Typeface


Typeface
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Anatomy Of A Typeface


Anatomy Of A Typeface
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Author : Alexander S. Lawson
language : en
Publisher: Boston : Godine
Release Date : 1990

Anatomy Of A Typeface written by Alexander S. Lawson and has been published by Boston : Godine this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Architecture categories.


"To the layman, all printing types look the same. But for typographers, graphic artists and others of that lunatic fringe who believe that the letters we look at daily (and take entirely for granted) are of profound importance, the question of how letters are formed, what shape they assume, and how they have evolved remains one of passionate and continuing concern. Lawson explores the vast territory of types, their development and uses, their antecedents and offspring, with precision, insight, and clarity. Written for the layman but containing exhaustive research, drawings and synopses of typefaces, this book is an essential addition to the library of anyone s typographic library. It is, as Lawson states, not written for the printer convinced that there are already too many typefaces, but rather for that curious part of the population that believes the opposite; that the subtleties of refinement as applies to roman and cursive letters have yet to be fully investigated and that the production of the perfect typeface remains a goal to be as much desired by present as by future type designers. Anyone aspiring to typographic wisdom should own and treasure this classic."--Amazon description.



Adrian Frutiger Typefaces


Adrian Frutiger Typefaces
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Author : Heidrun Osterer
language : en
Publisher: Walter de Gruyter
Release Date : 2014-05-08

Adrian Frutiger Typefaces written by Heidrun Osterer and has been published by Walter de Gruyter this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-05-08 with Architecture categories.


The international creation of typefaces after 1950 was decisively influenced by the Swiss type designer Adrian Frutiger. His Univers typeface and the machine-readable font OCR-B, which was adopted as an ISO standard, are milestones, as is his type for the Paris airports, which set new standards for signage types and evolved into the Frutiger typeface. With his corporate types, he helped to define the public profiles of companies such as the Japanese Shiseido line of cosmetics. In all he created some fifty types, including Ondine, Méridien, Avenir, and Vectora. Based on conversations with Frutiger himself and on extensive research in France, England, Germany, and Switzerland, this publication provides a highly detailed and accurate account of the type designer’s artistic development. All of his types – from the design phase to the marketing stage – are illustrated and analyzed with reference to the technology and related types. Hitherto unpublished types that were never realized and more than one hundred logos complete the picture. This second, revised and expanded study edition, which now has an index, makes Frutiger’s achievement even more accessible.



30 Essential Typefaces For A Lifetime


30 Essential Typefaces For A Lifetime
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Author :
language : en
Publisher:
Release Date : 2006

30 Essential Typefaces For A Lifetime written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with categories.


There are thousands of typefaces and more being produced monthly. It is a continual challenge for designers to select the exact typeface best suited for a project. In collaboration with the School of St. Martin, Art Center Pasadena, Rhode Island School of Design, Basel, and Yale Design School, 30 Essential Typefaces for a Lifetime defines 30 of the most useful and classic typefaces for all design needs and occasions. Neville Brody imagined "it takes 10 years for someone to master a typeface." This book contains "typefaces for a lifetime."



The Type Specimen Book


The Type Specimen Book
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Author : V&M Typographical, Inc.
language : en
Publisher: John Wiley & Sons
Release Date : 1991-01-16

The Type Specimen Book written by V&M Typographical, Inc. and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991-01-16 with Design categories.


This is a well designed type specimen book displaying samples of type that was available from V&M Typographic in the 1970s. The displays are of their metal type library and should prove helpful to anyone interested in the selection of type from large typographers at that time. There is a one line sample of each face at the beginning of the book. Anyone interested in type in the pre-digital world of type should find this book of interest



The Legibility Of Serif And Sans Serif Typefaces


The Legibility Of Serif And Sans Serif Typefaces
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Author : John T. E. Richardson
language : en
Publisher: Springer Nature
Release Date : 2022

The Legibility Of Serif And Sans Serif Typefaces written by John T. E. Richardson and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with Applied linguistics categories.


This open access book provides a detailed and up-to-date account of the relevant literature on the legibility of different kinds of typefaces, which goes back over 140 years in the case of reading from paper and more than 50 years in the case of reading from screens. It describes the origins of serif and sans serif styles in ancient inscriptions, their adoption in modern printing techniques, and their legibility in different situations and in different populations of readers. It also examines recent research on the legibility of serif and sans serif typefaces when used with internet browsers, smartphones and other hand-held devices. The book investigates the difference in the legibility of serif typefaces and sans serif typefaces when they are used to produce printed material or when they are used to present material on computer monitors or other screens and it explores the differences in readers’ preferences among typefaces. The book’s main focus is on the psychology of reading, but there are clear implications for education and publishing. Indeed, the book can be read with benefit by anyone concerned with communicating with others through written text, whether it is printed on paper or displayed on computer screens.



