Towards A Film Theory From Below
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Towards A Film Theory From Below
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Author : Jiri Anger
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2024-05-30
Towards A Film Theory From Below written by Jiri Anger and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-05-30 with Social Science categories.
Operating between film theory, media philosophy, archival practice, and audiovisual research, Jiri Anger focuses on the relationship between figuration and materiality in early films, experimental found footage cinema, and video essays. Would it be possible to do film theory from below, through the perspective of moving-image objects, of their multifarious details and facets, however marginal, unintentional, or aleatory they might be? Could we treat scratches, stains, and shakes in archival footage as speculatively and aesthetically generative features? Do these material actors have the capacity to create “weird shapes” within the figurative image that decenter, distort, and transform the existing conceptual and methodological frameworks? Building on his theoretical as well as practical experience with the recently digitized corpus of the first Czech films, created by Jan Kríženecký between 1898 and 1911, the author demonstrates how technological defects and accidents in archival films shape their aesthetic function and our understanding of the materiality of film in the digital age. The specific clashes between the figurative and material spheres are understood through the concept of a “crack-up.” This term, developed by Francis Scott Fitzgerald and theoretically reimagined by Gilles Deleuze, allows us to capture the convoluted relationship between figuration and materiality as inherent to the medium of film, containing negativity and productivity, difference and simultaneity, contingency and fate, at the same time, even within the tiniest cinematic units.
Towards A Film Theory From Below
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Author : Jiří Anger
language : en
Publisher:
Release Date : 2024
Towards A Film Theory From Below written by Jiří Anger and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024 with Motion pictures categories.
"This book explores the weird shapes that emerge when material elements interact with figurative content of the moving image. Employing the digitized first Czech films by Jan Kríženecký prompted the questions: is it possible to do film theory from below, from the perspective of a film object? Could we treat accidents in moving images as full-fledged actors with distinctive aesthetic forms and functions? In these films, analog elements impinge upon the form and content of the moving images to create generative figures and shapes. Using digital technology, we can isolate these features and experiment with how they can be reimagined"--
Towards A Film Theory From Below
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Author : Jiri Anger
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2024-05-30
Towards A Film Theory From Below written by Jiri Anger and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-05-30 with Social Science categories.
Operating between film theory, media philosophy, archival practice, and audiovisual research, Jiri Anger focuses on the relationship between figuration and materiality in early films, experimental found footage cinema, and video essays. Would it be possible to do film theory from below, through the perspective of moving-image objects, of their multifarious details and facets, however marginal, unintentional, or aleatory they might be? Could we treat scratches, stains, and shakes in archival footage as speculatively and aesthetically generative features? Do these material actors have the capacity to create “weird shapes” within the figurative image that decenter, distort, and transform the existing conceptual and methodological frameworks? Building on his theoretical as well as practical experience with the recently digitized corpus of the first Czech films, created by Jan Kríženecký between 1898 and 1911, the author demonstrates how technological defects and accidents in archival films shape their aesthetic function and our understanding of the materiality of film in the digital age. The specific clashes between the figurative and material spheres are understood through the concept of a “crack-up.” This term, developed by Francis Scott Fitzgerald and theoretically reimagined by Gilles Deleuze, allows us to capture the convoluted relationship between figuration and materiality as inherent to the medium of film, containing negativity and productivity, difference and simultaneity, contingency and fate, at the same time, even within the tiniest cinematic units.
A Companion To Film Theory
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Author : Toby Miller
language : en
Publisher: John Wiley & Sons
Release Date : 2008-04-15
A Companion To Film Theory written by Toby Miller and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-04-15 with Performing Arts categories.
This volume of specially commissioned work by experts in the field of film studies provides a comprehensive overview of the field. Its international and interdisciplinary approach will have a broad appeal to those interested in this multifaceted subject. Provides a major collection of specially commissioned work by experts in the field of film studies. Represents material under a variety of headings, including class, race, gender, queer theory, nation, stars, ethnography, authorship, and spectatorship. Offers an international approach to the subject, including coverage of topics such as genre, image, sound, editing, culture industries, early cinema, classical Hollywood, and TV relations and technology. Includes concise chapter-by-chapter accounts of the background and current approaches to each topic, followed by a prognostication on the future. Considers cinema studies in relation to other forms of knowledge, such as critical studies, anthropology, and literature.
