Using Images In Late Antiquity
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Using Images In Late Antiquity
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Author : Stine Birk
language : en
Publisher: Oxbow Books
Release Date : 2014-04-30
Using Images In Late Antiquity written by Stine Birk and has been published by Oxbow Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-04-30 with History categories.
Fifteen papers focus on the active and dynamic uses of images during the first millennium AD. They bring together an international group of scholars who situate the period’s visual practices within their political, religious, and social contexts. The contributors present a diverse range of evidence, including mosaics, sculpture, and architecture from all parts of the Mediterranean, from Spain in the west to Jordan in the east. Contributions span from the depiction of individuals on funerary monuments through monumental epigraphy, Constantine’s expropriation and symbolic re-use of earlier monuments, late antique collections of Classical statuary, and city personifications in mosaics to the topic of civic prosperity during the Theodosian period and dynastic representation during the Umayyad dynasty. Together they provide new insights into the central role of visual culture in the constitution of late antique societies.
Emperors And Emperorship In Late Antiquity
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Author : María Pilar García Ruiz
language : en
Publisher: BRILL
Release Date : 2021-01-11
Emperors And Emperorship In Late Antiquity written by María Pilar García Ruiz and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-01-11 with History categories.
In this volume, nine contributions deal with the ways in which imperial power was exercised in the fourth century AD, paying particular attention to how it was articulated and manipulated by means of literary strategies and iconographic programmes.
A Globalised Visual Culture
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Author : Fabio Guidetti
language : en
Publisher: Oxbow Books
Release Date : 2020-07-31
A Globalised Visual Culture written by Fabio Guidetti and has been published by Oxbow Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-07-31 with Social Science categories.
Late Antique artefacts, and the images they carry, attest to a highly connected visual culture from ca. 300 to 800 C.E. On the one hand, the same decorative motifs and iconographies are found across various genres of visual and material culture, irrespective of social and economic differences among their users – for instance in mosaics, architectural decoration, and luxury arts (silver plate, textiles, ivories), as well as in everyday objects such as tableware, lamps, and pilgrim vessels. On the other hand, they are also spread in geographically distant regions, mingled with local elements, far beyond the traditional borders of the classical world. At the same time, foreign motifs, especially of Germanic and Sasanian origin, are attested in Roman territories. This volume aims at investigating the reasons behind this seemingly globalised visual culture spread across the Late Antique world, both within the borders of the (former) Roman and (later) Byzantine Empire and beyond, bringing together diverse approaches characteristic of different national and disciplinary traditions. The presentation of a wide range of relevant case studies chosen from different geographical and cultural contexts exemplifies the vast scale of the phenomenon and demonstrates the benefit of addressing such a complex historical question with a combination of different theoretical approaches.
Envisioning Experience In Late Antiquity And The Middle Ages
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Author : Giselle de Nie
language : en
Publisher: Routledge
Release Date : 2016-05-06
Envisioning Experience In Late Antiquity And The Middle Ages written by Giselle de Nie and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-05-06 with History categories.
Our imagination reveals our experience of ourselves and our world. The late philosopher of science and poetry Gaston Bachelard introduced the notion that each image that comes to mind spontaneously is a visual representation of the cognitive and affective pattern that is moving us at the time - often unconsciously. When such a mental image inspires a picture or text, it evokes in the mind of the reader or beholder a replication of the internal pattern that originally inspired the artist or writer. Thus mental images are rarely empty phantasies. Whereas intellectual concepts are conscious constructions of abstracted relations, mental images evoked by texts and pictures often point - like dreams - to pre-verbal experience that patterns itself through multiplying associations and analogies. These mental images can also manifest their own limits, pointing indirectly to experiences beyond what can be expressed and communicated. The six essays in this volume seek to uncover the dynamic patterns in verbal and pictorial images and to evaluate their potentialities and limitations. Thematically ordered according to their specific focus, the essays begin with material images and move on to increasing degrees of immateriality. The subjects treated are: verbal descriptions of an icon and of a statue; imaginative visions and auditions evoked by material depictions; verbal imagery describing imagined sculptures and scenes as compared with drawings of a moving historical pageant; drawings of symbolic figures representing subtle relationships between verbal expositions that cannot be syntactically represented; dream images that precipitate actual healing; and aural patterns in a sounded text that are experienced as 'images' of affective dynamisms.
Envisioning Worlds In Late Antique Art
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Author : Anna Cecilia Olovsdotter
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2018-12-17
Envisioning Worlds In Late Antique Art written by Anna Cecilia Olovsdotter and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-12-17 with History categories.
It has long been an accepted assumption that the abstracted mode of visual representation that emerged in late antiquity reflected a collective shift from the outer-directed and ’material’ world-view of classical antiquity to an inner-directed, ’spiritual’ mentality informed by Christianity: the purpose of this volume is to offer a more nuanced and diverse image of the nature and meanings of abstraction and symbolism in late antique and early medieval art, beyond normative intepretation models, and from a number of different methodological and interpretative perspectives. In ten chapters, ten authors specialised in various fields of late-antique and Byzantine art explore the historiographical background of the ’spiritual’ interpretation paradigm, neuroscientific and theological dimensions of Christian visual aesthetics, meanings and motive factors behind apparently wholly abstract and aniconic compositions, symbolic motifs and schemes for visualising cosmic order and the cosmic state of Christ, and the re-use of symbolic Greco-Roman themes in Christian contexts. The result is a multi-focal image of late antique abstraction and symbolism that illuminates the heterogeneity and complexity of the phenomena and of their study.
