Women In War Films


Women In War Films
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Women In War Films


Women In War Films
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Author : Ralph Donald
language : en
Publisher: Rowman & Littlefield
Release Date : 2014-04-04

Women In War Films written by Ralph Donald and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-04-04 with Performing Arts categories.


War has been depicted in cinema for more than a century, from early silent films to more recent blockbusters such as Saving Private Ryan and Lone Survivor. Most war films, especially combat films, are about men engaged in battle. But while Hollywood has reinforced the cultural stereotype of war as a man’s job, women have not been completely invisible in many of these films, whether waiting for their men to return home or standing shoulder to shoulder with their male counterparts on the battlefield. In Women in War Films: From Helpless Heroine to G.I. Jane, Ralph Donald and Karen MacDonald examine the representations of females in war throughout the history of film. They identify various types of women portrayed in these films, from home-front wives and daughters supporting their loved ones from afar to nurses and doctors stationed near the front lines of combat. The authors also look at depictions of foreign females who comfort homesick soldiers, ordinary women who unexpectedly encounter the enemy, female spies, and modern enlistees taking on roles traditionally reserved for men. Through these representations, the authors explore what war films say about the culture that created them and the social construction of reality that these films assert. The book covers an array of war films distributed in the United States, including Hearts of the World, Wings, Mata Hari, Mrs. Miniver, Casablanca, Cry “Havoc,”Since You Went Away, The Best Years of Our Lives, From Here to Eternity, The Americanization of Emily, M*A*S*H, Coming Home, Courage under Fire, G.I. Jane, and Zero Dark Thirty. Featuring an extensive filmography, Women in War Films will appeal to scholars of gender studies, history, and film, as well as to readers interested in the evolving portrayals of females in military-related cinema.



The American Girl Goes To War


The American Girl Goes To War
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Author : Liz Clarke
language : en
Publisher: Rutgers University Press
Release Date : 2022-01-14

The American Girl Goes To War written by Liz Clarke and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-01-14 with Performing Arts categories.


During the 1910s, films about war often featured a female protagonist. The films portrayed women as spies, cross-dressing soldiers, and athletic defenders of their homes—roles typically reserved for men and that contradicted gendered-expectations of home-front women waiting for their husbands, sons, and brothers to return from battle. The representation of American martial spirit—particularly in the form of heroines—has a rich history in film in the years just prior to the American entry into World War I. The American Girl Goes to War demonstrates the predominance of heroic female characters in in early narrative films about war from 1908 to 1919. American Girls were filled with the military spirit of their forefathers and became one of the major ways that American women’s changing political involvement, independence, and active natures were contained by and subsumed into pre-existing American ideologies.



Heroism And Gender In War Films


Heroism And Gender In War Films
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Author : Karen A. Ritzenhoff
language : en
Publisher: Springer
Release Date : 2014-08-07

Heroism And Gender In War Films written by Karen A. Ritzenhoff and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-08-07 with Social Science categories.


Filmic constructions of war heroism have a profound impact on public perceptions of conflicts. Here, contributors examine the ways motifs of gender and heroism in war films are used to justify ideological positions, shape the understanding of the military conflicts, support political agendas and institutions, and influence collective memory.



Soldiers Stories


Soldiers Stories
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Author : Yvonne Tasker
language : en
Publisher: Duke University Press
Release Date : 2011-08-08

Soldiers Stories written by Yvonne Tasker and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-08-08 with History categories.


A comprehensive analysis of the changing representations of military women in American and British movies and TV programs from the Second World War to the present.



A Century In Uniform


A Century In Uniform
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Author : Stacy Fowler
language : en
Publisher: McFarland
Release Date : 2020-01-17

A Century In Uniform written by Stacy Fowler and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-01-17 with Performing Arts categories.


 From silents of the early American motion picture era through 21st century films, this book offers a decade-by-decade examination of portrayals of women in the military. The full range of genres is explored, along with films created by today's military women about their experiences. Laws regarding women in the service are analyzed, along with discussion of the challenges they have faced in the push for full participation and of the changing societal attitudes through the years.



New Perspectives On The War Film


New Perspectives On The War Film
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Author : Clémentine Tholas
language : en
Publisher: Springer Nature
Release Date : 2019-09-14

New Perspectives On The War Film written by Clémentine Tholas and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-09-14 with Performing Arts categories.


New Perspectives on the War Film addresses the gap in the representation of many forgotten faces of war in mainstream movies and global mass media. The authors concentrate on the untold narratives of those who fought in combat and were affected by its brutal consequences. Chapters discuss the historically under-represented stories of individuals including women, African-American and Indigenous Soldiers. Issues of homosexuality and gender relations in the military, colonial subjects and child soldiers, as well as the changing nature of war via terrorism and bioterrorism are closely analyzed. The contributors demonstrate how these viewpoints have been consistently ignored in mainstream, blockbuster war sagas and strive to re-integrate these lost perspectives into current and future narratives.



