Voices Of Negritude In Modernist Print
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Voices Of Negritude In Modernist Print
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Author : Carrie Noland
language : en
Publisher: Columbia University Press
Release Date : 2015-04-28
Voices Of Negritude In Modernist Print written by Carrie Noland and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-04-28 with Literary Collections categories.
Carrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an "aesthetic subjectivity." This aesthetic subjectivity, transmitted by the words on the page, must be actualized—performed, reiterated, and created anew—by each reader, at each occasion of reading. Lyric writing and lyric reading therefore attenuate the link between author and phenomenalized voice. Yet the Negritude poem insists upon its connection to lived experience even as it emphasizes its printed form. Ironically, a purely formalist reading would have to ignore the ways formal—and not merely thematic—elements point toward the poem's own conditions of emergence. Blending archival research on the historical context of Negritude with theories of the lyric "voice," Noland argues that Negritude poems present a challenge to both form-based (deconstructive) theories and identity-based theories of poetic representation. Through close readings, she reveals that the racialization of the author places pressure on a lyric regime of interpretation, obliging us to reconceptualize the relation of author to text in poetries of the first person.
Modernism S Print Cultures
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Author : Faye Hammill
language : en
Publisher: Bloomsbury Publishing
Release Date : 2016-08-25
Modernism S Print Cultures written by Faye Hammill and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-08-25 with Literary Collections categories.
The print culture of the early twentieth century has become a major area of interest in contemporary Modernist Studies. Modernism's Print Cultures surveys the explosion of scholarship in this field and provides an incisive, well-informed guide for students and scholars alike. Surveying the key critical work of recent decades, the book explores such topics as: - Periodical publishing – from 'little magazines' such as Rhythm to glossy publications such as Vanity Fair - The material aspects of early twentieth-century publishing – small presses, typography, illustration and book design - The circulation of modernist print artefacts through the book trade, libraries, book clubs and cafes - Educational and political print initiatives Including accounts of archival material available online, targeted lists of key further reading and a survey of new trends in the field, this is an essential guide to an important area in the study of modernist literature.
Modernist Literature And European Identity
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Author : Birgit Van Puymbroeck
language : en
Publisher: Routledge
Release Date : 2020-05-13
Modernist Literature And European Identity written by Birgit Van Puymbroeck and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-13 with Literary Criticism categories.
Modernist Literature and European Identity examines how European and non-European authors debated the idea of Europe in the first half of the twentieth century. It shifts the focus from European modernism to modernist Europe, and shows how the notion of Europe was constructed in a variety of modernist texts. Authors such as Ford Madox Ford, T. S. Eliot, Gertrude Stein, Aimé Césaire, and Nancy Cunard each developed their own notion of Europe. They engaged in transnational networks and experimented with new forms of writing, supporting or challenging a European ideal. Building on insights gained from global modernism and network theory, this book suggests that rather than defining Europe through a set of core principles, we may also regard it as an open or weak construct, a crossroads where different authors and views converged and collided.
Modernism After Postcolonialism
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Author : Mara de Gennaro
language : en
Publisher: JHU Press
Release Date : 2020-11-24
Modernism After Postcolonialism written by Mara de Gennaro and has been published by JHU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-24 with Literary Criticism categories.
