Understanding The Women Of Mozart S Operas


Understanding The Women Of Mozart S Operas
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Understanding The Women Of Mozart S Operas


Understanding The Women Of Mozart S Operas
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Author : Kristi Brown-Montesano
language : en
Publisher: Univ of California Press
Release Date : 2007-02-07

Understanding The Women Of Mozart S Operas written by Kristi Brown-Montesano and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-02-07 with Music categories.


Is The Marriage of Figaro just about Figaro? Is Don Giovanni’s story the only one—or even the most interesting one—in the opera that bears his name? For generations of critics, historians, and directors, it’s Mozart’s men who have mattered most. Too often, the female characters have been understood from the male protagonist’s point of view or simply reduced on stage (and in print) to paper cutouts from the age of the powdered wig and the tightly cinched corset. It’s time to give Mozart’s women—and Mozart’s multi-dimensional portrayals of feminine character—their due. In this lively book, Kristi Brown-Montesano offers a detailed exploration of the female roles in Mozart’s four most frequently performed operas, Le nozze di Figaro, Don Giovanni, Così fan tutte, and Die Zauberflöte. Each chapter takes a close look at the music, libretto text, literary sources, and historical factors that give shape to a character, re-evaluating common assumptions and proposing fresh interpretations. Brown-Montesano views each character as the subject of a story, not merely the object of a hero’s narrative or the stock figure of convention. From amiable Zerlina, to the awesome Queen of the Night, to calculating Despina, all of Mozart’s women have something unique to say. These readings also tackle provocative social, political, and cultural issues, which are used in the operas to define positive and negative images of femininity: revenge, power, seduction, resistance, autonomy, sacrifice, faithfulness, class, maternity, and sisterhood. Keenly aware of the historical gap between the origins of these works and contemporary culture, Brown-Montesano discusses how attitudes about such concepts—past and current—influence our appreciation of these fascinating representations of women.



Understanding The Women Of Mozart S Operas


Understanding The Women Of Mozart S Operas
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Author : Kristi Brown-Montesano
language : en
Publisher: Univ of California Press
Release Date : 2021-11-09

Understanding The Women Of Mozart S Operas written by Kristi Brown-Montesano and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-11-09 with Biography & Autobiography categories.


Is The Marriage of Figaro just about Figaro? Is Don Giovanni’s story the only one—or even the most interesting one—in the opera that bears his name? For generations of critics, historians, and directors, it’s Mozart’s men who have mattered most. Too often, the female characters have been understood from the male protagonist’s point of view or simply reduced on stage (and in print) to paper cutouts from the age of the powdered wig and the tightly cinched corset. It’s time to give Mozart’s women—and Mozart’s multi-dimensional portrayals of feminine character—their due. In this lively book, Kristi Brown-Montesano offers a detailed exploration of the female roles in Mozart’s four most frequently performed operas, Le nozze di Figaro, Don Giovanni, Così fan tutte, and Die Zauberflöte. Each chapter takes a close look at the music, libretto text, literary sources, and historical factors that give shape to a character, re-evaluating common assumptions and proposing fresh interpretations. Brown-Montesano views each character as the subject of a story, not merely the object of a hero’s narrative or the stock figure of convention. From amiable Zerlina, to the awesome Queen of the Night, to calculating Despina, all of Mozart’s women have something unique to say. These readings also tackle provocative social, political, and cultural issues, which are used in the operas to define positive and negative images of femininity: revenge, power, seduction, resistance, autonomy, sacrifice, faithfulness, class, maternity, and sisterhood. Keenly aware of the historical gap between the origins of these works and contemporary culture, Brown-Montesano discusses how attitudes about such concepts—past and current—influence our appreciation of these fascinating representations of women.



Mozart S Women


Mozart S Women
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Author : Jane Glover
language : en
Publisher: Pan Macmillan
Release Date : 2013-04-18

Mozart S Women written by Jane Glover and has been published by Pan Macmillan this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-18 with Music categories.


Mozart was fascinated, amused, aroused, hurt, and betrayed by women. He loved and respected them, composed for them, performed with them. This unique biography looks at his interaction with each, starting with his family (his mother, Maria Anna and beloved and talented sister, Nannerl), and his marriage (which brought his 'other family', the Weber sisters). His relationships with his artists are examined, in particular those of his operas, through whose characters Mozart gave voice to the emotions of women who were, like his entire female acquaintance, restrained by the conventions and structures of eighteenth-century society. This is their story as well as his -- and shows once again that a great part of the composer’s genius was in his understanding and musical expression of human nature. Evocative and beautifully written, Mozart’s Women illuminates the music, the man, and above all the women who inspired him. 'Jane Glover has pulled off a coup des livres with her fresh take on Mozart's life and work’ Sunday Telegraph ‘Readable, informative and moving...Her passion for the music shines through this touching, vividly told story' Sunday Times



Recognition In Mozart S Operas


Recognition In Mozart S Operas
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Author : Jessica Waldoff
language : en
Publisher: Oxford University Press
Release Date : 2006-04-13

Recognition In Mozart S Operas written by Jessica Waldoff and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-04-13 with Music categories.


