Women In Italian Renaissance Art


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Women In Italian Renaissance Art

Women In Italian Renaissance Art Author by : Paola Tinagli
Languange Used : en
Release Date : 1997-06-15
Publisher by : Manchester University Press
ISBN : 071904054X
File Size : 46,7 Mb
Total Download : 710

This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.
Category: Art

Italian Women Artists

Italian Women Artists Author by : Jordana Pomeroy
Languange Used : en
Release Date : 2007-05-29
Publisher by : Skira - Berenice
ISBN : UOM:39015069290487
File Size : 55,5 Mb
Total Download : 523

Why are women artists of the Italian Renaissance and Baroque so relatively unknown today when, during their lifetimes, their artistic merits were celebrated by their foremost contemporaries? Italian Women Artists of the Renaissance and Baroque aims to provide the first survey of women professionally active as painters, engravers and sculptors in 16th and 17th century Italy, and to document the sociocultural context that contributed to shape their lives and oeuvres. This catalogue, published in association with the travelling exhibition which opens at the National Museum of Women in the Arts in
Category: Art

Picturing Women In Late Medieval And Renaissance Art

Picturing Women In Late Medieval And Renaissance Art Author by : Christa Grössinger
Languange Used : en
Release Date : 1997
Publisher by : Manchester University Press
ISBN : 0719041090
File Size : 55,5 Mb
Total Download : 471

This extensively illustrated book discusses the representation of women in the art of the late Middle Ages in Northern Europe. Drawing on a wide range of different media, but making particular use of the rich plethora of woodcuts, the author charts how the images of women hanged during the period and proposes two basic categories - the Virgin and Eve, good and evil. Within these, however, we discover attitudes to sinful, foolish, married and unmarried women and the style and use of these images exposes the full extend of the misogyny entrenched in medieval society.
Category: Art
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