Western Primitivism
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Western Primitivism
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Author : Aidan Campbell
language : en
Publisher: Burns & Oates
Release Date : 1997
Western Primitivism written by Aidan Campbell and has been published by Burns & Oates this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Africa categories.
It is an old racist adage that Africans have just come down from the trees. So why are young Europeans and Americans climbing back up them? Primitivism has always had a place in flaming the West's conception of Africa, whether in the form of the Noble Savage' or crazed cults such as the Mau Mau. If not everyone is quite ready to live in a tree house, the primitivism viewpoint has still made major inroads into modern society. NGO volunteers are central to the way the world relates to Africa these days. Why are these educated and motivated young people from the West predisposed to defining Africans ethnically? Privileging the Primitive argues that the popularity of modern primitivism in the West is highly relevant to the current recasting of African ethnicity. Some scholars argue that ethnicity is a relapse into primordialism, while others hold it be a more modern, fluid entity. The notion that ethnicity can be a moral code is growing. Historians argue over whether ethnicity is purely a product of African culture, a political category invented by colonial administrators, or a hybrid that mixes the two. Aidan Campbell locates ethnicity's derivation in our changing perceptions of Western society and, in particular, in the rehabilitation of the West's jaded political institutions.
Western Primitivism African Ethnicity
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Author : Aidan Campbell
language : en
Publisher:
Release Date : 1977
Western Primitivism African Ethnicity written by Aidan Campbell and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1977 with categories.
The Preference For The Primitive
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Author : E.H. Gombrich
language : en
Publisher: Phaidon
Release Date : 2002-08-19
The Preference For The Primitive written by E.H. Gombrich and has been published by Phaidon this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-08-19 with Art categories.
Professor Gombrich's last book and first narrative work in over 20 years.
Jewish Primitivism
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Author : Samuel J. Spinner
language : en
Publisher: Stanford University Press
Release Date : 2021-07-27
Jewish Primitivism written by Samuel J. Spinner and has been published by Stanford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-07-27 with Literary Criticism categories.
Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism, Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized.
Primitive Art In Civilized Places
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Author : Sally Price
language : en
Publisher: University of Chicago Press
Release Date : 2001
Primitive Art In Civilized Places written by Sally Price and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Art categories.
AcknowledgmentsIntroduction1. The Mystique of Connoisseurship2. The Universality Principle3. The Night Side of Man4. Anonymity and Timelessness5. Power Plays6. Objets d'Art and Ethnographic Artifacts7. From Signature to Pedigree8. A Case in PointAfterwordNotesReferences CitedIllustration Credits Copyright © Libri GmbH. All rights reserved.
Primitivism And Twentieth Century Art
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Author : Jack Flam
language : en
Publisher: Univ of California Press
Release Date : 2003-03-27
Primitivism And Twentieth Century Art written by Jack Flam and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-03-27 with Art categories.
"This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."—Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism in the arts. This comprehensive-in both senses of the word-anthology is a peerless source of the history of responses to works categorized as 'primitive.' In its range, the book touches upon all the troubling questions-formal, anthropological, political, historical-that have bedeviled the study of the arts of Oceania, Africa, and North and South America, and provides the grounds, at last, for intelligent pursuit of keener distinctions. I regard this book as a superb contribution to the study of Modern art; in fact, indispensable."—Dore Ashton, author of Noguchi East and West "An extraordinarily useful and complete collection of primary documents, many translated for the first time into English, and almost all unlikely to be encountered elsewhere without serious effort. Its five sections, each with a lively and scholarly introduction, reveal the diverse views of artists and writers on primitive art from Matisse, Picasso, and Fry to many far less known and sometimes surprising figures. The book also uncovers the politics and aesthetics of the major museum exhibitions that gained acceptance for art that had been both reviled and mythologized. Recent texts included are all germane. This book will be invaluable for any college course on the topic."—Shelly Errington, author of The Death of Authentic Primitive Art and Other Tales of Progress "An exceptionally valuable anthology of seventy documents--most heretofore unavailable in English--on the ongoing controversies surrounding Primitivism and Modern art. Insightfully chosen and annotated, the collection is brilliantly introduced by Jack Flam's essay on the historical progression, contexts, and cultural complexities of more than one hundred years' ideas about Primitivism. Rich, timely, illuminating."—Herbert M. Cole, author of Icons: Ideals and Power in the Art of Africa
Primitivism And Modern Art
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Author : Colin Rhodes
language : en
Publisher: Thames & Hudson
Release Date : 1994
Primitivism And Modern Art written by Colin Rhodes and has been published by Thames & Hudson this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Art categories.