A polemical reaction against a trend in global modernist studies which still privileges European and Anglophone texts. Existing studies of literary modernism generally read Anglophone Atlantic texts through the lens of critical theories emanating from Europe and North America. In Modernism after Postcolonialism, Mara de Gennaro undertakes a comparative Anglophone-Francophone study, invoking theoretical frameworks from Gayatri Spivak, Édouard Glissant, Françoise Vergès, Michel-Rolph Trouillot, Dipesh Chakrabarty, and others. Examining transnational poetics of comparison that contest the comparative practices of colonialist, racist, and ethno-nationalist discourses, the book treats these poetics as models for a creolist critical method of reading, one that searches out unpredictable, mutually generative textual relations obscured by geographic and linguistic divides. In each chapter, de Gennaro pairs a canonical English-language modernist writer (Gertrude Stein, T. S. Eliot, E. M. Forster, Virginia Woolf) with a postcolonial writer (Aimé Cesaire, Glissant, Patrick Chamoiseau, J. M. Coetzee, Edwidge Danticat), interpreting major works of prewar and interwar modernism in light of postcolonial and Francophone literature, cultural theory, and historiography. Read together, these texts suggest a turn—sometimes subtle or conflicted in earlier Atlantic modernist texts, while usually more overt in later Caribbean and postcolonial texts—toward comparative forms marked by irresolution and a wavering sense of authority. With the rise of world literature and global modernist studies, it becomes all the more pressing to examine how comparative forms can alert us to unspoken and misrecognized relations while also confronting us with the difficulty of representing the Other. By bringing into relation these ostensibly unconnected, often discrepant texts, de Gennaro challenges entrenched territorial habits of literary meaning. An aspirationally nonterritorial comparative literature, she argues, diverges not only from Eurocentric formalist approaches but also from global comparatisms that emphasize incommensurabilities to the point of eliding significant textual and contextual connections. Drawing on interdisciplinary postcolonial efforts, especially in the social sciences, to deterritorialize categories of identity, culture, and community, Modernism after Postcolonialism dispenses with outdated modernist and postcolonial paradigms to reveal how the anxious, inconclusive comparisons of transnational modernist poetics can call us to imagine new solidarities across bounded territories.
The Aesthetic Cold War
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Author : Peter J. Kalliney
language : en
Publisher: Princeton University Press
Release Date : 2022-10-04
The Aesthetic Cold War written by Peter J. Kalliney and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-10-04 with Literary Criticism categories.
How decolonization and the cold war influenced literature from Africa, Asia, and the Caribbean How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War, Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean—such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka—carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police. A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century.
Scripting Empire
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Author : James Procter
language : en
Publisher: Oxford University Press
Release Date : 2024-03-06
Scripting Empire written by James Procter and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-03-06 with Literary Criticism categories.
Scripting Empire recovers the literary and cultural history of West Indian and West African writing at the BBC in order to rethink the critical mid-century decades of shrinking British sovereignty, late modernism, and mass migration to the metropole. Between the 1930s and the 1960s, a remarkable group of black Atlantic artists and intellectuals became producers, editors, and freelancers at the corporation, including Una Marson, Langston Hughes, Louise Bennett, Wole Soyinka, Derek Walcott, Amos Tutuola, V.S. Naipaul, Sam Selvon, Cyprian Ekwensi, Stuart Hall, and C.L.R. James. Operating at the interface of a range of literary and broadcast genres, this loose network of African Caribbean writers and thinkers prompt a reassessment of the aesthetic, formal, and political fallout of decolonization between the outbreak of World War II and the first airings of post-colonial independence. Scripting Empire works comparatively across dozens of different programmes spanning the General Overseas Service, Home Service, Light Programme, and Third Programme. Drawing upon a transnational archive of materials including scripts, correspondence, periodicals, visual records, and sound recordings, it seeks to re-position the cultural contribution of West Indians and West Africans within a more pervasive and porous account of radio transmission, the legacy of which extends well beyond broadcasting.
Global Modernists On Modernism
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Author : Alys Moody
language : en
Publisher: Bloomsbury Publishing
Release Date : 2020-01-23
Global Modernists On Modernism written by Alys Moody and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-01-23 with Literary Criticism categories.
Winner of the Modernist Studies Association (MSA) Edited Volume Prize Bringing together works by writers from sub-Saharan Africa, Turkey, central Europe, the Muslim world, Asia, South America and Australia – many translated into English for the first time – this is the first collection of statements on modernism by writers, artists and practitioners from across the world. Annotated throughout, the texts are supported by critical essays from leading modernist scholars exploring major issues in the contemporary study of global modernism. Global Modernists on Modernism is an essential resource for students and scholars of modernism and world literature and one that opens up a dazzling new array of perspectives on the field.
Cold War Negritude
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Author : Christopher T. Bonner
language : en
Publisher: Liverpool University Press
Release Date : 2023-11-15
Cold War Negritude written by Christopher T. Bonner and has been published by Liverpool University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-11-15 with Literary Criticism categories.
