Traditional Theatre In Southeast Asia
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Traditional Theatre In Southeast Asia
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Author : Chua Soo Pong
language : en
Publisher:
Release Date : 1995
Traditional Theatre In Southeast Asia written by Chua Soo Pong and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Theater categories.
Dictionary Of Traditional South East Asian Theatre
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Author : Ghulam Sarwar Yousof
language : en
Publisher: Oxford University Press, USA
Release Date : 1994
Dictionary Of Traditional South East Asian Theatre written by Ghulam Sarwar Yousof and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Language Arts & Disciplines categories.
A comprehensive guide to traditional theatre terminology used in the countries of South-East Asia, including descriptions of characters, physical stages, performance techniques, rituals, costumes, masks and puppetry
Theatre In Southeast Asia
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Author : James R. BRANDON
language : en
Publisher: Harvard University Press
Release Date : 2009-06-30
Theatre In Southeast Asia written by James R. BRANDON and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-06-30 with Social Science categories.
An astonishing variety of theatrical performances may be seen in the eight countries of Southeast Asia-Burma, Cambodia, Indonesia, Laos, Malaysia, the Philippines, Thailand, and Vietnam. Brandon's lively, wide-ranging discussion points out interesting similarities and differences among the countries. Many of his photographs are included here.
Performing Southeast Asia
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Author : Marcus Cheng Chye Tan
language : en
Publisher: Springer Nature
Release Date : 2020-02-14
Performing Southeast Asia written by Marcus Cheng Chye Tan and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-02-14 with Performing Arts categories.
Performing Southeast Asia: Performance, Politics and the Contemporary is an important reconsideration of the histories and practices of theatre and performance in a fluid and dynamic region that is also experiencing an overarching politics of complexity, precarity and populist authoritarian tendencies. In a substantial introductory essay and essays by leading scholars, activists and practitioners working inside the region, the book explores fundamental questions for the arts. The book asks how theatre contributes to and/or addresses the political condition in the contemporary moment, how does it represent the complexity of experiences in peoples’ daily lives and how does theatre engage in forms of political activism and enable a diversity of voices to flourish. The book shows how, in an age of increasingly violent politics, political institutions become sites for bad actors and propaganda. Forces of biopolitics, neo-liberalism and religious and ethnic nationalism intersect in unpredictable ways with decolonial practices – all of which the book argues are forces that define the contemporary moment. Indeed, by putting the focus on contemporary politics in the region alongside the diversity of practices in contemporary theatre, we see a substantial reformation of the idea of the contemporary moment, not as a cosmopolitan and elite artistic practice but as a multivalent agent of change in both aesthetic and political terms. With its focus on community activism and the creative possibilities of the performing arts the region, Performing Southeast Asia, is a timely intervention that brings us to a new understanding of how contemporary Southeast Asia has become a site of contest, struggle and reinvention of the relations between the arts and society. Peter Eckersall The Graduate Center City University of New York Performing Southeast Asia – with chapters concerned with how regional theatres seek contextually-grounded, yet post-national(istic) forms; how history and tradition shape but do not hold down contemporary theatre; and how, in the editors’ words, such artistic encounters could result in theatres ‘that do not merely attend to matters of cultural heritage, tradition or history, but instead engage overtly with theatre and performance in the contemporary’ – contributes to the possibility of understanding what options for an artistically transubstantiated now-ness may be: to the possibility, that is, of what might be called a ‘Present-Tense Theatre’. C. J. W.-L. Wee Professor of English Nanyang Technological University Performing Southeast Asia examines contemporary performance practices and their relationship with politics and governance in Southeast Asia in the twenty-first century. In a region haunted historically by strongman politics, authoritarianism and militarism, religious tension and ethnic strife, the chapters reveal how contemporary theatre and performances in the present reflect yet challenge dominant socio-political discourses. The authors analyse works of political commitment and conviction, created and performed by Southeast Asian artists, as modes and platforms of reaction and resistance to the shifting political climates that inform contemporary life in urban Southeast Asia. The discussions center on issues of state hegemonies and biopolitics, finance and sponsorship, social liberalism and conservatism, the relevance of history and tradition, and globalisation and cultural practice. These diverse yet related concerns converge on an examination of the efficacies of theatre and performance as means of political intervention and transformation that point to alternative embodiments of political consciousness through which artists propose critical options for rethinking the state, citizenship, identity and belonging in a time of seismic socio-political change. The editors also reframe an understanding of ‘the contemporary’ not simply as a temporal adjective but, in the context of present Southeast Asia, as a geopolitical condition that shapes artistic and performance practices.
The Cambridge Guide To Asian Theatre
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Author : James R. Brandon
language : en
Publisher: Cambridge University Press
Release Date : 1997-01-28
The Cambridge Guide To Asian Theatre written by James R. Brandon and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-01-28 with Drama categories.
A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.
Communities Of Imagination
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Author : Catherine Diamond
language : en
Publisher: University of Hawaii Press
Release Date : 2016-11-30
Communities Of Imagination written by Catherine Diamond and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-11-30 with Performing Arts categories.
