Vivaldi And Fugue
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Vivaldi And Fugue
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Author : Michael Talbot
language : en
Publisher: Librarie Droz
Release Date : 2009
Vivaldi And Fugue written by Michael Talbot and has been published by Librarie Droz this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Music categories.
At head of title: Fondazione Giorgio Cini, Istituto Italiano Antonio Vivaldi, Venezia.
Vivaldi
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Author : Michael Talbot
language : en
Publisher:
Release Date : 1979
Vivaldi written by Michael Talbot and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1979 with Music categories.
Vivaldi S Music For Flute And Recorder
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Author : Michael Talbot
language : en
Publisher: Routledge
Release Date : 2017-07-05
Vivaldi S Music For Flute And Recorder written by Michael Talbot and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.
The Music Of Wilhelm Friedemann Bach
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Author : David Schulenberg
language : en
Publisher: University Rochester Press
Release Date : 2010
The Music Of Wilhelm Friedemann Bach written by David Schulenberg and has been published by University Rochester Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Music categories.
The first book in nearly a century dedicated to a close examination of the musical works of Wilhelm Friedemann Bach, first son of Johann Sebastian Bach.
Venetian Instrumental Music From Gabrieli To Vivaldi
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Author : Eleanor Selfridge-Field
language : en
Publisher: [New York] : Praeger Publishers
Release Date : 1975
Venetian Instrumental Music From Gabrieli To Vivaldi written by Eleanor Selfridge-Field and has been published by [New York] : Praeger Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 1975 with Music categories.
Definitive treatment traces instrumental music from 1550 to 1750; development of canzona, sonata, concerto; careers of Gabrieli, Albinoni, others.
The Vivaldi Compendium
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Author : Michael Talbot
language : en
Publisher: Boydell Press
Release Date : 2011
The Vivaldi Compendium written by Michael Talbot and has been published by Boydell Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Biography & Autobiography categories.
The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the author's close involvement with Vivaldi and Venetian music over four decades.
Vivaldi
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Author : Michael Talbot
language : en
Publisher: Routledge
Release Date : 2017-07-05
Vivaldi written by Michael Talbot and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
Since 1978, the 300th anniversary of Vivaldi's death, there has been an explosion of serious writing about his music, life and times. Much of this has taken the form of articles published in academic journals or conference proceedings, some of which are not easy to obtain. The twenty-two articles selected by Michael Talbot for this volume form a representative selection of the best writing on Vivaldi from the last 30 years, featuring such major figures in Vivaldi research as Reinhard Strohm, Paul Everett, Gastone Vio and Federico Maria Sardelli. Aspects covered include biography, Venetian cultural history, manuscript studies, genre studies and musical analysis. The intention is to serve as a 'first port of call' for those wishing to learn more about Vivaldi or to refresh their existing knowledge. An introduction by Michael Talbot reviews the state of Vivaldi scholarship past and present and comments on the significance of the articles.
The Performance Of J S Bach S Organ Concerto In D Minor Bwv 596
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Author : James Welch
language : en
Publisher:
Release Date : 1976
The Performance Of J S Bach S Organ Concerto In D Minor Bwv 596 written by James Welch and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1976 with categories.
Antonio Vivaldi
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Author : Walter Kolneder
language : en
Publisher: Univ of California Press
Release Date : 1970
Antonio Vivaldi written by Walter Kolneder and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1970 with Music categories.
Vivaldi Motezuma And The Opera Seria
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Author : Michael Talbot
language : en
Publisher: Brepols Publishers
Release Date : 2008
Vivaldi Motezuma And The Opera Seria written by Michael Talbot and has been published by Brepols Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Music categories.