Film Theory
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Author : Philip Simpson
language : en
Publisher: Taylor & Francis
Release Date : 2004
Film Theory written by Philip Simpson and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Cinematography categories.
This major new collection identifies the critical and theoretical concepts which have been most significant in the study of film and presents a historical and intellectual context for the material examined.
New Developments In Film Theory
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Author : Patrick Fuery
language : en
Publisher: Bloomsbury Publishing
Release Date : 2017-05-08
New Developments In Film Theory written by Patrick Fuery and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-05-08 with Performing Arts categories.
This book examines some of the most significant recent developments in film and critical theory. The book is divided into four sections, each dealing with established and alternative critical concepts and approaches. These four are: The Gaze and Subjectivity; Film and Discourse; Film and Culture; Film and Meaning. Each of these topics is explored using concepts from post-structuralism and postmodernism, working towards the idea that the relationship between film studies and critical theory is a vital and diverse interplay of rich and exciting ideas.
Film And Phenomenology
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Author : Allan Casebier
language : en
Publisher: Cambridge University Press
Release Date : 1991-10-25
Film And Phenomenology written by Allan Casebier and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991-10-25 with Performing Arts categories.
Film and Phenomenology presents a new approach to the question of cinematic representation, which runs contrary to the course of contemporary film theory.Film and Phenomenology presents a new approach to the question of cinematic representation which runs contrary to the course of contemporary film theory.
Film Theory
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Author : Robert Lapsley
language : en
Publisher: Manchester University Press
Release Date : 2006-09-03
Film Theory written by Robert Lapsley and has been published by Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-09-03 with Performing Arts categories.
This book offers an accessible account of film theory for the student and the cinemagoer. It ranges from the late 1960s to the present, a period in which a number of conceptual strands--notably politics, semiotics and psychoanalysis--came together. Lapsely and Westlake chart the construction of this synthesis and its subsequent fragmentation and elucidate the various intellectual currents contributing to it. The first part of the book covers the conceptual background of film theory, dealing with historical materialism, semiotics, and psychoanalysis, while the second part concentrates on particular topics--authorship, narrative, realism, the avant-garde and postmodernism. This second edition features an extensive retrospective introduction, as well as a fully updated and extended bibliography.
Post Theory
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Author : David Bordwell
language : en
Publisher: Univ of Wisconsin Press
Release Date : 1996-02-15
Post Theory written by David Bordwell and has been published by Univ of Wisconsin Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-02-15 with Business & Economics categories.
With Post-Theory, David Bordwell and Noël Carroll challenge the prevailing practices of film scholarship. Since the 1970s, film scholars have been searching for a unified theory that will explain all sorts of films, their production, and their reception; the field has been dominated by structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. Bordwell and Carroll ask, why not employ many theories tailored to specific goals, rather than searching for a unified theory? Post-Theory offers fresh directions for understanding film, presenting new essays by twenty-seven scholars on topics as diverse as film scores, audience response, and the national film industries of Russia, Scandinavia, the U.S., and Japan. They use historical, philosophical, psychological, and feminist methods to tackle such basic issues as: What goes on when viewers perceive a film? How do filmmakers exploit conventions? How do movies create illusions? How does a film arouse emotion? Bordwell and Carroll have given space not only to distinguished film scholars but to non-film specialists as well, ensuring a wide variety of opinions and ideas on virtually every topic on the current agenda of film studies. Full of stimulating essays published here for the first time, Post-Theory promises to redefine the study of cinema.
Early Cinema
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Author : Thomas Elsaesser
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25
Early Cinema written by Thomas Elsaesser and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Juvenile Nonfiction categories.
In the twenty years preceding the First World War, cinema rapidly developed from a fairground curiosity into a major industry and social institution, a source of information and entertainment for millions of people. Only recently have film scholars and historians begun to study these early years of cinema in their own right and not simply as first steps towards the classical narrative cinema we now associate with Hollywood. The essays in this collection trace the fascinating history of how the cinema developed its forms of storytelling and representation and how it evolved into a complex industry with Hollywood rapidly acquiring a dominant role. These issues can be seen to arise from new readings of the so-called pioneers - Melies, Lumiere, Porter, and Griffith - while also suggesting new perspectives on major European filmmakers of the 1910s and 20s. Editor Thomas Elsaesser complements the contributions from leading British, American, and European scholars with introductory essays of his own that provide a comprehensive overview of the field. The volume is the most authoritative survey to date of a key area of contemporary film research, invaluable to historians as well as to students of cinema.