Viewing African Cinema In The Twenty First Century
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Viewing African Cinema In The Twenty First Century
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Author : Mahir Saul
language : en
Publisher: Ohio University Press
Release Date : 2010-10-12
Viewing African Cinema In The Twenty First Century written by Mahir Saul and has been published by Ohio University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-10-12 with Art categories.
Viewing African Cinema in the Twenty-first Century brings together a set of fascinating essays by international scholars on these contrasting cinema forms.
New African Cinema
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Author : Valérie Orlando
language : en
Publisher: Rutgers University Press
Release Date : 2017-04-15
New African Cinema written by Valérie Orlando and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-04-15 with Art categories.
New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films. Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Sembène’s Ceddo (Senegal, 1977), Sarah Maldoror’s Sambizanga (Angola, 1972), Assia Djebar’s La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Zézé Gamboa’s The Hero (Angola, 2004) and Abderrahmane Sissako’s Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging.
Contemporary Cinema Of Africa And The Diaspora
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Author : Anjali Prabhu
language : en
Publisher: John Wiley & Sons
Release Date : 2014-06-23
Contemporary Cinema Of Africa And The Diaspora written by Anjali Prabhu and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-23 with Performing Arts categories.
Analyzing art house films from the African continent and the African diaspora, this book showcases a new generation of auteurs with African origins from political, aesthetic, and spectatorship perspectives. Focuses on art house cinema and discusses commercial African cinema Enlarges our understanding of African film to include thematic and aesthetic influence Highlights aesthetic and political aspects including racial identity, women’s issues, and diaspora Heavily illustrated with over 90 film stills Features selected stills integral to the filmic analysis in full color Moves beyond Western-oriented analytical paradigms
Contemporary African Cinema
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Author : Olivier Barlet
language : en
Publisher: MSU Press
Release Date : 2016-08-01
Contemporary African Cinema written by Olivier Barlet and has been published by MSU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-08-01 with Art categories.
African and notably sub-Saharan African film’s relative eclipse on the international scene in the early twenty-first century does not transcend the growth within the African genre. This time period has seen African cinema forging a new relationship with the real and implementing new aesthetic strategies, as well as the emergence of a post-colonial popular cinema. Drawing on more than 1,500 articles, reviews, and interviews written over the past fifteen years, Olivier Barlet identifies the critical questions brought about by the evolution of African cinema. In the process, he offers us a personal and passionate vision, making this book an indispensable sum of thought that challenges preconceived ideas and enriches an approach to cinema as a critical art.
Maghrebs In Motion
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Author : Suzanne Gauch
language : en
Publisher: Oxford University Press
Release Date : 2016
Maghrebs In Motion written by Suzanne Gauch and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with History categories.
'Maghrebs in Motion' analyzes nine key films and film cycles from Algeria, Morocco, and Tunisia made in the twenty-five years leading up to the Arab Spring. This study shows how each film draws on diverse cinematic and sociopolitical legacies to prefigure and capture the shifts of perception and relation that so stunned onlookers worldwide when nonideological protests in Tunisia overthrew the long-standing autocratic government.
Non Cinema
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Author : William Brown
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2018-07-12
Non Cinema written by William Brown and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-07-12 with Performing Arts categories.
Non-Cinema: Global Digital Film-making and the Multitude provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of 'Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded – the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema." Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa.
Queer African Cinemas
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Author : Lindsey B. Green-Simms
language : en
Publisher: Duke University Press
Release Date : 2022-02-04
Queer African Cinemas written by Lindsey B. Green-Simms and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-02-04 with Performing Arts categories.
In Queer African Cinemas, Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century in an environment of increasing antiqueer violence, efforts to criminalize homosexuality, and other state-sanctioned homophobia. Green-Simms argues that these films not only record the fear, anxiety, and vulnerability many queer Africans experience; they highlight how queer African cinematic practices contribute to imagining new hopes and possibilities. Examining globally circulating international art films as well as popular melodramas made for local audiences, Green-Simms emphasizes that in these films queer resistance—contrary to traditional narratives about resistance that center overt and heroic struggle—is often practiced from a position of vulnerability. By reading queer films alongside discussions about censorship and audiences, Green-Simms renders queer African cinema as a rich visual archive that documents the difficulty of queer existence as well as the potentials for queer life-building and survival.
