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Visualizing Labor In American Sculpture


Visualizing Labor In American Sculpture
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Visualizing Labor In American Sculpture


Visualizing Labor In American Sculpture
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Author : Melissa Dabakis
language : en
Publisher: Cambridge University Press
Release Date : 2011-06-09

Visualizing Labor In American Sculpture written by Melissa Dabakis and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-06-09 with Art categories.


This book focuses on representations of work in American sculpture, from the decade in which the American Federation of Labor was formed, to the inauguration of the federal works project that subsidized American artists during the Great Depression. Restoring a group of important monuments to the history of labor, gender studies and American art history, this book analyzes key monuments and small-scale works in which labor was often constituted as "manly" and where the work ethic mediated both production and reception.



Visualizing Blackness And The Creation Of The African American Literary Tradition


Visualizing Blackness And The Creation Of The African American Literary Tradition
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Author : Lena Hill
language : en
Publisher: Cambridge University Press
Release Date : 2014-02-17

Visualizing Blackness And The Creation Of The African American Literary Tradition written by Lena Hill and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-02-17 with Literary Criticism categories.


This study examines how black writers use visual tropes as literary devices to challenge readers' conceptions of black identity. Lena Hill charts two hundred years of African American literary history, from Phillis Wheatley to Ralph Ellison, and engages with a variety of canonical and lesser-known writers.



A Sisterhood Of Sculptors


A Sisterhood Of Sculptors
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Author : Melissa Dabakis
language : en
Publisher: Penn State University Press
Release Date : 2014

A Sisterhood Of Sculptors written by Melissa Dabakis and has been published by Penn State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Art categories.


Explores mid-nineteenth-century American women sculptors who developed successful professional careers in Rome. Draws from feminist theory, cultural geography, and expatriate and postcolonial studies to investigate the gendered nature of creativity and expatriation.



American Sculpture In The Metropolitan Museum Of Art A Catalogue Of Works By Artists Born Between 1865 And 1885


American Sculpture In The Metropolitan Museum Of Art A Catalogue Of Works By Artists Born Between 1865 And 1885
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Author : Metropolitan Museum of Art (New York, N.Y.)
language : en
Publisher: Metropolitan Museum of Art
Release Date : 1999

American Sculpture In The Metropolitan Museum Of Art A Catalogue Of Works By Artists Born Between 1865 And 1885 written by Metropolitan Museum of Art (New York, N.Y.) and has been published by Metropolitan Museum of Art this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Sculpture categories.


Volume One: This volume catalogues the distinguished and comprehensive collection of approximately 400 works of American sculpture by artists born before 1865. This publication includes an introduction on the history of the collection's formation, particularly in the context of the Museum's early years of acquisitions, and discusses the outstanding personalities involved. --Metropolitan Museum of Art website.



Labor S Canvas


Labor S Canvas
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Author : Laura Hapke
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2009-03-26

Labor S Canvas written by Laura Hapke and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-03-26 with History categories.


At an unprecedented and probably unique American moment, laboring people were indivisible from the art of the 1930s. By far the most recognizable New Deal art employed an endless frieze of white or racially ambiguous machine proletarians, from solo drillers to identical assembly line toilers. Even today such paintings, particularly those with work themes, are almost instantly recognizable. Happening on a Depression-era picture, one can see from a distance the often simplified figures, the intense or bold colors, the frozen motion or flattened perspective, and the uniformity of laboring bodies within an often naive realism or naturalism of treatment. In a kind of Social Realist dance, the FAP’s imagined drillers, haulers, construction workers, welders, miners, and steel mill workers make up a rugged industrial army. In an unusual synthesis of art and working-class history, Labor’s Canvas argues that however simplified this golden age of American worker art appears from a post-modern perspective, The New Deal’s Federal Art Project (FAP), under the aegis of the Works Progress Administration (WPA), revealed important tensions. Artists saw themselves as cultural workers who had much in common with the blue-collar workforce. Yet they struggled to reconcile social protest and aesthetic distance. Their canvases, prints, and drawings registered attitudes toward laborers as bodies without minds often shared by the wider culture. In choosing a visual language to reconnect workers to the larger society, they tried to tell the worker from the work with varying success. Drawing on a wealth of social documents and visual narratives, Labor’s Canvas engages in a bold revisionism. Hapke examines how FAP iconography both chronicles and reframes working-class history. She demonstrates how the New Deal’s artistically rendered workforce history reveals the cultural contradictions about laboring people evident even in the depths of the Great Depression, not the least in the imaginations of the FAP artists themselves.



Indian Spectacle


Indian Spectacle
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Author : Jennifer Guiliano
language : en
Publisher: Rutgers University Press
Release Date : 2015-04-02

Indian Spectacle written by Jennifer Guiliano and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-04-02 with Social Science categories.


