Women In Chinese Martial Arts Films Of The New Millennium


Women In Chinese Martial Arts Films Of The New Millennium
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Women In Chinese Martial Arts Films Of The New Millennium


Women In Chinese Martial Arts Films Of The New Millennium
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Author : Ya-chen Chen
language : en
Publisher: Lexington Books
Release Date : 2012

Women In Chinese Martial Arts Films Of The New Millennium written by Ya-chen Chen and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Electronic books categories.


Women and Gender in Chinese Martial Arts Films of the New Millennium, by Ya-chen Chen, is an excavation of underexposed gender issues focusing mainly on contradictory and troubled feminism in the film narratives. In the cinematic world of martial arts films, one can easily find representations of women of Ancient China released from the constraints of patriarchal social order to revel in a dreamlike space of their own. They can develop themselves, protect themselves, and even defeat or conquer men. This world not only frees women from the convention of foot-binding, but it also "unbinds" them in terms of education, critical thinking, talent, ambition, opportunities to socialize with different men, and the freedom or right to both choose their spouse and decide their own fate. Chen calls this phenomenon "Chinese cinematic martial arts feminism." The liberation is never sustaining or complete, however; Chen reveals the presence of a glass ceiling marking the maximal exercise of feminism and women's rights which the patriarchal order is willing to accept. As such, these films are not to be seen as celebrations of feminist liberation, but as enunciations of the patriarchal authority that suffuses "Chinese cinematic martial arts feminism."



Chinese Martial Arts Film And The Philosophy Of Action


Chinese Martial Arts Film And The Philosophy Of Action
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Author : Stephen Teo
language : en
Publisher: Routledge
Release Date : 2021-03-30

Chinese Martial Arts Film And The Philosophy Of Action written by Stephen Teo and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-03-30 with Social Science categories.


This book focuses on the philosophy of Chinese martial arts film, arguing that philosophy provides a key to understanding the whole genre. It draws on Chinese philosophical ideas derived from, or based on, Confucianism, Daoism, Buddhism, and other schools of thought such as Mohism and Legalism, examines a cluster of recent Chinese martial arts films centering on the figure of the xia—the heroic protagonist, the Chinese equivalent of medieval Europe’s knight-errant—and outlines the philosophical principles and themes undergirding the actions of xia and their narratives. Overall, the author argues that the genre, apart from being an action-oriented entertainment medium, is inherently moral and ethical.



King Hu S Kung Fu Cinematic Art


King Hu S Kung Fu Cinematic Art
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Author : Ya-chen Chen
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2024-04-03

King Hu S Kung Fu Cinematic Art written by Ya-chen Chen and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-04-03 with Performing Arts categories.


This scholarly compendium offers a comprehensive analysis of King Hu’s transformative impact on Chinese martial arts cinema. It begins with a foundational examination of King Hu’s directorial influence, setting the stage for an in-depth exploration of his filmography, including critical works like Dragon Inn and A Touch of Zen. The volume employs advanced theoretical frameworks, such as David Bordwell’s film poetics, to dissect King Hu’s pervasive influence across generations of filmmakers, and the analysis of cultural translation and subtitling practices further illuminates the global dissemination and reception of Hu’s films. A critical focus is placed on King Hu’s oeuvre, analyzing its adaptability and intertextual resonance within broader artistic milieus. The book also critiques Hu’s representation of women in martial arts cinema, interrogating both progressive and problematic elements. Concluding sections emphasize Hu’s mastery in marrying classical Chinese narrative techniques with visual storytelling, highlighting his enduring legacy in the martial arts genre and global cinematic landscape. This volume asserts King Hu as a pivotal cultural auteur, whose work continues to shape cinematic expression and discourse, making it an essential resource for scholars in film studies and aficionados of wuxia cinema.



The Invention Of Martial Arts


The Invention Of Martial Arts
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Author : Paul Bowman
language : en
Publisher: Oxford University Press, USA
Release Date : 2021

The Invention Of Martial Arts written by Paul Bowman and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Performing Arts categories.


"The Invention of Martial Arts examines the media history of what we now call 'martial arts' and argues that martial arts is a cultural construction that was born in film, TV and other media. It argues that 'martial arts' exploded into popular consciousness entirely thanks to the work of media. Of course, the book does not deny the existence of real, material histories and non-media dimensions in martial arts practices. But it thoroughly recasts the status of such histories, combining recent myth-busting findings in historical martial arts research with important insights into the discontinuous character of history, the widespread 'invention of tradition', the orientalism and imagined geographies that animate many ideas about history, and the frequent manipulation of history for reasons of status, cultural capital, private or public power, politics, and/or financial gain. In doing so, The Invention of Martial Arts argues for the primacy of media representation as key player in the emergence and spread of martial arts. This argument overturns the dominant belief that 'real practices' are primary, while representations are secondary. The book makes its case via historical analysis of the British media history of such Eastern and Western martial arts as Bartitsu, jujutsu, judo, karate, tai chi and MMA across a range of media, from newspapers, comics and books to cartoon, film and TV series, as well as television adverts and music videos, focusing on key but often overlooked texts such as adverts for 'Hai Karate', the 1970s disco hit 'Kung Fu Fighting', and many other mainstream and marginal media texts"--



Victims Perpetrators And Professionals


Victims Perpetrators And Professionals
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Author : Tingting Hu
language : en
Publisher: Liverpool University Press
Release Date : 2021-06-07

Victims Perpetrators And Professionals written by Tingting Hu and has been published by Liverpool University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-06-07 with Social Science categories.


