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Who S Who Of British Jazz


Who S Who Of British Jazz
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Who S Who Of British Jazz


Who S Who Of British Jazz
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Author : John Chilton
language : en
Publisher: Burns & Oates
Release Date : 1997

Who S Who Of British Jazz written by John Chilton and has been published by Burns & Oates this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Biography & Autobiography categories.


"In this comprehensive survey, John Chilton brings his world renowned research skills to assembling the first ever full-length reference work devoted to the biographies of British jazz musicians. In over 850 career summaries he details the work of musicians from every era of British jazz, ranging from those who played professionally before 1920 at the dawn of jazz in Britain, through to today's young stars. Much new information is revealed on the early careers of those who became famous and the chronological listing of events in each subject's life sheds new light on the development of jazz in the United Kingdom."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved



Who S Who Of British Jazz


Who S Who Of British Jazz
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Author : John Chilton
language : en
Publisher: Bloomsbury Publishing
Release Date : 2004-05-01

Who S Who Of British Jazz written by John Chilton and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-05-01 with Social Science categories.


Chilton details the work of musicians from every era of British jazz, ranging from those who played professionally before 1920 to today's young jazz stars.



Who S Who Of Jazz


Who S Who Of Jazz
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Author : John Chilton
language : en
Publisher:
Release Date : 1970

Who S Who Of Jazz written by John Chilton and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1970 with categories.




Black British Jazz


Black British Jazz
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Author : Dr Jason Toynbee
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2014-08-28

Black British Jazz written by Dr Jason Toynbee and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-08-28 with Music categories.


Black British musicians have been making jazz since around 1920. This book reveals their hidden history and major contribution to the development of jazz in the UK. The chapters show the importance of black British jazz in terms of musical hybridity and the cultural significance of race. The volume also provides a case study in how music of the African diaspora reverberates around the world, beyond the shores of the USA - the engine-house of global black music. It will engage scholars of music and cultural studies not only in Britain, but across the world.



Inside British Jazz


Inside British Jazz
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Author : Hilary Moore
language : en
Publisher: Routledge
Release Date : 2017-07-05

Inside British Jazz written by Hilary Moore and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


Inside British Jazz explores specific historical moments in British jazz history and places special emphasis upon issues of race, nation and class. Topics covered include the reception of jazz in Britain in the 1910s and 1920s, the British New Orleans jazz revival of the 1950s, the free jazz innovations of the Joe Harriott Quintet in the early 1960s, and the formation of the all-black jazz band, the Jazz Warriors, in 1985. Using both historical and ethnographical approaches, Hilary Moore examines the ways in which jazz, an African-American music form, has been absorbed and translated within Britain's social, political and musical landscapes. Moore considers particularly the ways in which music has created a space of expression for British musicians, allowing them to re-imagine their place within Britain's social fabric, to participate in transcontinental communities, and to negotiate a position of belonging within jazz narratives of race, nation and class. The book also champions the importance of studying jazz beyond the borders of the United States and contributes to a growing body of literature that will enrich mainstream jazz scholarship.



A History Of Jazz In Britain 1919 1950


A History Of Jazz In Britain 1919 1950
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Author : Jim Godbolt
language : en
Publisher: Quartet Books (UK)
Release Date : 1984

A History Of Jazz In Britain 1919 1950 written by Jim Godbolt and has been published by Quartet Books (UK) this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Music categories.




The Godfather Of British Jazz


The Godfather Of British Jazz
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Author : Clark Tracey
language : en
Publisher: Equinox Publishing (UK)
Release Date : 2017

The Godfather Of British Jazz written by Clark Tracey and has been published by Equinox Publishing (UK) this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Jazz musicians categories.


This is the first book about the life of jazz pianist and composer Stan Tracey CBE (1926-2013). Drawn largely from his personal diaries and some of his many interviews, his son Clark Tracey pieces together what made the late Stan Tracey a unique character in jazz music. Stan's wit and wisdom also come shining through in abundance in this long overdue account of one of the UK's most important jazz musicians. In a career that spanned 70 years, Stan Tracey recalls his earliest memories in war torn London and his first experiences of hearing jazz. As a teenager, he joined ENSA and the RAF Gang Show and for the next three years played at more venues than many musicians do in a lifetime. Once demobbed, Stan befriends pianist Eddie Thomson, vibist and drummer Victor Feldman and clarinettist Vic Ash and begins his career in music. He toured with Kenny Baker's band and the Kirchin Band before joining the Ted Heath Orchestra, then began recording under his own name. He was asked by Ronnie Scott to be the house pianist at Scott's new club, where Stan's legendary status grew for the next six years. He accompanied giants of American jazz such as Stan Getz, Sonny Rollins, Roland Kirk, Dexter Gordon, Freddie Hubbard and many others. During this period he wrote and recorded the seminal album Under Milk Wood, which to this day remains his best selling work. Stan left Ronnie's club following a drug addiction and in the 1970s found himself penniless. His wife Jackie employed her skill in the music business as an A&R from previous years and began presenting concerts to keep Stan afloat, as he formed new musical friendships in the free/improvised idiom at that time, such as Mike Osborne and Keith Tippett. Commissions for suites emerged and Stan's writing skills found an outlet again through the formation of his various groups that were to last for nearly 30 years. Stan's achievements and awards are ample and in many cases unique. Recipient of an OBE and a CBE, Stan also received several lifetime achievement awards and in his last year became the first recipient of the Ivor Novello Jazz Award. The book includes a complete discography of all commercial recordings featuring Stan Tracey, compiled by Stephen Didymus.