Getting It Right With Type


Getting It Right With Type
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Author : Victoria Squire
language : en
Publisher: Laurence King Publishing
Release Date : 2006

Getting It Right With Type written by Victoria Squire and has been published by Laurence King Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Design categories.


Typography is no longer the specialist domain of the typesetter: these days anyone who uses a computer has access to a wide range of typefaces and effects. This book offers an introduction to the basics of typography, including choosing which typeface to use; adjusting letter-, line-, and word-spacing for improved legibility; understanding kerning and leading; and mastering typographic details, such as italics, punctuation, and line endings. The book is illustrated throughout with practical examples demonstrating good and bad solutions. There are tips for specific design tasks, such as letters, charts, tables, and design for the screen, and a glossary explaining typographic terms.



Revival Type


Revival Type
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Author : Paul Shaw
language : en
Publisher: Thames & Hudson
Release Date : 2017

Revival Type written by Paul Shaw and has been published by Thames & Hudson this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Graphic arts categories.


Revival Type is a collection of contemporary digital fonts with origins in the past. Examples include direct revivals of metal and wood typefaces, while others are looser interpretations of older typefaces. Among the fonts are interpretations of classic designs by Nicolas Jenson, Claude Garamont, Robert Granjon, William Caslon, John Baskerville, Giambattista Bodoni, Firmin Didot and other iconic names. Alongside them are typefaces rooted in the work of important, though lesser known, names such as Eudald Pradell, Philippe Grandjean and Richard Austin. Finally, there are updates and revisions of 20th-century classics like Palatino, Meridien, DIN, Metro and Neue Haas Grotesk (the original name of Helvetica). Some designs are not revivals of typefaces but of letterforms, from inscriptions to calligraphic manuals to letters in posters and bookjackets. Some revivals are aesthetic extensions of 20th-century typefaces that have been updated technologically. Others are actually reinterpretations or variations on typefaces from the past necessitated by having to make types that function in the 21st century and not in the distant past. Revival Type looks at type 'revivals' in this broad manner.



Digital Typefaces


Digital Typefaces
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Author : Peter Karow
language : en
Publisher: Springer Science & Business Media
Release Date : 2012-12-06

Digital Typefaces written by Peter Karow and has been published by Springer Science & Business Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-12-06 with Computers categories.


Summary his book was written primarily for people who intend or wish to develop new machines for the output of typefaces. It is practical to categorize equipment into three groups for which digital alphabets are required - 1) display devices, 2) typesetting machines and 3) numerically controlled (NC) machines. Until now, development of typefaces has been overly dependent upon the design of the respective machine on which it was to be used. This need not be the case. Digitization of type should be undertaken in two steps: the preparation of a database using hand-digitization, and the subsequent automatic generation of machine formats by soft scanning, through the use of a computer-based program. Digital formats for typefaces are ideally suited to system atic ordering, as are coding techniques. In this volume, various formats are investigated, their properties discussed and rela tive production requirements analyzed. Appendices provide readers additional information, largely on digital formats for typeface storage introduced by the IKARUS system. This book was composed in Latino type, developed by Hermann Zapf from his Melior for URW in 1990. Compo sition was accomplished on a Linotronic 300, as well as on an Agfa 9400 typesetter using PostScript. v Preface Preface his book was brought out by URW Publishers in 1986 with the title «Digital Formats for Typefaces;). It was translated into English in 1987, Japanese in 1989 and French in 1991.



Typefaces For Books


Typefaces For Books
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Author : James Sutton
language : en
Publisher:
Release Date : 1990

Typefaces For Books written by James Sutton and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Design categories.


More than a hundred currently available filmset typefaces are presented here in large-format, double-page specimen settings, in various sizings and spacings.



Classic Typefaces


Classic Typefaces
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Author : David Consuegra
language : en
Publisher: Simon and Schuster
Release Date : 2011-10-10

Classic Typefaces written by David Consuegra and has been published by Simon and Schuster this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-10-10 with Design categories.


Graphic designers will enrich their understanding of American type design and type designers with this unique and extensive reference. The fascinating history of type in America is chronicled through the typefaces and biographies of sixty-two of the most influential type designers, including Linn Boyd Benton, Morris Fuller Benton, and Darius Wells, and through the description and history of nine American type foundries. Complete with samples of 334 different typefaces, and 700 black-and-white illustrations, this eye-popping reference reveals the expansive contribution America has made to the world of type design.