Towards Impressionism
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Towards Impressionism
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Author : Suzanne Greub
language : en
Publisher: Hirmer Verlag GmbH
Release Date : 2017
Towards Impressionism written by Suzanne Greub and has been published by Hirmer Verlag GmbH this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Art categories.
The Musée des Beaux-Arts, Reims owns the second largest collection of works by Jean-Baptiste Camille Corot after the Louvre, as well as excellent landscape paintings by artists of the Barbizon School. Corot was one of the most significant painters involved with the barbizonists. Studying the Reims holdings further, it seemed evident to edit a catalogue and curate an exhibition that reaches from the romantic spirit in French landscape painting to the School of Barbizon on to the group of artists around Eugène-Louis Boudin at Honfleur - the true cradle of Impressionism - and lastly to the impressionists Claude Monet, Camille Pissarro and Pierre-Auguste Renoir.00Exhibition: Cornell Fine Arts Museum, Winter Park, USA (20.01.-08.04.2018) / Frye Art Museum, Seattle, USA (12.05.-05.08.2018).
A Companion To Impressionism
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Author : André Dombrowski
language : en
Publisher: John Wiley & Sons
Release Date : 2024-02-27
A Companion To Impressionism written by André Dombrowski and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-02-27 with Art categories.
A Companion to Impressionism Presenting an expansive view of the study of Impressionism, this pioneering volume breaks new thematic ground while also reconsidering questions concerning the definition, chronology, and membership of the impressionist movement. In 34 original essays from established and emerging scholars, this collection offers a diverse range of developing topics and new critical approaches to the interpretation of impressionist art. Focusing on the 1860s to 1890s, A Companion to Impressionism explores artists who are well-represented in impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism’s global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, as well as the movement’s exhibition and reception history. This innovative volume also includes new discussions of modern identity in Impressionism in the contexts of race, nationality, gender, and sexuality and through its explorations of the international reach and influence of Impressionism. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important addition to scholarship in this field stands as the 21st century’s first major and large-scale academic reassessment of Impressionism. Featuring essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina, this is an invaluable text for students and scholars studying Impressionism and late 19th-century European art, Post-Impressionism, modern art, and modern French cultural history.
Impressionism And The Modern Landscape
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Author : James H. Rubin
language : en
Publisher: Univ of California Press
Release Date : 2008-04-03
Impressionism And The Modern Landscape written by James H. Rubin and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-04-03 with Art categories.
The examples convey not only these major themes but also the painters' belief in the progress of civilization through science and industry. The book thus expands the scope of Impressionist celebrations of modernity to include what might be called Impressionism's "other landscape" and proposes that in the Impressionists' effort to forge a modern landscape art, those signs of modernity defined their vision most clearly."--BOOK JACKET.
Impressionism And Post Impressionism
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Author : Nathalia Brodskaïa
language : en
Publisher: Parkstone International
Release Date : 2018-03-13
Impressionism And Post Impressionism written by Nathalia Brodskaïa and has been published by Parkstone International this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-03-13 with Art categories.
Impressionism is the most famous artistic movement. But what appears today as a charming and exquisite landscape painting, was actually one of the first avant-garde movements whose members had decided to fight the values of traditional art. The impressionist outdoor paintings shocked the public by the technique used, but also by their apparent banality. As Monet, Sisley, Pissarro and many others sought to capture the ephemeral nature of light, the next generation would reject naturalism. Indeed, post-impressionists such as Gauguin, Van Gogh, Cézanne and Seurat favored the subjective rather than the objective and the eternal rather than the concrete. In doing so, they laid the formal foundations of 20th-century modern art. This book is a visual guide through the crucial moments in the history of art and the progression of the 19th-century to modernity.
Impressionism
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Author : John I. Clancy
language : en
Publisher: Nova Publishers
Release Date : 2003
Impressionism written by John I. Clancy and has been published by Nova Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Art categories.
Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wide array of styles. Nonetheless, it remains a very important school in the annals of art. Any current or budding art aficionado should become familiar with the impressionist movement and its impact on the art world. This book presents a sweeping study of this artistic period, from its origins to its manifestations in the works of some of art history's most revered painters. Following this overview is a substantial and selective bibliography, featuring access through author, title, and subject indexes.
Post Impressionism
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Author : Nathalia Brodskaïa
language : en
Publisher: Parkstone International
Release Date : 2018-03-13
Post Impressionism written by Nathalia Brodskaïa and has been published by Parkstone International this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-03-13 with Art categories.
The Post-Impressionist period was one of solitary painters; Gauguin, Sisley, Cézanne, Van Gogh etc… “There is no longer a unique school. There are a few groups, but even they break up constantly. All these movements remind me of moving geometrical pieces in a kaleidoscope, which separate suddenly only to better come together again. They move apart then get together, but, nevertheless, stay in the same circle – the circle of the new art.” (Emile Verhaeren). Nathalia Brodskaïa, curator at the State Hermitage Museum, describes with her own unsurpassed talent the different paths taken by the heirs of Impressionism towards Modern Art.
Origins Of Impressionism
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Author : Gary Tinterow
language : en
Publisher: Metropolitan Museum of Art
Release Date : 1994
Origins Of Impressionism written by Gary Tinterow and has been published by Metropolitan Museum of Art this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Impressionism (Art) categories.
"This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination." "Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style." "Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Mapping Impressionist Painting In Transnational Contexts
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Author : Emily C. Burns
language : en
Publisher: Routledge
Release Date : 2021-05-03
Mapping Impressionist Painting In Transnational Contexts written by Emily C. Burns and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-05-03 with Art categories.
This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries. The contributors rethink the role of "French" impressionism in shaping these iterations by placing France within its global and imperialist context and arguing that impressionisms might be framed through the mobility studies’ concept of "constellations of mobility." Artists engaging with impressionism in France, as in other global contexts, relied on, responded to, appropriated, and resisted elements of form and content based on fluid and interconnected political realities and market structures. Written by scholars and curators, the chapters demand reconsideration of impressionism as a historical construct and the meanings assigned to that term. This project frames future discussion in art history, cultural studies, and global studies on the politics of appropriating impressionism.
The Impressionists
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Author : Martha Kapos
language : en
Publisher:
Release Date : 1991
The Impressionists written by Martha Kapos and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with Art categories.
Impressionism
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Author : Nathalia Brodskaya
language : en
Publisher: Parkstone International
Release Date : 2014-05-10
Impressionism written by Nathalia Brodskaya and has been published by Parkstone International this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-05-10 with Art categories.
“I paint what I see and not what it pleases others to see.” What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the Impressionist movement? Without a doubt, this singularity was explained when, shortly before his death, Claude Monet wrote: “I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist.” In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent ensemble, favoured the affirmation of artistic individuals. Between academic art and the birth of modern, non-figurative painting, the road to recognition was long. Analysing the founding elements of the movement, the author follows, through the works of each of the artists, how the demand for individuality gave rise to modern painting.