This book examines the representation of women in relation to violence in Chinese crime films made on the mainland, and in Hong Kong and Taiwan. It introduces a new trajectory in the investigation of the cinematic representation of female figures in relation to gender issues by interweaving Western feminist and postfeminist critiques with traditional Chinese sociocultural discourse. An in-depth narrative identifies three major representations of women: the female victim, the female perpetrator of violence, and the female professional. Salience to contemporary society shows up in many ways, passive and active, all of which reinforce a sense of male dominance and patriarchal power. Analysis bridges the gap in the field of female representation in Chinese culture/Chinese film studies by systematically examining Chinese crime films as a genre in its own right. The depiction of female victimisation at the hands of men in the selected crime films consolidates the notion of women's vulnerability and inferiority as perceived in Chinese gender discourse. On the other hand, the representation of active female perpetrators of violence, and as professional working women, presents what may be seen as a postfeminist masquerade a cultural strategy that shows an ostensible impression of female empowerment albeit that it reinforces traditional gender hierarchies in the Chinese gender context. While graphic female victimisation is commonly presented, female perpetrators of violence and females in professional roles in crime films are shown to remain under the control of male authority, leading to the conclusion that Chinese crime films are produced in a context of heavy patriarchal power and misogyny.



The Chinese Cinema Book


The Chinese Cinema Book
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Author : Song Hwee Lim
language : en
Publisher: Bloomsbury Publishing
Release Date : 2020-04-30

The Chinese Cinema Book written by Song Hwee Lim and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-04-30 with Performing Arts categories.


This revised and updated new edition provides a comprehensive introduction to the history of cinema in mainland China, Hong Kong and Taiwan, as well as to disaporic and transnational Chinese film-making, from the beginnings of cinema to the present day. Chapters by leading international scholars are grouped in thematic sections addressing key historical periods, film movements, genres, stars and auteurs, and the industrial and technological contexts of cinema in Greater China.



Wanton Women In Late Imperial Chinese Literature


Wanton Women In Late Imperial Chinese Literature
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Author :
language : en
Publisher: BRILL
Release Date : 2017-04-18

Wanton Women In Late Imperial Chinese Literature written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-04-18 with Social Science categories.


In Wanton Women in Late-Imperial Chinese Literature, the essay contributors explore how from the late Ming onward images of sexually transgressive women developed across a range of genres as women and men addressed tensions between past ideals and lived worlds.



Religious Violence Today 2 Volumes


Religious Violence Today 2 Volumes
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Author : Michael Jerryson
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2020-07-15

Religious Violence Today 2 Volumes written by Michael Jerryson and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-07-15 with Religion categories.


Through sections containing overview essays and reference entries related to particular religions, this resource explores the rise of religious violence, hate crime, and persecution around the world. Religious violence and persecution have been growing steadily both within the United States and around the world. Drawing on the expertise of a wide range of scholars, this current and comprehensive reference helps readers understand the persecution of members of particular faiths as well as violence committed by members of those faiths. In doing so, it promotes a greater understanding of the role of religion in global politics, domestic and international terrorism, and religious bigotry. The book contains sections on particular religious traditions from around the world. Each section begins with an overview essay surveying violence related to that particular religion, whether committed by or against members of that faith. Reference entries in each section then provide objective, fundamental information about particular topics related to violence and the religion discussed. The entries provide cross-references and suggestions for further reading, and the work closes with a bibliography of resources for further study.



The Taiwanese Cinematization Of Feminine Writing


The Taiwanese Cinematization Of Feminine Writing
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Author : Ya-chen Chen
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2022-09-30

The Taiwanese Cinematization Of Feminine Writing written by Ya-chen Chen and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-09-30 with Social Science categories.


A number of Taiwanese scholars gate-kept, filtered, selected, and strategized to transfer Luce Irigaray’s, Hélène Cixous’s, and Julia Kristeva’s French feminist theories into their own national context by exerting their cross-lingual and cross-cultural academic power in the 1990s. They also reshaped, localized, acculturated, marketed, and Taiwanized these French feminist theories, which was essential for Taiwanese academia. According to French feminist literary theories, écriture féminine (“feminine writing”) refers to women’s own written self-expression used to escape from the patriarchal language system. Beginning with a description of the acculturation of French feminist literary theories, this book highlights how women’s own spoken voices or autobiographical written expressions appear in Taiwanese cinematic works when the camera is compared to the cinematic pen. It analytically digest the écriture féminine of parler-femme in the Taiwanese films The Butcher’s Wife, Taste of Life, Sex Appeal, and Ghosted.



King Hu S Kung Fu Cinematic Art


King Hu S Kung Fu Cinematic Art
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Author : Ya-chen Chen
language : en
Publisher:
Release Date : 2024-05

King Hu S Kung Fu Cinematic Art written by Ya-chen Chen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-05 with categories.


This scholarly compendium offers a comprehensive analysis of King Hu's transformative impact on Chinese martial arts cinema. It begins with a foundational examination of King Hu's directorial influence, setting the stage for an in-depth exploration of his filmography, including critical works like Dragon Inn and A Touch of Zen. The volume employs advanced theoretical frameworks, such as David Bordwell's film poetics, to dissect King Hu's pervasive influence across generations of filmmakers, and the analysis of cultural translation and subtitling practices further illuminates the global dissemination and reception of Hu's films. A critical focus is placed on King Hu's oeuvre, analyzing its adaptability and intertextual resonance within broader artistic milieus. The book also critiques Hu's representation of women in martial arts cinema, interrogating both progressive and problematic elements. Concluding sections emphasize Hu's mastery in marrying classical Chinese narrative techniques with visual storytelling, highlighting his enduring legacy in the martial arts genre and global cinematic landscape. This volume asserts King Hu as a pivotal cultural auteur, whose work continues to shape cinematic expression and discourse, making it an essential resource for scholars in film studies and aficionados of wuxia cinema.