A fascination with the "primitive" lies at the heart of some of the most influential developments in Western art produced between 1890 and 1950 - a time that witnessed both the "heroic" period of modern art and the apogee and decline of the West's colonial power. Many groups have a times been labeled as primitive, including the so-called tribal peoples from Africa, Oceania and North America, but also prehistoric cultures, European peasants, the insane and children. Through the lens of their own society, many modern artists looked both to the art and to the world-view of the primitive as a means of challenging established beliefs, but the primitive to which they turned was as varied as the movements in modern art of which they were a part. Colin Rhodes breaks new ground, drawing on a wide and diverse range of material, from high art to popular entertainment, from Darwin to Freud; the critical overview he presents supersedes all previous studies on the subject. 179 illus., 28 in color.
Primitivism And Identity In Latin America
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Author : Erik Camayd-Freixas
language : en
Publisher: University of Arizona Press
Release Date : 2022-01-04
Primitivism And Identity In Latin America written by Erik Camayd-Freixas and has been published by University of Arizona Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-01-04 with Literary Criticism categories.
Although primitivism has received renewed attention in recent years, studies linking it with Latin America have been rare. This volume examines primitivism and its implications for contemporary debates on Latin American culture, literature, and arts, showing how Latin American subjects employ a Western construct to "return the gaze" of the outside world and redefine themselves in relation to modernity. Examining such subjects as Julio Cortázar and Frida Kahlo and such topics as folk art and cinema, the volume brings together for the first time the views of scholars who are currently engaging the task of cultural studies from the standpoint of primitivism. These varied contributions include analyses of Latin American art in relation to social issues, popular culture, and official cultural policy; essays in cultural criticism touching on ethnic identity, racial politics, women's issues, and conflictive modernity; and analytical studies of primitivism's impact on narrative theory and practice, film, theater, and poetry. This collection contributes offers a new perspective on a variety of significant debates in Latin American cultural studies and shows that the term primitive does not apply to these cultures as much as to our understanding of them. CONTENTS Paradise Subverted: The Invention of the Mexican Character / Roger Bartra Between Sade and the Savage: Octavio Paz’s Aztecs / Amaryll Chanady Under the Shadow of God: Roots of Primitivism in Early Colonial Mexico / Delia Annunziata Cosentino Of Alebrijes and Ocumichos: Some Myths about Folk Art and Mexican Identity / Eli Bartra Primitive Borders: Cultural Identity and Ethnic Cleansing in the Dominican Republic / Fernando Valerio-Holguín Dialectics of Archaism and Modernity: Technique and Primitivism in Angel Rama’s Transculturación narrativa en América Latina / José Eduardo González Narrative Primitivism: Theory and Practice in Latin America / Erik Camayd-Freixas Narrating the Other: Julio Cortázar’s "Axolotl" as Ethnographic Allegory / R. Lane Kauffmann Jungle Fever: Primitivism in Environmentalism; Rómulo Gallegos’s Canaima and the Romance of the Jungle / Jorge Marcone Primitivism and Cultural Production: Future’s Memory; Native Peoples’ Voices in Latin American Society / Ivete Lara Camargos Walty Primitive Bodies in Latin American Cinema: Nicolás Echevarría’s Cabeza de Vaca / Luis Fernando Restrepo Subliminal Body: Shamanism, Ancient Theater, and Ethnodrama / Gabriel Weisz Primitivist Construction of Identity in the Work of Frida Kahlo / Wendy B. Faris Mi andina y dulce Rita: Women, Indigenism, and the Avant-Garde in César Vallejo / Tace Megan Hedrick
Primitivism And Modern Indian Art
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Author : Giles Henry Rupert Tillotson
language : en
Publisher:
Release Date : 2021
Primitivism And Modern Indian Art written by Giles Henry Rupert Tillotson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Art, Indic categories.
