Trends In African Popular Music
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Trends In African Popular Music
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Author : Ikenna Emmanuel Onwuegbuna
language : en
Publisher: Xlibris Corporation
Release Date : 2015-07-25
Trends In African Popular Music written by Ikenna Emmanuel Onwuegbuna and has been published by Xlibris Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-25 with Music categories.
Popular music —an acculturative product of the African folk music—scrutinized along the lines of musical and social processes as inseparable pair in developing the various genres of the eclectic musical form. In Nigeria, it is the congruent collaboration of creativity and politico-socio-economic activities of the mid-1940s (the period following the World War II) that evolved the various genres of popular music of the land—a process that is still in being! The social processes that span through the diverse fields of economics, politics, linguistics, sociology, philosophy, and religion made up a manifold agency of acculturation, commercialization, urbanization, and class stratifications. Similarly, the musical processes emanating from the folk musical practices of conception, composition, and classification of genres; recruitment of group members and administrative personnel; training, packaging, costuming, and aesthetics; and then the performance proper are carried over into a parallel development of a neo-folk form that became popular. The popularity of the new form is due to a socio-musical interchange that is both structural and functional. The peculiar nature of the product of this new musical expression—pop—therefore presents four possible angles for definition. The definitions could be stylistic, sociological, process- or theory-based. The genres developed include highlife, afrobeat, rock, calypso, disco, hip hop, rhythm ’n’ blues, funk, and reggae. However, the star feature of this investigation is the Afro-reggae genre of Nigeria. The primary research process of survey was backed up by historical and descriptive methods to unearth the leaning on the rhythm of social life by popular music artistes to develop the African reggae genre, especially in Nigeria.
Afropop
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Author : Sean Barlow
language : en
Publisher: Booksales
Release Date : 1995
Afropop written by Sean Barlow and has been published by Booksales this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Music categories.
Summary: A concise introduction to the varied landscape of contemporary African music. Features leading artists and bands, musical styles, traditional/acoustic music, cross-cultural sounds as well as a selected discography and a glossary of musical terms.
Hip Hop Africa
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Author : Eric Charry
language : en
Publisher: Indiana University Press
Release Date : 2012-10-23
Hip Hop Africa written by Eric Charry and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-10-23 with Music categories.
Hip Hop Africa explores a new generation of Africans who are not only consumers of global musical currents, but also active and creative participants. Eric Charry and an international group of contributors look carefully at youth culture and the explosion of hip hop in Africa, the embrace of other contemporary genres, including reggae, ragga, and gospel music, and the continued vitality of drumming. Covering Senegal, Mali, Côte d'Ivoire, Ghana, Nigeria, Kenya, Tanzania, Malawi, and South Africa, this volume offers unique perspectives on the presence and development of hip hop and other music in Africa and their place in global music culture.
The World Of African Music
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Author : Ronnie Graham
language : en
Publisher: Frontline Books
Release Date : 1992
The World Of African Music written by Ronnie Graham and has been published by Frontline Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Ethiopic book of Enoch categories.
A companion volume to Stern's "Guide to Contemporary African Music Volume I". Since then the World Music phenomenon of the last few years has created multiple new demands for African music - through recordings, live performances and for information and analysis. This new book digs deeper into the African musical past highlighting new areas of interest and bringing the story up to date. The World of African Music is a guide which gives the flavour and excitement of music from a continent with a richly diverse musical heritage. From Francophone West Africa through the Indian Ocean Islands to South Africa, Ronnie Graham introduces the reader to the roots, rhythms and mutations of African music.
Black Popular Music In Britain Since 1945
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Author : Jon Stratton
language : en
Publisher: Routledge
Release Date : 2016-04-15
Black Popular Music In Britain Since 1945 written by Jon Stratton and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-15 with Music categories.
Black Popular Music in Britain Since 1945 provides the first broad scholarly discussion of this music since 1990. The book critically examines key moments in the history of black British popular music from 1940s jazz to 1970s soul and reggae, 1990s Jungle and the sounds of Dubstep and Grime that have echoed through the 2000s. While the book offers a history it also discusses the ways black musics in Britain have intersected with the politics of race and class, multiculturalism, gender and sexuality, and debates about media and technology. Contributors examine the impact of the local, the ways that black music in Birmingham, Bristol, Liverpool, Manchester and London evolved differently and how black popular music in Britain has always developed in complex interaction with the dominant British popular music tradition. This tradition has its own histories located in folk music, music hall and a constant engagement, since the nineteenth century, with American popular music, itself a dynamic mixing of African-American, Latin American and other musics. The ideas that run through various chapters form connecting narratives that challenge dominant understandings of black popular music in Britain and will be essential reading for those interested in Popular Music Studies, Black British Studies and Cultural Studies.
Indigenous African Popular Music Volume 2
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Author : Abiodun Salawu
language : en
Publisher: Springer Nature
Release Date : 2022-06-14
Indigenous African Popular Music Volume 2 written by Abiodun Salawu and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-06-14 with Music categories.