God And Gold In Late Antiquity
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Author : Dominic Janes
language : en
Publisher: Cambridge University Press
Release Date : 1998-02-19
God And Gold In Late Antiquity written by Dominic Janes and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-02-19 with Art categories.
From the conversion of the emperor Constantine in the early fourth century, vast sums of money were spent on the building and sumptuous decoration of churches. The resulting works of art contain many of the greatest monuments of late antique and early medieval society. But how did such expenditure fit with Christ's message of poverty and simplicity? In attempting to answer that question, this 1998 study employs theories on the use of metaphor to show how physical beauty could stand for spiritual excellence. As well as explaining the evolving attitudes to sanctity, decorum and display in Roman and medieval society, detailed analysis is made of case studies of Latin biblical exegesis and gold-ground mosaics so as to counterpoint the contemporary use of gold as a Christian image in art and text.
Patrons And Viewers In Late Antiquity
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Author : Stine Birk
language : en
Publisher: Aarhus Universitetsforlag
Release Date : 2012-12-12
Patrons And Viewers In Late Antiquity written by Stine Birk and has been published by Aarhus Universitetsforlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-12-12 with History categories.
Antiquity was a multi-cultural and multi-religious world. Meetings and interactions between cultures in East and West, and the consequent widespread exchange of ideas had an enormous impact on cultural practices and the creation of identities. These cultural diversities are reflected by both the archaeological material and the written sources. Patrons of luxurious buildings, elaborate grave monuments, and churches used architecture and images to demonstrate political, social and religious power. These buildings and their embellishment with sculpture, mosaics and paintings were strong factors in communicating identity and attitudes both in the public and private spheres. The continuous production of mythological sculpture and mosaics coexisted, sometimes peacefully other times with violent consequences, with an increasing influence from new philosophical mind sets originating in the East, such as Christianity. In this period of rapid social and religious change new patrons appeared, such as bishops, who were responsible for the construction of churches commemorating the Christian triumph. The seminar focuses on the way patrons, pagan as well as Christian, conveyed messages through material culture and the responses of the viewers.
Inscribing Faith In Late Antiquity
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Author : Sean V. Leatherbury
language : en
Publisher: Routledge
Release Date : 2019-07-26
Inscribing Faith In Late Antiquity written by Sean V. Leatherbury and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-26 with History categories.
Inscribing Faith in Late Antiquity considers the Greek and Latin texts inscribed in churches and chapels in the late antique Mediterranean (c. 300–800 CE), compares them to similar texts from pagan, Jewish, and Muslim spaces of worship, and explores how they functioned both textually and visually. These texts not only recorded the names and prayers of the faithful, but were powerful verbal and visual statements of cultural values and religious beliefs, conveying meaning through their words as well as through their appearances. In fact, the two were intimately connected. All of these texts – Christian, Jewish, Muslim, and pagan – acted visually, embracing their own materiality as mosaic, paint, or carved stone. Colourful and artfully arranged, the inscriptions framed human relationships with the divine, encouraged responses from readers, and made prayers material. In the first in-depth examination of the inscriptions as words and as images, the author reimagines the range of aesthetic, cultural, and religious experiences that were possible in spaces of worship. Inscribing Faith in Late Antiquity is essential reading for those interested in Roman, late antique, and Byzantine material and visual culture, inscriptions and other texts, and religious life in the ancient Mediterranean.
The Image And Its Prohibition In Jewish Antiquity
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Author : Sarah Pearce
language : en
Publisher: Journal of Jewish Studies
Release Date : 2013
The Image And Its Prohibition In Jewish Antiquity written by Sarah Pearce and has been published by Journal of Jewish Studies this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Art categories.
Against the commonly held opinion that ancient Judaism was an artless culture, this sumptuously illustrated book offers new ways of looking at art in Jewish antiquity. Leading experts, under the editorship of Sarah Pearce, skilfully explore different functions of images in relation to their prohibition by the Second of the Ten Commandments. The visual world of ancient Judaism often reflects a tense confrontation between Mediterranean, artful classical culture and the image-filled, yet law-inspired biblical literature. Readers will encounter a rich collection of objects and texts analysed in different contexts, from Solomon's Temple to late antiquity. The imageless God of monotheistic Judaism combated the polytheistic cults of Israel's neighbours with the use of symbols. Figurative, floral and geometrical embellishments of synagogues served as decoration and not for worship. Narrative biblical scenes in the Dura-Europos synagogue played an educational and political role in Jewish society on the outskirts of the Roman Empire. Antique Jewish art exercised a profound influence on medieval Islam and even on the modern Western visual world. This book is aimed at both the scholarly world and all readers interested in religion and art.
From Face To Face
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Author : Marina Prusac
language : en
Publisher: BRILL
Release Date : 2016-08-29
From Face To Face written by Marina Prusac and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-08-29 with Art categories.
This book is based on an investigation of more than five hundred recarved portraits. It includes analyses of different recarving methods, some of which can be attributed to geographically localised workshops. The different recarving methods have made it possible to suggest classifiable categories, which together underpin a hypothesis that the late-antique portrait style is a consequence of the many recarved portraits at the time. The practice of portrait recarving emerged due to economic, political, religious and ideological factors, and was influenced by the cultural-historical changes of Late Antiquity. The conclusion gives a new understanding of how wide-ranging, culturally and politically encoded and comprehensive the practice of recarving was.