The War Film


The War Film
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Author : Robert T. Eberwein
language : en
Publisher: Rutgers University Press
Release Date : 2005

The War Film written by Robert T. Eberwein and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Performing Arts categories.


War has had a powerful impact on the film industry, while at the same time motion pictures can influence wartime behaviour & shape our perception of the historical record. This book collects essays that use a variety of critical approaches to explore this film genre.



The World War Ii Combat Film


The World War Ii Combat Film
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Author : Jeanine Basinger
language : en
Publisher: Wesleyan University Press
Release Date : 2003-05-15

The World War Ii Combat Film written by Jeanine Basinger and has been published by Wesleyan University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-05-15 with History categories.


Lively, comprehensive analysis of World War II movies.



Women And Martyrdom In Stalinist War Cinema


Women And Martyrdom In Stalinist War Cinema
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Author : Mozhgan Samadi
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2024-04-03

Women And Martyrdom In Stalinist War Cinema written by Mozhgan Samadi and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-04-03 with Performing Arts categories.


The key question asked in this book is, how did Stalinist war cinema present Soviet women's resistance against the Nazi forces during World War II? This book challenges those scholarly works which support the idea of the compatibility of femininity and combat under Stalinism. Despite the Soviet regime’s claim of being opposed to any religious heritage, this book reveals how Stalinist cinema drew on Russian religious tradition and culture in the creation of cinematic representations of Soviet women during WWII. Further, the book shows how the adoption of Russian cultural and religious heritage in Soviet war cinema served Stalinist collective identity-construction policies and state-citizen relations. In so doing, this study contributes to a range of fields within Russian and Soviet studies, including gender studies, cinema studies, Soviet modernity, and the study of identity-construction and state-nation relations. Whilst this book is aimed at researchers and academics, it provides a supplementary source for undergraduate and postgraduate students of Soviet/Russian studies.



World War Ii Film And History


World War Ii Film And History
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Author : John Whiteclay Chambers II
language : en
Publisher: Oxford University Press
Release Date : 1996-10-10

World War Ii Film And History written by John Whiteclay Chambers II and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-10-10 with Performing Arts categories.


The immediacy and perceived truth of the visual image, as well as film and television's ability to propel viewers back into the past, place the genre of the historical film in a special category. War films--including antiwar films--have established the prevailing public image of war in the twentieth century. For American audiences, the dominant image of trench warfare in World War I has been provided by feature films such as All Quiet on the Western Front and Paths of Glory. The image of combat in the Second World War has been shaped by films like Sands of Iwo Jima and The Longest Day. And despite claims for the alleged impact of widespread television coverage of the Vietnam War, it is actually films such as Apocalypse Now and Platoon which have provided the most powerful images of what is seen as the "reality" of that much disputed conflict. But to what degree does history written "with lightning," as Woodrow Wilson allegedly said, represent the reality of the past? To what extent is visual history an oversimplification, or even a distortion of the past? Exploring the relationship between moving images and the society and culture in which they were produced and received, World War II, Film, and History addresses the power these images have had in determining our perception and memories of war. Examining how the public memory of war in the twentieth century has often been created more by a manufactured past than a remembered one, a leading group of historians discusses films dating from the early 1930s through the early 1990s, created by filmmakers the world over, from the United States and Germany to Japan and the former Soviet Union. For example, Freda Freiberg explains how the inter-racial melodramatic Japanese feature film China Nights, in which a manly and protective Japanese naval officer falls in love with a beautiful young Chinese street waif and molds her into a cultured, submissive wife, proved enormously popular with wartime Japanese and helped justify the invasion of China in the minds of many Japanese viewers. Peter Paret assesses the historical accuracy of Kolberg as a depiction of an unsuccessful siege of that German city by a French Army in 1807, and explores how the film, released by Hitler's regime in January 1945, explicitly called for civilian sacrifice and last-ditch resistance. Stephen Ambrose contrasts what we know about the historical reality of the Allied D-Day landings in Normandy on June 6, 1944, with the 1962 release of The Longest Day, in which the major climactic moment in the film never happened at Normandy. Alice Kessler-Harris examines The Life and Times of Rosie the Riveter, a 1982 film documentary about women defense workers on the American home front in World War II, emphasizing the degree to which the documentary's engaging main characters and its message of the need for fair and equal treatment for women resonates with many contemporary viewers. And Clement Alexander Price contrasts Men of Bronze, William Miles's fine documentary about black American soldiers who fought in France in World War I, with Liberators, the controversial documentary by Miles and Nina Rosenblum which incorrectly claimed that African-American troops liberated Holocaust survivors at Dachau in World War II. In today's visually-oriented world, powerful images, even images of images, are circulated in an eternal cycle, gaining increased acceptance through repetition. History becomes an endless loop, in which repeated images validate and reconfirm each other. Based on archival materials, many of which have become only recently available, World War II, Film, and History offers an informative and a disturbing look at the complex relationship between national myths and filmic memory, as well as the dangers of visual images being transformed into "reality."