The Evolution Of Jazz In Britain 1880 1935


The Evolution Of Jazz In Britain 1880 1935
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Author : Catherine Tackley (nee Parsonage)
language : en
Publisher: Routledge
Release Date : 2017-07-05

The Evolution Of Jazz In Britain 1880 1935 written by Catherine Tackley (nee Parsonage) and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


As a popular music, the evolution of jazz is tied to the contemporary sociological situation. Jazz was brought from America into a very different environment in Britain and resulted in the establishment of parallel worlds of jazz by the end of the 1920s: within the realms of institutionalized culture and within the subversive underworld. Tackley (nParsonage) demonstrates the importance of image and racial stereotyping in shaping perceptions of jazz, and leads to the significant conclusion that the evolution of jazz in Britain was so much more than merely an extension or reflection of that in America. The book examines the cultural and musical antecedents of the genre, including minstrel shows and black musical theatre, within the context of musical life in Britain in the late nineteenth and early twentieth centuries. Tackley is particularly concerned with the public perception of jazz in Britain and provides close analysis of the early European critical writing on the subject. The processes through which an evolution took place are considered by looking at the methods of introducing jazz in Britain, through imported revue shows, sheet music, and visits by American musicians. Subsequent developments are analysed through the consideration of modernism and the Jazz Age as theoretical constructs and through the detailed study of dance music on the BBC and jazz in the underworld of London. The book concludes in the 1930s by which time the availability of records enabled the spread of 'hot' music, affecting the live repertoire in Britain. Tackley therefore sheds entirely new light on the development of jazz in Britain, and provides a deep social and cultural understanding of the early history of the genre.



Black British Jazz


Black British Jazz
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Author : Jason Toynbee
language : en
Publisher: Routledge
Release Date : 2016-04-15

Black British Jazz written by Jason Toynbee and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-15 with Music categories.


Black British musicians have been making jazz since around 1920 when the genre first arrived in Britain. This groundbreaking book reveals their hidden history and major contribution to the development of jazz in the UK. More than this, though, the chapters show the importance of black British jazz in terms of musical hybridity and the cultural significance of race. Decades before Steel Pulse, Soul II Soul, or Dizzee Rascal pushed their way into the mainstream, black British musicians were playing jazz in venues up and down the country from dance halls to tiny clubs. In an important sense, then, black British jazz demonstrates the crucial importance of musical migration in the musical history of the nation, and the links between popular and avant-garde forms. But the volume also provides a case study in how music of the African diaspora reverberates around the world, beyond the shores of the USA - the engine-house of global black music. As such it will engage scholars of music and cultural studies not only in Britain, but across the world.



Circular Breathing


Circular Breathing
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Author : George McKay
language : en
Publisher: Duke University Press
Release Date : 2005-11-23

Circular Breathing written by George McKay and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-11-23 with Music categories.


In Circular Breathing, George McKay, a leading chronicler of British countercultures, uncovers the often surprising ways that jazz has accompanied social change during a period of rapid transformation in Great Britain. Examining jazz from the founding of George Webb’s Dixielanders in 1943 through the burgeoning British bebop scene of the early 1950s, the Beaulieu Jazz Festivals of 1956–61, and the improvisational music making of the 1960s and 1970s, McKay reveals the connections of the music, its players, and its subcultures to black and antiracist activism, the Campaign for Nuclear Disarmament, feminism, and the New Left. In the process, he provides the first detailed cultural history of jazz in Britain. McKay explores the music in relation to issues of whiteness, blackness, and masculinity—all against a backdrop of shifting imperial identities, postcolonialism, and the Cold War. He considers objections to the music’s spread by the “anti-jazzers” alongside the ambivalence felt by many leftist musicians about playing an “all-American” musical form. At the same time, McKay highlights the extraordinary cultural mixing that has defined British jazz since the 1950s, as musicians from Britain’s former colonies—particularly from the Caribbean and South Africa—have transformed the genre. Circular Breathing is enriched by McKay’s original interviews with activists, musicians, and fans and by fascinating images, including works by the renowned English jazz photographer Val Wilmer. It is an invaluable look at not only the history of jazz but also the Left and race relations in Great Britain.