Violent Women In Contemporary Cinema


Violent Women In Contemporary Cinema
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Violent Women In Contemporary Cinema


Violent Women In Contemporary Cinema
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Author : Janice Loreck
language : en
Publisher: Springer
Release Date : 2016-04-08

Violent Women In Contemporary Cinema written by Janice Loreck and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-08 with Social Science categories.


Violent women in cinema pose an exciting challenge to spectators, overturning ideas of 'typical' feminine subjectivity. This book explores the representation of homicidal women in contemporary art and independent cinema. Examining narrative, style and spectatorship, Loreck investigates the power of art cinema to depict transgressive femininity.



The Violent Woman


The Violent Woman
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Author : Hilary Neroni
language : en
Publisher: State University of New York Press
Release Date : 2012-02-16

The Violent Woman written by Hilary Neroni and has been published by State University of New York Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-02-16 with Social Science categories.


Looks at how violent women characters disrupt cinematic narrative and challenge cultural ideals.



Reel Knockouts


Reel Knockouts
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Author : Martha McCaughey
language : en
Publisher: University of Texas Press
Release Date : 2010-01-01

Reel Knockouts written by Martha McCaughey and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-01 with Performing Arts categories.


When Thelma and Louise outfought the men who had tormented them, women across America discovered what male fans of action movies have long known—the empowering rush of movie violence. Yet the duo's escapades also provoked censure across a wide range of viewers, from conservatives who felt threatened by the up-ending of women's traditional roles to feminists who saw the pair's use of male-style violence as yet another instance of women's co-option by the patriarchy. In the first book-length study of violent women in movies, Reel Knockouts makes feminist sense of violent women in films from Hollywood to Hong Kong, from top-grossing to direct-to-video, and from cop-action movies to X-rated skin flicks. Contributors from a variety of disciplines analyze violent women's respective places in the history of cinema, in the lives of viewers, and in the feminist response to male violence against women. The essays in part one, "Genre Films," turn to film cycles in which violent women have routinely appeared. The essays in part two, "New Bonds and New Communities," analyze movies singly or in pairs to determine how women's movie brutality fosters solidarity amongst the characters or their audiences. All of the contributions look at films not simply in terms of whether they properly represent women or feminist principles, but also as texts with social contexts and possible uses in the re-construction of masculinity and femininity.



Violent Women In Contemporary Theatres


Violent Women In Contemporary Theatres
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Author : Nancy Taylor Porter
language : en
Publisher: Springer
Release Date : 2017-12-14

Violent Women In Contemporary Theatres written by Nancy Taylor Porter and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-12-14 with Performing Arts categories.


This book brings together the fields of theatre, gender studies, and psychology/sociology in order to explore the relationships between what happens when women engage in violence, how the events and their reception intercept with cultural understandings of gender, how plays thoughtfully depict this topic, and how their productions impact audiences. Truthful portrayals force consideration of both the startling reality of women's violence — not how it's been sensationalized or demonized or sexualized, but how it is — and what parameters, what possibilities, should exist for its enactment in life and live theatre. These women appear in a wide array of contexts: they are mothers, daughters, lovers, streetfighters, boxers, soldiers, and dominatrixes. Who they are and why they choose to use violence varies dramatically. They stage resistance and challenge normative expectations for women. This fascinating and balanced study will appeal to anyone interested in gender/feminism issues and theatre.



Civilized Violence


Civilized Violence
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Author : David Hansen-Miller
language : en
Publisher: Routledge
Release Date : 2016-05-23

Civilized Violence written by David Hansen-Miller and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-05-23 with Social Science categories.


Civilized Violence provides a social and historical explanation for the popular appeal of cinema violence. There is a significant amount of research on the effects of media violence, but less work on what attracts audiences to representations of violence in the first place. Drawing on historical-sociology, cultural studies, feminist and queer theory, masculinity studies and textual analysis, David Hansen-Miller explains how the exercise of violence has been concealed and denied by modern society at the same time that it retains considerable power over how we live our lives. He demonstrates how discourses of sexuality and gender, even romantic love, are freighted with the micropolitics of violence. Confronted with such contradictions, audiences are drawn to the cinema where they can see violence graphically restored to everyday life. Popular cinema holds the power to narrate and interpret social forces that have become too opaque, diffuse and dynamic to otherwise comprehend. Through detailed engagement with specific narratives from the last century of popular film - The Cabinet of Dr. Caligari, The Sheik, Once Upon a Time in the West, Deliverance - and the pervasive violence of contemporary cinema, Hansen-Miller investigates the manner in which representations can transform our understanding of how violence works.



New Blood In Contemporary Cinema


New Blood In Contemporary Cinema
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Author : Patricia Pisters
language : en
Publisher: Edinburgh University Press
Release Date : 2020-08-18

New Blood In Contemporary Cinema written by Patricia Pisters and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-08-18 with Electronic books categories.