Global Nollywood
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Author : Matthias Krings
language : en
Publisher: Indiana University Press
Release Date : 2013-05-27
Global Nollywood written by Matthias Krings and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-05-27 with Performing Arts categories.
“Reveals in fascinating detail the wild popularity, controversies, and complaints provoked by this film form . . . shap[ing] the media landscape of Africa.” —Brian Larkin, Barnard College Global Nollywood considers this first truly African cinema beyond its Nigerian origins. In fifteen lively essays, this volume traces the engagement of the Nigerian video film industry with the African continent and the rest of the world. Topics such as Nollywood as a theoretical construct, the development of a new, critical film language, and Nollywood’s transformation outside of Nigeria reveal the broader implications of this film form as it travels and develops. Highlighting controversies surrounding commodification, globalization, and the development of the film industry on a wider scale, Global Nollywood gives sustained attention to Nollywood as a uniquely African cultural production. “Offers original material with respect to the transnational presence of Nollywood.” ?Moradewun Adejunmobi, University of California, Davis “Unveils a fascinating variety of the ways in which Nollywood cinema is viewed and interpreted.” ?Research in African Literatures “Delightfully entertaining yet appropriately erudite. . . . A welcome addition to the fields of film, media, African, and cultural studies.” —Cinema Journal “Highly recommended.” ?Choice “[T]he cumulative effect of [these] studies is to provide invaluable information for those wishing to keep up with where African cinema is today.” ?Journal of African History “Global Nollywood represents the most up-to-date research on Nollywood as a transnational cultural practice and is a must-read for scholars and students of African screen media.” —African Studies Review “Ground-breaking. . . . It proves that, in spite of appearing to be a niche market, Nollywood . . . can no longer be excluded from the canon of African cinema in the field of film studies.” ?African Affairs
African Cinema Manifesto And Practice For Cultural Decolonization
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Author : Michael T. Martin
language : en
Publisher: Indiana University Press
Release Date : 2023-08-08
African Cinema Manifesto And Practice For Cultural Decolonization written by Michael T. Martin and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-08-08 with Performing Arts categories.
Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Two of this landmark series on African cinema is devoted to the decolonizing mediation of the Pan African Film & Television Festival of Ouagadougou (FESPACO), the most important, inclusive, and consequential cinematic convocation of its kind in the world. Since its creation in 1969, FESPACO's mission is, in principle, remarkably unchanged: to unapologetically recover, chronicle, affirm, and reconstitute the representation of the African continent and its global diasporas of people, thereby enunciating in the cinematic, all manner of Pan-African identity, experience, and the futurity of the Black World. This volume features historically significant and commissioned essays, commentaries, conversations, dossiers, and programmatic statements and manifestos that mark and elaborate the key moments in the evolution of FESPACO over the span of the past five decades.
Colonial Cinema In Africa
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Author : Glenn Reynolds
language : en
Publisher: McFarland
Release Date : 2015-06-02
Colonial Cinema In Africa written by Glenn Reynolds and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-02 with Performing Arts categories.
In recent decades historians and film scholars have intensified their study of colonial cinema in Africa. Yet the vastness of the continent, the number of European powers involved and irregular record keeping has made uncovering the connections between imagery, imperialism and indigenous peoples difficult. This volume takes up the challenge, tracing production and exhibition patterns to show how motion pictures were introduced on the continent during the "Scramble for Africa" and the subsequent era of consolidation. The author describes how early actualities, expeditionary footage, ethnographic documentaries and missionary films were made in the African interior and examines the rise of mass black spectatorship. While Africans in the first two decades of the 20th century were sidelined as cinema consumers because of colonial restrictions, social and political changes in the subsequent interwar period--wrought by large-scale mining in southern Africa--led to a rethinking of colonial film policy by missionaries, mining concerns and colonial officials. By World War II, cinema had come to black Africa.