Great was the interest among Vivaldians and opera-lovers when a score of a large portion of Vivaldi's lost opera Motezuma (1733) was unexpectedly discovered among manuscripts from the Sing-Akademie zu Berlin returned to Berlin from Kiev in 2000. The find was providential, since in recent decades practically all of Vivaldi's performable operatic music has been presented to the public. The newly discovered work has thus given a much-needed fillip to everyone concerned with Vivaldi's operas. Scholarly discussion was initiated in an international symposium held at the De Doelen concert hall in Rotterdam in June 2005 alongside the work's first modern performance. From the start, it was planned that the papers read at the symposium, augmented by essays commissioned from other scholars, would be gathered into a book centring on Motezuma. The starting point for the contributions, all of which appear in English, is Steffen Voss's 'Vivaldi's Music for the Opera Motezuma, RV 723'. This focuses on the opera itself: its origins, transmission, dramaturgy and music. Reinhard Strohm follows with 'Vivaldi and His Operas, 1730-1734: A Critical Survey': a chronicle of Vivaldi's operatic activities during the creative period surrounding Motezuma. Strohm's essay enables one to identify more clearly what is typical - for Vivaldi and for its period - in Motezuma, and what is less typical. Micky White and Michael Talbot then offer a sidelight on Venetian opera from the same period by charting the chequered career of a nephew of Vivaldi in 'Pietro Mauro, detto 'il Vivaldi': Failed Tenor, Failed Impresario, Failed Husband, Acclaimed Copyist'. Briefly, during the late 1730s, Mauro's career in opera mirrored Vivaldi's own at a humbler level, and a scandal in which the former became embroiled may even have had repercussions for his uncle. We move next to the world of librettos and dramaturgy. The 'American' dimension of the opera is explored in Jurgen Maehder's 'Alvise Giusti's Libretto Motezuma and the Conquest of Mexico in Eighteenth-Century Italian Opera Seria'. To choose an American subject for an opera seria was a novelty at the time, and the libretto for Motezuma casts an interesting light on contemporary attitudes towards the Conquista and towards the indigenous civilizations that it brought to a brutal end. Carlo Vitali's essay 'A Case of Historical Revisionism in the Theatre: Some Undeclared Sources for Vivaldi's Motezuma' probes more deeply into the libretto's historical antecedents. Melania Bucciarelli, in 'Taming the exotic: Vivaldi's Armida al campo d'Egitto', explores the treatment of an Ottoman theme in a Vivaldi opera of the period leading up to Motezuma. In a sense, the Ottoman empire formed a prototype of 'alterity' on which later operatic depictions of non-European peoples could draw, while also supplying a test-bed for the treatment of topical subjects during a tense period of intermittent warfare with the Sublime Porte. The next two contributions redirect the focus towards the music of Motezuma. Kurt Markstrom, in 'The Vivaldi-Vinci Interconnections, 1724-26 and beyond: Implications for the Late Style of Vivaldi', considers the interaction in the operatic arena between Vivaldi and his brilliant contemporary Leonardo Vinci, who briefly burst on to the Venetian scene in the 1720s before his premature death in 1730 robbed the all-conquering Neapolitan style of one of its heroes. Markstrom shows how Vivaldi was both influenced by, and an influence on, Vinci. Michael Talbot's essay 'Vivaldi's 'Late' Style: Final Fruition or Terminal Decline?' ponders whether there is any objective basis in positing a 'late' style in Vivaldi's case and, if so, where its boundaries lie. His conclusion is that there is indeed a late style, beginning in the second half of the 1720s and divisible into two sub-periods, with Motezuma close to the end of the first. 'Final fruition' is an apt description of the first sub-period, 'terminal decline' (with qualifications) of the second. Fittingly, the concluding essay, Frederic Delamea's 'Vivaldi in scena: Thoughts on The Revival of Vivaldi's Operas', confronts the world of present-day staged performance. Why, this author asks, do we commonly pay such respect to notions of historical fidelity in the musical realization of the operas, while we trample so brutally on authenticity in the matter of stagecraft and production. This essay promises to become a seminal text for an ongoing debate.