'Recognition in Mozart's Operas' is a thoughful treatise that uses both literary and musicological methods to illuminate some of Mozart's best-loved operas. Waldoff argues that, rather than offering the simple happy endings or tragic climaxes of 'easier' operas, many of Mozart's work features scenes of recognition-moments.



Who S Who In Mozart S Operas


Who S Who In Mozart S Operas
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Author : Joachim Kaiser
language : en
Publisher: MacMillan Publishing Company
Release Date : 1986

Who S Who In Mozart S Operas written by Joachim Kaiser and has been published by MacMillan Publishing Company this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with Biography & Autobiography categories.


Profiles all of Mozart's major operatic characters, from Figaro and Don Giovanni to Countess Almaviva and the Queen of the Night from "The Magic Flute," describing each personality's drives, loves, hates, and passions.



Mozart S Operas


Mozart S Operas
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Author : Mary Kathleen Hunter
language : en
Publisher:
Release Date : 2008

Mozart S Operas written by Mary Kathleen Hunter and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Music categories.


This wise and friendly guide to Mozart's operas encompasses the full range of his most popular works--Figaro, Don Giovanni, Così, Magic Flute, Seraglio, Clemenza di Tito--as well as lesser known works like Mitridate and Il re Pastore. Music historian Mary Hunter provides a lively introduction to each opera for any listener who has enjoyed a performance, either on the stage or in a video recording, and who wishes to understand the opera more fully. The Companion includes a synopsis and commentary on each work, as well as background information on the three main genres in which Mozart wrote: opera seria, opera buffa, and Singspiel. An essay on the "anatomy" of a Mozart opera points out the musical conventions with which the composer worked and suggests nontechnical ways to think about his musical choices. The book also places modern productions of the operas in historical context and explores how modern directors, producers, and conductors present Mozart's works today. Filled with factual information and interesting issues to ponder while watching a performance, this guide will appeal to newcomers and seasoned opera aficionados alike.



Mozart S Operas


Mozart S Operas
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Author : Edward Joseph Dent
language : en
Publisher:
Release Date : 1913

Mozart S Operas written by Edward Joseph Dent and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1913 with Opera categories.




Cos


Cos
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Author : Charles C. Ford
language : en
Publisher: Manchester University Press
Release Date : 1991

Cos written by Charles C. Ford and has been published by Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with Music categories.




Mozart S Marriage Of Figaro


Mozart S Marriage Of Figaro
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Author : Michael Steen
language : en
Publisher: Icon Books Ltd
Release Date : 2012-05-31

Mozart S Marriage Of Figaro written by Michael Steen and has been published by Icon Books Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-05-31 with Music categories.


Although the story of Figaro's success in preventing the Count of Almaviva's seduction of his fiancée Susanna was politically explosive, it was tolerated in the court of the relatively enlightened Habsburg Emperor Joseph II. Mozart's opera, Le Nozze di Figaro, uses a libretto by Lorenzo da Ponte, and was premièred in Vienna in 1786. It was based on a famous play by the Frenchman Beaumarchais, a sequel to The Barber of Seville. Characters including Figaro, the Countess, Cherubino the page, Doctor Bartolo and Barberina the gardener's daughter sing a succession of famous arias – such as Se vuol ballare, Non più andrai, Dove sono, Porgi amor and Voi, che sapete, to mention but a few – in which Mozart's musical characterisation is legendary. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read books about opera. Each is an opera guide packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other 'Short Guides to Great Operas' that you may enjoy include Così fan tutte, Don Giovanni and The Barber of Seville.



Building The Operatic Museum


Building The Operatic Museum
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Author : William James Gibbons
language : en
Publisher: University Rochester Press
Release Date : 2013

Building The Operatic Museum written by William James Gibbons and has been published by University Rochester Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with History categories.


Focusing on the operas of Mozart, Gluck, and Rameau, Building the Operatic Museum examines the role that eighteenth-century works played in the opera houses of Paris around the turn of the twentieth century. These works, mostly neglected during the nineteenth century, became the main exhibits in what William Gibbons calls the Operatic Museum -- a physical and conceptual space in which great masterworks from the past and present could, like works of visual art in the Louvre, entertain audiences while educating them in their own history and national identity. Drawing on the fields of musicology, museum studies, art history, and literature, Gibbons explores how this "museum" transformed Parisian musical theater into a place of cultural memory, dedicated to the display of French musical greatness. William Gibbons is Associate Professor of Musicology at Texas Christian University.