplifications of what might constitute a meme, these formulations have generally been quite rudimentary, even na?. This study is the first musicologically-orientated attempt systematically to apply the theory of memetics to music. In contrast to the two points of view normally adopted in music theory and analysis - namely those of the listener and the composer - the purpose of this book is to argue for a distinct and illuminating third perspective. This point of view is metaphorical and anthropomorphic, and the metaphor is challenging and controversial, but the way of thinking adopted has its basis in well-founded scientific principles and it is capable of generating insights not available from the first two standpoints. The perspective is that of the (selfish) replicated musical pattern itself, and adopting it is central to memetics. The approach taken is both theoretical and analytical. Starting with a discussion of evolutionary thinking within musicology, Jan goes on to cover the theoretical aspects of the memetics of music, ranging from quite abstract philosophical speculation to detailed consideration of what actually constitutes a meme in music. In doing so, Jan draws upon several approaches current in music theory, including Schenkerism and Narmour's implication-realization model. To demonstrate the practical utility of the memetic perspective, Chapter 6 applies it analytically, tracing the transmission o



The Healing Forces Of Music


The Healing Forces Of Music
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Author : Randall McClellan
language : en
Publisher: iUniverse
Release Date : 2000

The Healing Forces Of Music written by Randall McClellan and has been published by iUniverse this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Music categories.


The Healing Forces of Music explores the shamanistic practices and musical cosmologies of the ancient world, the worlds of Eastern and Western classical forms, as well as contemporary resources. McClellan takes us into basic acoustics, the process of hearing and the vibratory nature of the human body. He presents a healing method through cymatics (the effect of vibration on physical matter), and also systems of healing with sound, voice and mantra, Tantric therapies and the utilization of the Endocrine Gland system and Chakra energies. He presents a thorough investigation of the physical, emotional, mental and spiritual effects of music, the characteristics of healing music, procedures for using music as a healing agent and advocates a new philosophy of music as a transcendent experience. -- Back cover.



A Bibliography Of The History Of Music Theory


A Bibliography Of The History Of Music Theory
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Author : Gareth David Russell William
language : en
Publisher:
Release Date : 1972

A Bibliography Of The History Of Music Theory written by Gareth David Russell William and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1972 with Music theory categories.