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When Rap Music Had A Conscience


When Rap Music Had A Conscience
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When Rap Music Had A Conscience


When Rap Music Had A Conscience
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Author : Tayannah Lee McQuillar
language : en
Publisher: Da Capo Press
Release Date : 2007-03-29

When Rap Music Had A Conscience written by Tayannah Lee McQuillar and has been published by Da Capo Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-03-29 with Music categories.


Rap music has many detractors. Today, it is often associated with a culture of crass materialistm, sex, violence and irresponsibility. It wasn't always so. In her thorough and entertaining tour of the "golden age" of rap from 1987 to 1996, McQuillar takes us back to a time when the music voiced the social and political concerns of inner-city youth, reflected their hopes and dreams for the future, and strove to inspire positive social change. When Rap Music Had a Conscience gives us the A's - to - Z's of major groups and artists, from Arrested Development to YZ, of this creative and socially conscious age. Broadening its outlook on the culture, the book discusses the interactions of rap music with literature, film and fashion. Finally, it delves into the socio-political dimensions of Hip-Hop in the golden age, exploring the influence of events from the L.A. riots to the unearthing of the oldest human remains in Kenya, to paint a rich and fascinating picture of rap music and its diverse contexts and consequences.



Wher Rap Music Had A Conscience


Wher Rap Music Had A Conscience
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Author : T. McQuilla
language : en
Publisher:
Release Date :

Wher Rap Music Had A Conscience written by T. McQuilla and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.




I Got Something To Say


I Got Something To Say
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Author : Matthew Oware
language : en
Publisher: Springer
Release Date : 2018-07-11

I Got Something To Say written by Matthew Oware and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-07-11 with Social Science categories.


What do millennial rappers in the United States say in their music? This timely and compelling book answers this question by decoding the lyrics of over 700 songs from contemporary rap artists. Using innovative research techniques, Matthew Oware reveals how emcees perpetuate and challenge gendered and racialized constructions of masculinity, femininity, and sexuality. Male and female artists litter their rhymes with misogynistic and violent imagery. However, men also express a full range of emotions, from arrogance to vulnerability, conveying a more complex manhood than previously acknowledged. Women emphatically state their desires while embracing a more feminist approach. Even LGBTQ artists stake their claim and express their sexuality without fear. Finally, in the age of Black Lives Matter and the presidency of Donald J. Trump, emcees forcefully politicize their music. Although complicated and contradictory in many ways, rap remains a powerful medium for social commentary.



Rap Music And Street Consciousness


Rap Music And Street Consciousness
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Author : Cheryl Lynette Keyes
language : en
Publisher: University of Illinois Press
Release Date : 2004

Rap Music And Street Consciousness written by Cheryl Lynette Keyes and has been published by University of Illinois Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Music categories.


In this first musicological history of rap music, Cheryl L. Keyes traces the genre's history from its roots in West African bardic traditions, the Jamaican dancehall tradition, and African American vernacular expressions to its permeation of the cultural mainstream as a major tenet of hip-hop lifestyle and culture. Rap music, according to Keyes, is a forum that addresses the political and economic disfranchisement of black youths and other groups, fosters ethnic pride, and displays culture values and aesthetics. Blending popular culture with folklore and ethnomusicology, Keyes offers a nuanced portrait of the artists, themes, and varying styles reflective of urban life and street consciousness. Drawing on the music, lives, politics, and interests of figures including Afrika Bambaataa, the "godfather of hip-hop," and his Zulu Nation, George Clinton and Parliament-Funkadelic, Grandmaster Flash, Kool "DJ" Herc, MC Lyte, LL Cool J, De La Soul, Public Enemy, Ice-T, DJ Jazzy Jeff and the Fresh Prince, and The Last Poets, Rap Music and Street Consciousness challenges outsider views of the genre. The book also draws on ethnographic research done in New York, Los Angeles, Detroit and London, as well as interviews with performers, producers, directors, fans, and managers. Keyes's vivid and wide-ranging analysis covers the emergence and personas of female rappers and white rappers, the legal repercussions of technological advancements such as electronic mixing and digital sampling, the advent of rap music videos, and the existence of gangsta rap, Southern rap, acid rap, and dance-centered rap subgenres. Also considered are the crossover careers of rap artists in movies and television; rapper-turned-mogul phenomenons such as Queen Latifah; the multimedia empire of Sean "P. Diddy" Combs; the cataclysmic rise of Death Row Records; East Coast versus West Coast tensions; the deaths of Tupac Shakur and Christopher "The Notorious B.I.G." Wallace; and the unification efforts of the Nation of Islam and the Hip-Hop Nation.



The Sociolinguistics Of Hip Hop As Critical Conscience


The Sociolinguistics Of Hip Hop As Critical Conscience
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Author : Andrew S. Ross
language : en
Publisher: Springer
Release Date : 2017-12-19

The Sociolinguistics Of Hip Hop As Critical Conscience written by Andrew S. Ross and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-12-19 with Language Arts & Disciplines categories.