"The idea of primitivism centres on the wish to identify with, or respond to, elements of a society that are deemed ‘primitive’. In artistic terms, it is about rejecting realism, simplifying technique and reducing the formal means of expression to a ‘primitive’ state. The term itself is borrowed from discussions of Western art, where high-profile examples include the images of Tahiti and its people made in the 1890s by Paul Gauguin, and responses to African sculpture by Pablo Picasso in 1906-09. The second thread of primitivism – the reduction of formal means – is best exemplified by the ‘cut-outs’ made by Henri Matisse in the 1940s. Although primitivism in modern Indian art arose partly in response to developments in the West, the meanings and experience of primitivism in the Indian context must differ markedly. In the first place, the West was reacting to civilisations very different from their own, including in Asia, but what was exotic to them was already familiar to artists in India. And secondly, despite the best efforts of the colonial art schools, the naturalistic conventions of post-Renaissance art were far less deeply entrenched in India, and were thus more easily overturned. For many, the ‘return’ to the primitive meant a revival of the local. While Western artists went in search of an elusive, idealised ‘noble savage’, urban Indian artists, seeking to assert their authentic identity, drew inspiration from the least colonised segments of their own society. The sixteen artists represented in this exhibition together represent a broad spectrum of the ways in which primitivism has manifested itself in modern Indian painting and sculpture. We do not suggest that these artists collectively represent the whole of Indian primitivism, nor that primitivism represents the whole of what each of them did. Primitivism is a trait, not a bounded set: there was no manifesto that these or other artists signed, or self-declared group that they joined. It is a treatment that becomes apparent in varying degrees and ways. Indeed, in so far as primitivism is part of the condition of modernity, we could have chosen almost anyone. We have chosen these artists to explore a range of manifestations of primitivism, and to try and sketch its history." -- DAG website
Primitivist Modernism
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Author : Sieglinde Lemke
language : en
Publisher: Oxford University Press
Release Date : 1998-04-30
Primitivist Modernism written by Sieglinde Lemke and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-04-30 with History categories.
This book explores a rich cultural hybridity at the heart of transatlantic modernism. Focusing on cubism, jazz, and Josephine Baker's performance in the Danse Sauvage, Sieglinde Lemke uncovers a crucial history of white and black intercultural exchange, a phenomenon until now greatly obscured by a cloak of whiteness. Considering artists and critics such as Picasso, Alain Locke, Nancy Cunard, and Paul Whiteman, in addition to Baker, Lemke documents a potent cultural dialectic in which black artistic expression fertilized white modernism, just as white art forms helped shape the black modernism of Harlem and Paris. Coining the term primitivist modernism to designate the multicultural heritage of this century's artistic production, Lemke reveals the generative and germinating black cultural Other in the arts. She examines this neglected dimension in full, fascinating detail, blending literary theory, social history, and cultural analysis to document modernism's complex absorption of African culture and art. She details numerous ways in which African and African American forms (visual styles, musical idioms, black dialects) and fantasies (Baker's costume and dance, say) permeated high and mass culture on both sides of the Atlantic. So-called primitive art and high modernism; savage rhythms and European music hall culture; European and African American expressions in jazz; European primitivism and the racial awakenings of African American culture: paired and freshly examined by Lemke, these subjects stand revealed in their true interrelatedness. Insisting on modernism's two-way cultural flow, Lemke demonstrates not only that white modernism owes much of its symbolic capital to the black Other, but that black modernism built itself in part on white Euro-American models. Through superbly nuanced readings of individual texts and images (fifteen striking examples of which are reproduced in this handsome volume), Lemke reforms our understanding of modernism. She shows us, in clear, invigorating fashion, that transatlantic modernism in both its high and popular modes was significantly more diverse than commonly supposed. Students and scholars of modernism, African American studies, and cultural studies, and those with interests in twentieth-century art, dance, music, or literature, will find this book richly rewarding.