The book investigates contemporary women directors who put 'a poetics of horror' to new use in their work, expanding the range of gendered and racialized perspectives in the horror genre.



The Nasty Woman And The Neo Femme Fatale In Contemporary Cinema


The Nasty Woman And The Neo Femme Fatale In Contemporary Cinema
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Author : Agnieszka Piotrowska
language : en
Publisher: Routledge
Release Date : 2018-11-27

The Nasty Woman And The Neo Femme Fatale In Contemporary Cinema written by Agnieszka Piotrowska and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11-27 with Social Science categories.


The Nasty Woman and the Neo Femme Fatale in Contemporary Cinema puts forward the theoretical notion of the ‘nasty woman’ as a means of examining female protagonists in contemporary culture and cinema, particularly films directed by women. The phrase is taken from an insult thrown at Hillary Clinton during the 2016 Presidential election debates and reclaimed by the feminists worldwide. The volume also draws from the figure of the femme fatale in film noir. Piotrowska presents ‘the nasty woman’ across cultural and mythical landscape as a figure fighting against the entitlement of the patriarchy. The writer argues that in films such as Zero Dark Thirty, Red Road, Stories We Tell, and even Gone Girl the ‘nastiness’ of female characters creates a new space for reflection on contemporary society and its struggles against patriarchal systems. The nasty woman or neo femme fatale is a figure who disrupts stable situations and norms; she is pro-active and self-determining, and at times unafraid to use dubious means to achieve her goals. She is often single, but when married she subverts and undermines the fundamental principles of this patriarchal institution. For students and researchers in Cultural Studies, Women’s, Gender and Sexuality Studies, Film Studies and Psychoanalysis in Film Studies, The Nasty Woman and the Neo Femme Fatale in Contemporary Cinema offers an original way of thinking about female creativity and subjectivity. It is also a proud celebration of feminist and female authorship in contemporary Hollywood.



Provocation In Women S Filmmaking


Provocation In Women S Filmmaking
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Author : Janice Loreck
language : en
Publisher:
Release Date : 2023-03-31

Provocation In Women S Filmmaking written by Janice Loreck and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-03-31 with categories.


A new critical perspective on the female auteur that considers her place in the avant-garde tradition of provocation



Return Of The Monstrous Feminine


Return Of The Monstrous Feminine
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Author : Barbara Creed
language : en
Publisher: Taylor & Francis
Release Date : 2022-07-27

Return Of The Monstrous Feminine written by Barbara Creed and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-07-27 with Social Science categories.


This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women’s equality, violence against women, queer relationships, race and the plight of the planet and its multi-species. Examining a new movement – termed by Creed as Feminist New Wave Cinema – The Return of the Monstrous-Feminine explores a significant change that has occurred over the past two decades in the representation of the monstrous-feminine in visual discourse. The Monstrous-Feminine is a figure in revolt on a journey through the dark night of abjection. Taking particular interest in women directors who create the figure of the Monstrous-Feminine, in cinema that foregrounds everyday horrors in addition to classic horror, Creed looks at a range of diverse films including The Babadook, A Girl Walks Home Alone at Night, Nomadland, Carol, Raw, Revenge, and the television series The Handmaid’s Tale. These films center on different forms of revolt, from inner revolt to social, supernatural and violent revolt, which appear in Feminist New Wave Cinema. These relate in the main to the emergence of a range of social protest movements that have gathered momentum in the new millennium and given voice to new theoretical and critical discourses. These include: third and fourth wave feminism, the #MeToo movement, queer theory, race theory, the critique of anthropocentrism and human animal theory. These theoretical discourses have played a key role in influencing Feminist New Wave Cinema whose films are distinctive, stylish and diverse. This is an essential companion to the original classic text and is ideal for students in Gender and Media, Gender and Horror, Gender and Film and Feminist Film theory courses.



Visions Of Struggle In Women S Filmmaking In The Mediterranean


Visions Of Struggle In Women S Filmmaking In The Mediterranean
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Author : F. Laviosa
language : en
Publisher: Springer
Release Date : 2010-02-01

Visions Of Struggle In Women S Filmmaking In The Mediterranean written by F. Laviosa and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-02-01 with Performing Arts categories.


This provocative collection elaborates a trans-cultural definition of being a woman in struggle. Looking at the films of women directors in countries in the Mediterranean rim, this book spurs a contemporary discussion of women s human, civil, and social rights while situating feminist arguments on women s identity, roles, psychology and sexuality. Although their methodologies are diverse, these artists are united in their use of cinema as a means of intervention, taking on the role as outspoken and leading advocates for women s problems. Contributors examine the ways in which cinematic art reproduces and structures the discourses of realism and represents Mediterranean women s collective experience of struggle.