Voice Leading
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Harmony And Voice Leading
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Author : Edward Aldwell
language : en
Publisher:
Release Date : 1978
Harmony And Voice Leading written by Edward Aldwell and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1978 with Harmony categories.
Harmony and voice leading is a textbook in two volumes dealing with tonal organization in the music of the eighteenth and nineteenth centuries.
Voice Leading
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Author : David Huron
language : en
Publisher: MIT Press
Release Date : 2016-09-02
Voice Leading written by David Huron and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-09-02 with Music categories.
Voice leading is the musical art of combining sounds over time. This work offers an accessible account of the cognitive and perceptual foundations of voice leading.
Voice Leading
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Author : David Huron
language : en
Publisher: MIT Press
Release Date : 2016-08-26
Voice Leading written by David Huron and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-08-26 with Music categories.
An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others. Voice leading is the musical art of combining sounds over time. In this book, David Huron offers an accessible account of the cognitive and perceptual foundations for this practice. Drawing on decades of scientific research, including his own award-winning work, Huron offers explanations for many practices and phenomena, including the perceptual dominance of the highest voice, chordal-tone doubling, direct octaves, embellishing tones, and the musical feeling of sounds “leading” somewhere. Huron shows how traditional rules of voice leading align almost perfectly with modern scientific accounts of auditory perception. He also reviews pertinent research establishing the role of learning and enculturation in auditory and musical perception. Voice leading has long been taught with reference to Baroque chorale-style part-writing, yet there exist many more musical styles and practices. The traditional emphasis on Baroque part-writing understandably leaves many musicians wondering why they are taught such an archaic and narrow practice in an age of stylistic diversity. Huron explains how and why Baroque voice leading continues to warrant its central pedagogical status. Expanding beyond choral-style writing, Huron shows how established perceptual principles can be used to compose, analyze, and critically understand any kind of acoustical texture from tune-and-accompaniment songs and symphonic orchestration to jazz combo arranging and abstract electroacoustic music. Finally, he offers a psychological explanation for why certain kinds of musical textures are more likely to be experienced by listeners as pleasing.
Voice Leading
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Author : David Huron
language : en
Publisher: MIT Press
Release Date : 2016-08-26
Voice Leading written by David Huron and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-08-26 with Music categories.
An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others. Voice leading is the musical art of combining sounds over time. In this book, David Huron offers an accessible account of the cognitive and perceptual foundations for this practice. Drawing on decades of scientific research, including his own award-winning work, Huron offers explanations for many practices and phenomena, including the perceptual dominance of the highest voice, chordal-tone doubling, direct octaves, embellishing tones, and the musical feeling of sounds “leading” somewhere. Huron shows how traditional rules of voice leading align almost perfectly with modern scientific accounts of auditory perception. He also reviews pertinent research establishing the role of learning and enculturation in auditory and musical perception. Voice leading has long been taught with reference to Baroque chorale-style part-writing, yet there exist many more musical styles and practices. The traditional emphasis on Baroque part-writing understandably leaves many musicians wondering why they are taught such an archaic and narrow practice in an age of stylistic diversity. Huron explains how and why Baroque voice leading continues to warrant its central pedagogical status. Expanding beyond choral-style writing, Huron shows how established perceptual principles can be used to compose, analyze, and critically understand any kind of acoustical texture from tune-and-accompaniment songs and symphonic orchestration to jazz combo arranging and abstract electroacoustic music. Finally, he offers a psychological explanation for why certain kinds of musical textures are more likely to be experienced by listeners as pleasing.
Voice Leading Analysis Of Music 1 The Foreground
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Author : The Open University
language : en
Publisher: The Open University
Release Date :
Voice Leading Analysis Of Music 1 The Foreground written by The Open University and has been published by The Open University this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
This 20-hour free course introduced 'voice-leading' or 'Schenkerian' analysis of tonal music, focusing on the 'foreground level' of voice leading.
Voice Leading Analysis Of Music 2 The Middleground
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Author : The Open University
language : en
Publisher: The Open University
Release Date :
Voice Leading Analysis Of Music 2 The Middleground written by The Open University and has been published by The Open University this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
This 20-hour free course explored 'voice-leading' or 'Schenkerian' analysis of tonal music, focusing on the 'middleground level' of voice leading.
Harmonic Practice In Tonal Music
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Author : Robert Gauldin
language : en
Publisher: W W Norton & Company Incorporated
Release Date : 2004
Harmonic Practice In Tonal Music written by Robert Gauldin and has been published by W W Norton & Company Incorporated this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Music categories.
Conceptually sophisticated and exceptionally musical, Harmonic Practice in Tonal Music provides a thorough treatment of harmony and voice-leading principles in tonal music.
Jazz Keyboard Harmony
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Author : Noah Baerman
language : en
Publisher: Alfred Music
Release Date :
Jazz Keyboard Harmony written by Noah Baerman and has been published by Alfred Music this book supported file pdf, txt, epub, kindle and other format this book has been release on with Music categories.
This comprehensive study of harmony is a must for any musician interested in jazz. This book explains the essentials of jazz harmony in a friendly, easy-to-understand manner. A 12-key system is used to help you learn each concept in every key. Learn about rootless voicings, shell voicings, spread voicings, clusters, and how to select which voicings to use. Other topics include ii-V-I progressions, dominant chord cycles, "Rhythm Changes," Giant Steps substitutions, thinking in modes, non-diatonic progressions and much more.
Harmony And Voice Leading
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Author : Edward Aldwell
language : en
Publisher:
Release Date : 1978
Harmony And Voice Leading written by Edward Aldwell and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1978 with Harmony categories.
Harmony And Voice Leading
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Author : Edward Aldwell
language : en
Publisher: Schirmer
Release Date : 1989
Harmony And Voice Leading written by Edward Aldwell and has been published by Schirmer this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with Education categories.