Asian theatre is usually studied from the perspective of the major traditions of China, Japan, India, and Indonesia. Now, in this wide-ranging look at the contemporary theatre scene in Southeast Asia, Catherine Diamond shows that performance in some of the lesser known theatre traditions offers a vivid and fascinating picture of the rapidly changing societies in the region. Diamond examines how traditional, modern, and contemporary dramatic works, with their interconnected styles, stories, and ideas, are being presented for local audiences. She not only places performances in their historical and cultural contexts but also connects them to the social, political, linguistic, and religious movements of the last two decades. Each chapter addresses theatre in a different country and highlights performances exhibiting the unique conditions and concerns of a particular place and time. Most performances revolve in some manner around “contemporary modernity,” questioning what it means—for good or ill—to be a part of the globalized world. Chapters are grouped by three general and overlapping themes. The first, which includes Thailand, Vietnam, and Bali, is characterized by the increased participation of women in the performing arts—not only as performers but also as playwrights and directors. Cambodia, Singapore, and Myanmar are linked by a shared concern with the effects of censorship on theatre production. A third group, the Philippines, Laos, and Malaysia, is distinguished by a focus on nationalism: theatres are either contributing to official versions of historical and political events or creating alternative narratives that challenge those interpretations. Communities of Imagination shows the many influences of the past and how the past continues to affect cultural perceptions. It addresses major trends, suggesting why they have developed and why they are popular with the public. It also underscores how theatre continues to attract new practitioners and reflect the changing aspirations and anxieties of societies in immediate and provocative ways even as it is being marginalized by television, film, and the internet. The book will be of interest to students and scholars of theatre and performance, Asian literature, Southeast Asian studies, cultural studies, and gender studies. Travelers wishing to attend local performances as part of their experience abroad will find it an essential reference to theatres of the region.
Southeast Asian Traditional Performing Arts
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Author : Ghulam Sarwar Yousof
language : en
Publisher:
Release Date : 1990
Southeast Asian Traditional Performing Arts written by Ghulam Sarwar Yousof and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Performance art categories.
Routledge Handbook Of Asian Theatre
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Author : Siyuan Liu
language : en
Publisher: Routledge
Release Date : 2016-02-05
Routledge Handbook Of Asian Theatre written by Siyuan Liu and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-02-05 with Performing Arts categories.
Routledge Handbook of Asian Theatre is an advanced level reference guide which surveys the rich and diverse traditions of classical and contemporary performing arts in Asia, showcasing significant scholarship in recent years. An international team of over 50 contributors provide authoritative overviews on a variety of topics across Asia, including dance, music, puppetry, make-up and costume, architecture, colonialism, modernity, gender, musicals, and intercultural Shakespeare. This volume is divided into four sections covering: Representative Theatrical Traditions in Asia. Cross-Regional Aspects of Classical and Folk Theatres. Modern and Contemporary Theatres in Asian Countries. Modernity, Gender Performance, Intercultural and Musical Theatre in Asia. Offering a cutting edge overview of Asian theatre and performance, the Handbook is an invaluable resource for academics, researchers and students studying this ever-evolving field.
Re Producing Southeast Asian Performing Arts Southeast Asian Bodies Music Dance And Other Movement Arts
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Author : International Council for Traditional Music. Study Group on Performing Arts of Southeast Asia. Symposium
language : en
Publisher:
Release Date : 2013
Re Producing Southeast Asian Performing Arts Southeast Asian Bodies Music Dance And Other Movement Arts written by International Council for Traditional Music. Study Group on Performing Arts of Southeast Asia. Symposium and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Performing arts categories.
Southeast Asian Plays
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Author : Alfian Sa'at
language : en
Publisher: Aurora Metro Publications Ltd.
Release Date : 2017-01-25
Southeast Asian Plays written by Alfian Sa'at and has been published by Aurora Metro Publications Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-01-25 with Drama categories.
The first ever comprehensive collection of plays in English from Southeast Asia. Features work by eight playwrights from seven countries in Southeast Asia, a region which is experiencing profound change: Singapore, Vietnam, Malaysia, Thailand, the Philippines, Indonesia and Cambodia. Southeast Asian Plays explores the rich variety of dramatic work that is only beginning to be translated into English. Theatre scripts are merely blueprints for productions, especially in this region. As elsewhere, second productions and revivals are rare, so publication is key to allowing play texts to find a wider international readership. Topics include the global financial crisis, sex workers, traditional v modern values, the role of faith in society, corruption in high places and journalistic ethics. The plays have been selected for performance. Plays: The Plunge by Jean Tay (Singapore) about the efects of a financial crisis An Evening At the Opera by Floy Quintos (Philippines) about a dictator and his wife Night of the Minotaur by Tew Bunnag (Thailand) about a man misused as a monster Tarap Man by Ann Lee (Malaysia) about a man wrongly imprisoned under the justice system Dark Race by Dang Chuong (Vietnam) about corruption in high places Frangipani by Chhon Sina (Cambodia) about the sex trade in Cambodia Piknic by Joned Suryatmoko (Indonesia) about the need to get rich quick in Bali Nadirah by Alfian Saat (Singapore) about the conflict between faith and morality "The editors have done an excellent job of opening up our chances of reading and learning about plays from all over Southeast Asia. ...editorial choices are significant for opening up spaces to voices which are otherwise heard less often. All in all the plays are interesting for the ways in which they grapple with key concerns in their respective societies." --The Asiatic