This book adopts a sociolinguistic perspective to trace the origins and enduring significance of hip-hop as a global tool of resistance to oppression. The contributors, who represent a range of international perspectives, analyse how hip-hop is employed to express dissatisfaction and dissent relating to such issues as immigration, racism, stereotypes and post-colonialism. Utilising a range of methodological approaches, they shed light on diverse hip-hop cultures and practices around the world, highlighting issues of relevance in the different countries from which their research originates. Together, the authors expand on current global understandings of hip-hop, language and culture, and underline its immense power as a form of popular culture through which the disenfranchised and oppressed can gain and maintain a voice. This thought-provoking edited collection is a must-read for scholars and students of linguistics, race studies and political activism, and for anyone with an interest in hip-hop.



Rhymin And Stealin


Rhymin And Stealin
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Author : Justin A Williams
language : en
Publisher: University of Michigan Press
Release Date : 2013-07-25

Rhymin And Stealin written by Justin A Williams and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-25 with Music categories.


The first book-length study of one of the most essential elements of hip-hop: musical borrowing



The Cambridge Companion To Hip Hop


The Cambridge Companion To Hip Hop
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Author : Justin A. Williams
language : en
Publisher: Cambridge University Press
Release Date : 2015-02-12

The Cambridge Companion To Hip Hop written by Justin A. Williams and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-02-12 with Music categories.


This Companion covers the hip-hop elements, methods of studying hip-hop, and case studies from Nerdcore to Turkish-German and Japanese hip-hop.



Hip Hop Hegel And The Art Of Emancipation


Hip Hop Hegel And The Art Of Emancipation
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Author : Jim Vernon
language : en
Publisher: Springer
Release Date : 2018-07-04

Hip Hop Hegel And The Art Of Emancipation written by Jim Vernon and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-07-04 with Philosophy categories.


This book argues that Hip Hop’s early history in the South Bronx charts a course remarkably similar to the conceptual history of artistic creation presented in Hegel’s Lectures on Aesthetics. It contends that the resonances between Hegel’s account of the trajectory of art in general, and the historical shifts in the particular culture of Hip Hop, are both numerous and substantial enough to make us re-think not only the nature and import of Hegel’s philosophy of art, but the origin, essence and lesson of Hip Hop. As a result, the book articulates and defends a unique reading of Hegel’s Aesthetics, as well as providing a philosophical explanation of the Hip Hop community’s transition from total social abandonment to some limited form of social inclusion, via the specific mediation of an artistic culture grounded in novel forms of sensible expression. Thus, the fundamental thesis of this book is that Hegel and Hip Hop are mutually illuminating, and when considered in tandem each helps to clarify and reinforce the validity and power of the other.



Beyond The Four Walls


Beyond The Four Walls
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Author : Walter Lizando Hidalgo-Olivares
language : en
Publisher: AuthorHouse
Release Date : 2011-07-13

Beyond The Four Walls written by Walter Lizando Hidalgo-Olivares and has been published by AuthorHouse this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-07-13 with Religion categories.


Hip-hop is creating an expanding ministerial and spiritual movement that is changing the socio-historical landscape on a national and global level. From the streets of its birthplace in the South Bronx to the barrios of Colombia in South America; Hip-hop is helping to create sacred spaces that are providing purpose to our marginalized youth and young adult street populations. Beyond the Four Walls: The Rising Ministry and Spirituality of Hip-hop serves as both an autobiographical and ethnographical journey of my love and experiences with Hip-hop as a professor, youth minister and artist. I invite the reader to explore my outlook on Hip-hop, which reaches far beyond the scope of its music, commercialization, and hood life. Instead, it takes another look at the unprecedented impact that Hip-hop continues to have in both our secular and spiritual communities. Because of its ongoing commitment to community organizing, activism, social justice and education, Hip-hop is worthy to be called a 21st Century socio-political, theological and spiritual movement, akin to that of Rev. Dr. Martin Luther King Jr., Ghandi, Mohammed, Abraham, Archbishop Oscar Romero, and most notably in this book, Jesus Christ and Paul the Apostle.



Sampling Biting And The Postmodern Subversion Of Hip Hop


Sampling Biting And The Postmodern Subversion Of Hip Hop
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Author : Jim Vernon
language : en
Publisher: Springer Nature
Release Date : 2021-06-21

Sampling Biting And The Postmodern Subversion Of Hip Hop written by Jim Vernon and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-06-21 with Philosophy categories.


Drawing on the culture’s history before and after the birth of rap music, this book argues that the values attributed to Hip Hop by ‘postmodern’ scholars stand in stark contrast with those that not only implicitly guided its aesthetic elements, but are explicitly voiced by Hip Hop’s pioneers and rap music’s most consequential artists. It argues that the structural evacuation of the voices of its founders and organic intellectuals in the postmodern theorization of Hip Hop has foreclosed the culture’s ethical values and political goals from scholarly view, undermining its unity and progress. Through a historically informed critique of the hegemonic theoretical framework in Hip Hop Studies, and a re-centering of the culture’s fundamental proscription against ‘biting,' this book articulates and defends the aesthetic and ethical values of Hip Hop against their concealment and subversion by an academic discourse that merely ‘samples’ the culture for its own reactionary ends.