This volume examines how African indigenous popular music is deployed in democracy, politics and for social crusades by African artists. Exploring the role of indigenous African popular music in environmental health communication and gender empowerment, it subsequently focuses on how the music portrays the African future, its use by African youths, and how it is affected by advanced broadcast technologies and the digital media. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which can only be unraveled by the knowledge of myriad cultural backgrounds from which its genres originate. With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores how, during the colonial period and post-independence dispensation, indigenous African music genres and their artists were mainstreamed in order to tackle emerging issues, to sensitise Africans about the affairs of their respective nations and to warn African leaders who have failed and are failing African citizenry about the plight of the people. At the same time, indigenous African popular music genres have served as a beacon to the teeming African youths to express their dreams, frustrations about their environments and to represent themselves. This volume explores how, through the advent of new media technologies, indigenous African popular musicians have been working relentlessly for indigenous production, becoming champions of good governance, marginalised population, and repositories of indigenous cultural traditions and cosmologies.
Music Performance And African Identities
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Author : Toyin Falola
language : en
Publisher: Routledge
Release Date : 2012-03-15
Music Performance And African Identities written by Toyin Falola and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-03-15 with Music categories.
Cutting across countries, genres, and time periods, this volume explores topics ranging from hip hop’s influence on Maasai identity in current day Tanzania to jazz in Bulawayo during the interwar years, using music to tell a larger story about the cultures and societies of Africa.
Indigenous African Popular Music Volume 1
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Author : Abiodun Salawu
language : en
Publisher: Springer Nature
Release Date : 2022-05-31
Indigenous African Popular Music Volume 1 written by Abiodun Salawu and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-05-31 with Music categories.
This volume explores the nature, philosophies and genres of indigenous African popular music, focusing on how indigenous African popular music artistes are seen as prophets and philosophers, and how indigenous African popular music depicts the world. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which only be unraveled by knowledge of the myriad cultural backgrounds from which its genres originate. Indigenous African popular musicians have become repositories of indigenous cultural traditions and cosmologies.With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores the work of these pioneering artists and their protégés who are resiliently sustaining, recreating and popularising indigenous popular music in their respective African communities, and at the same time propagating the communal views about African philosophies and the temporal and spiritual worlds in which they exist.
Popular Music Censorship In Africa
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Author : Martin Cloonan
language : en
Publisher: Routledge
Release Date : 2016-03-23
Popular Music Censorship In Africa written by Martin Cloonan and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-23 with Music categories.
In Africa, tension between freedom of expression and censorship in many contexts remains as contentious, if not more so, than during the period of colonial rule which permeated the twentieth century. Over the last one hundred years popular musicians have not been free to sing about whatever they wish to, and in many countries they are still not free to do so. This volume brings together the latest research on censorship in colonial and post-colonial Africa, focusing on the attempts to censor musicians and the strategies of resistance devised by musicians in their struggles to be heard. For Africa, the twentieth century was characterized first and foremost by struggles for independence, as colonizer and colonized struggled for territorial control. Throughout this period culture was an important contested terrain in hegemonic and counter-hegemonic struggles and many musicians who aligned themselves with independence movements viewed music as an important cultural weapon. Musical messages were often political, opposing the injustices of colonial rule. Colonial governments reacted to counter-hegemonic songs through repression, banning songs from distribution and/or broadcast, while often targeting the musicians with acts of intimidation in an attempt to silence them. In the post-independence era a disturbing trend has occurred, in which African governments have regularly continued to practise censorship of musicians. However, not all attempts to silence musicians have emanated from government, nor has all contested music been strictly political. Religious and moral rationale has also featured prominently in censorship struggles. Both Christian and Muslim fundamentalism has led to extreme attempts to silence musicians. In response, musicians have often sought ways of getting their music and message heard, despite censorship and harassment. The book includes a special section on case studies that highlight issues of nationality.
Live From Dar Es Salaam
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Author : Alex Perullo
language : en
Publisher: Indiana University Press
Release Date : 2011-10-27
Live From Dar Es Salaam written by Alex Perullo and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-10-27 with Music categories.
A study of Dar es Salaam’s music business, from production and broadcasting to live performances in clubs. When socialism collapsed in Tanzania, the government-controlled music industry gave way to a vibrant independent music scene. Alex Perullo explores the world of the bands, music distributors, managers, and clubs that attest to the lively and creative music industry in Dar es Salaam. Perullo examines the formation of the city’s music economy, considering the means of musical production, distribution, protection, broadcasting, and performance. He exposes both legal and illegal strategies for creating business opportunities employed by entrepreneurs who battle government restrictions and give flight to their musical aspirations. This is a singular look at the complex music landscape in one of Africa’s most dynamic cities. “This isn’t just a book about Tanzanian popular music. It’s a compendium of everything one could wish to know and more about Dar es Salaam’s performance life, and an ethnographic tour de force that offers an insider’s trip to the sweaty heart of an African capital’s music scene, without having to go there. The social economy of post-independence Dar es Salaam is painstakingly interwoven into an account of every style, trend, and movement in the city’s imaginative life from every angle. Perullo’s achievement will set the standard for studies of popular culture in urban East Africa for decades to come.” —David B. Coplan, University of the Witwatersrand “The extensive research for this book provides valuable insight into Tanzanian culture. Live from Dar es Salaam discusses our history and examines current radio stations, performances, recording studios, and music education. In reading this book, young people will learn about what their elders did in the past, and elders will remember those things they took part in. In addition, this book will become a road map for the next generation to use in order to learn about Tanzanian popular music. It is a very important book that illustrates the past, present, and future of Tanzanian music.” —Remmy Ongala