Amid controversies surrounding the team mascot and brand of the Washington Redskins in the National Football League and the use of mascots by K–12 schools, Americans demonstrate an expanding sensitivity to the pejorative use of references to Native Americans by sports organizations at all levels. In Indian Spectacle, Jennifer Guiliano exposes the anxiety of American middle-class masculinity in relation to the growing commercialization of collegiate sports and the indiscriminate use of Indian identity as mascots. Indian Spectacle explores the ways in which white, middle-class Americans have consumed narratives of masculinity, race, and collegiate athletics through the lens of Indian-themed athletic identities, mascots, and music. Drawing on a cross-section of American institutions of higher education, Guiliano investigates the role of sports mascots in the big business of twentieth-century American college football in order to connect mascotry to expressions of community identity, individual belonging, stereotyped imagery, and cultural hegemony. Against a backdrop of the current level of the commercialization of collegiate sports—where the collective revenue of the fifteen highest grossing teams in Division I of the National Collegiate Athletic Association (NCAA) has well surpassed one billion dollars—Guiliano recounts the history of the creation and spread of mascots and university identities as something bound up in the spectacle of halftime performance, the growth of collegiate competition, the influence of mass media, and how athletes, coaches, band members, spectators, university alumni, faculty, and administrators, artists, writers, and members of local communities all have contributed to the dissemination of ideas of Indianness that is rarely rooted in native people’s actual lives.



Edward W Redfield


Edward W Redfield
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Author : Constance Kimmerle
language : en
Publisher: University of Pennsylvania Press
Release Date : 2004-05-28

Edward W Redfield written by Constance Kimmerle and has been published by University of Pennsylvania Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-05-28 with Art categories.


In this definitive study of Pennsylvania impressionism's leading artist, Constance Kimmerle offers both an accessible biographical study of Edward Redfield (1869-1965) as well as a rich discussion of his role in the changes that swept the American art world of the late nineteenth and early twentieth centuries.



Looking Askance


Looking Askance
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Author : Michael Leja
language : en
Publisher: Univ of California Press
Release Date : 2004

Looking Askance written by Michael Leja and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Art categories.


"Beautifully written in an engaging style, this book provides a new perspective on turn-of-the-century American culture that nuances and complicates our vision of that historical moment. I have no doubt that it will become a classic text in American studies, the history of American art, and the study of visual culture."—Kathleen Pyne, author of Art and the Higher Life: Painting and Evolutionary Thought in Late Nineteenth-Century America "Michael Leja, one of our most original and acute historians of American art, has written an indispensable and lively study of what we might call the modern anxiety of seeing. He traces our inherently skeptical view of the world back to the turn of the last century, a golden age of hucksters, swindlers, quacks, humbugs, rascals, cheats, and confidence men, and shows how artists as diverse as Eakins and Duchamp fit into this new culture of suspicion. Leja's book breathes fresh life into the period."—Michael Kimmelman "Bringing together the strangest of bedfellows-paintings by Thomas Eakins, spirit photographs, William Harnett's still lifes, occult philosophies, Duchamp readymades-Leja uncovers a deep culture of suspicion and skepticism in America around 1900. As Americans grappled with the complexities of modern life, 'seeing was not believing,' he argues in this deeply researched and brilliantly provocative study."—Wanda M. Corn, author of The Great American Thing: Modern Art and National Identity, 1915-1935



Gendering The Fair


Gendering The Fair
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Author : Tracey Jean Boisseau
language : en
Publisher: University of Illinois Press
Release Date : 2010

Gendering The Fair written by Tracey Jean Boisseau and has been published by University of Illinois Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Business & Economics categories.


This field-defining work opens the study of world's fairs to women's and gender history, exploring the intersections of masculinity, femininity, exoticism, display, and performance at these influential events. As the first global gatherings of mass numbers of attendees, world's fairs and expositions introduced cross-class, multi-racial, and mixed-sex audiences to each other, as well as to cultural concepts and breakthroughs in science and technology. Gendering the Fair focuses on the manipulation of gender ideology as a crucial factor in the world's fairs' incredible power to shape public opinions of nations, government, and culture. Established and rising scholars working in a variety of disciplines and locales discuss how gender played a role in various countries' exhibits and how these nations capitalized on opportunities to revise national and international understandings of womanhood. Spanning several centuries and extending across the globe from Portugal to London and from Chicago to Paris, the essays cover topics including women's work at the fairs; the suffrage movement; the intersection of faith, gender, and patriotism; and the ability of fair organizers to manipulate fairgoers' experience of the fairgrounds as gendered space. The volume includes a foreword by preeminent world's fair historian Robert W. Rydell. Contributors are TJ Boisseau, Anne Clendinning, Lisa K. Langlois, Abigail M. Markwyn, Sarah J. Moore, Isabel Morais, Mary Pepchinski, Elisabeth Israels Perry, Andrea G. Radke-Moss, Alison Rowley, and Anne Wohlcke.



French Sculpture Following The Franco Prussian War 1870 0


 French Sculpture Following The Franco Prussian War 1870 0
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Author : Michael Dorsch
language : en
Publisher: Routledge
Release Date : 2017-07-05

French Sculpture Following The Franco Prussian War 1870 0 written by Michael Dorsch and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


French Sculpture Following the Franco-Prussian War, 1870-80 investigates the role played by the trope of the 'strong woman, fallen man' in re-establishing morale among the French people following the Franco-Prussian War. The study explores how certain French sculptors - including Falgui?, Merci?Barrias, and Rodin - presented this recent history of defeat in commemorative monuments that increasingly dominated public space across France during the final decades of the nineteenth century. Though it focuses on French nationalism and the commemoration of war (or, as is the case with the French following the Franco-Prussian War, the commemoration of defeat), this volume also examines shifts in gender roles in the latter half of the nineteenth century, and the impact of military defeat on relations between the sexes. The book probes the aesthetic discourse of the period concerning the merits of traditional allegorical sculpture versus new-fangled realist sculpture in depicting modern life. Drawing on extensive archival research, Michael Dorsch gives a voice to the sculptures he discusses, restoring these often ignored works to their proper place in history.