Cold War Negritude is the first book-length study of francophone Caribbean literature to foreground the political context of the global Cold War. It focuses on three canonical francophone Caribbean writers—René Depestre, Aimé Césaire, and Jacques-Stephen Alexis—whose literary careers and political alignments spanned all three “worlds” of the 1950s Cold War order. As black Caribbean authors who wrote in French, who participated directly in the global communist movement, and whose engagements with Marxist thought and practice were mediated by their colonial relationship to France, these writers expressed unique insight into this bipolar system as it was taking shape. The book shows how, over the course of the 1950s, French Caribbean Marxist authors re-evaluated the literary aesthetics of Negritude and sought to develop alternatives that would be adequate to the radically changed world system of the Cold War. Through close readings of literary, theoretical, and political texts by Depestre, Césaire, and Alexis, I show that this formal shift reflected a strikingly changed understanding of what it meant to write engaged literature in the new, bipolar world order. Debates about literary aesthetics became the proxy battlefield on which Antillean writers promoted and fought for their different visions of an emancipated Caribbean modernity. Consequent to their complicated Cold War alignments, these Antillean authors developed original and unorthodox Marxist literary aesthetics that syncretized an array of socialist literary tendencies from around the globe.
Inter Tech S
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Author : Roxanna Nydia Curto
language : en
Publisher: University of Virginia Press
Release Date : 2016-08-29
Inter Tech S written by Roxanna Nydia Curto and has been published by University of Virginia Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-08-29 with Literary Criticism categories.
Challenging the notion that francophone literature generally valorizes a traditional, natural mode of being over a scientific, modern one, Inter-tech(s) proposes a new understanding of the relationship between France and its former colonies in Africa and the Caribbean by exploring how various postindependence authors depict technology as a mediator between them. By providing the first comprehensive study of the representation of technology in relation to colonialism and postcolonialism in francophone literature, Roxanna Curto shows the extent to which the authors promote modernization and social progress. Curto traces this trend in the wake of decolonization, when a series of important francophone African and Caribbean writers began to portray modern technology as a liberating, democratizing force, capable of erasing the hierarchies of the old colonial order and promoting economic development. Beginning with the founders of Négritude Aimé Césaire and Léopold Sédar Senghor and continuing with Frantz Fanon, postindependence novelists such as Ousmane Sembène, and contemporary writers such as Édouard Glissant, the author shows how these francophone writers champion the transfer of technology from the metropolis to the former colonies as a means of integrating their cultures into a global community, thus paving the way for modernization and technological development.
Viral Modernism
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Author : Elizabeth Outka
language : en
Publisher: Columbia University Press
Release Date : 2019-10-22
Viral Modernism written by Elizabeth Outka and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-22 with Literary Criticism categories.
The influenza pandemic of 1918–1919 took the lives of between 50 and 100 million people worldwide, and the United States suffered more casualties than in all the wars of the twentieth and twenty-first centuries combined. Yet despite these catastrophic death tolls, the pandemic faded from historical and cultural memory in the United States and throughout Europe, overshadowed by World War One and the turmoil of the interwar period. In Viral Modernism, Elizabeth Outka reveals the literary and cultural impact of one of the deadliest plagues in history, bringing to light how it shaped canonical works of fiction and poetry. Outka shows how and why the contours of modernism shift when we account for the pandemic’s hidden but widespread presence. She investigates the miasmic manifestations of the pandemic and its spectral dead in interwar Anglo-American literature, uncovering the traces of an outbreak that brought a nonhuman, invisible horror into every community. Viral Modernism examines how literature and culture represented the virus’s deathly fecundity, as writers wrestled with the scope of mass death in the domestic sphere amid fears of wider social collapse. Outka analyzes overt treatments of the pandemic by authors like Katherine Anne Porter and Thomas Wolfe and its subtle presence in works by Virginia Woolf, T. S. Eliot, and W. B. Yeats. She uncovers links to the disease in popular culture, from early zombie resurrection to the resurgence of spiritualism. Viral Modernism brings the pandemic to the center of the era, revealing a vast tragedy that has hidden in plain sight.