Women S Tanci Fiction In Late Imperial And Early Twentieth Century China
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Women S Tanci Fiction In Late Imperial And Early Twentieth Century China
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Author : Li Guo
language : en
Publisher: Purdue University Press
Release Date : 2015-07-15
Women S Tanci Fiction In Late Imperial And Early Twentieth Century China written by Li Guo and has been published by Purdue University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-15 with Literary Criticism categories.
In Women’s Tanci Fiction in Late Imperial and Early Modern China, Li Guo presents the first book-length study in English of women’s tanci fiction, the distinctive Chinese form of narrative written in rhymed lines during the late imperial to early modern period (related to, but different from, the orally performed version also called tanci) She explores the tradition through a comparative analysis of five seminal texts. Guo argues that Chinese women writers of the period position the personal within the diegesis in order to reconfigure their moral commitments and personal desires. By fashioning a “feminine” representation of subjectivity, tanci writers found a habitable space of self-expression in the male-dominated literary tradition.Through her discussion of the emergence, evolution, and impact of women’s tanci, Guo shows how historical forces acting on the formation of the genre serve as the background for an investigation of cross-dressing, self-portraiture, and authorial self-representation. Further, Guo approaches anew the concept of “woman-oriented perspective” and argues that this perspective conceptualizes a narrative framework in which the heroine (s) are endowed with mobility to exercise their talent and power as social beings as men’s equals. Such a woman-oriented perspective redefines normalized gender roles with an eye to exposing women’s potentialities to transform historical and social customs in order to engender a world with better prospects for women.
Writing Gender In Early Modern Chinese Women S Tanci Fiction
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Author : Li Guo
language : en
Publisher:
Release Date : 2021-06-15
Writing Gender In Early Modern Chinese Women S Tanci Fiction written by Li Guo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-06-15 with categories.
Women's tanci, or "plucking rhymes," are chantefable narratives written by upper-class educated women from seventeenth-century to early twentieth-century China. Writing Gender in Early Modern Chinese Women's Tanci Fiction offers a timely study on early modern Chinese women's representations of gender, nation, and political activism in their tanci works before and after the Taiping Rebellion (1850 to 1864), as well as their depictions of warfare and social unrest. Women tanci authors' redefinition of female exemplarity within the Confucian orthodox discourses of virtue, talent, chastity, and political integrity could be bourgeoning expressions of female exceptionalism and could have foreshadowed protofeminist ideals of heroism. They establish a realistic tenor in affirming feminine domestic authority, and open up spaces for discussions of "womanly becoming," female exceptionalism, and shifting family power structures. The vernacular mode underlying these texts yields productive possibilities of gendered self-representations, bodily valences, and dynamic performances of sexual roles. The result is a vernacular discursive frame that enables women's appropriation and refashioning of orthodox moral values as means of self-affirmation and self-realization. Validations of women's political activism and loyalism to the nation attest to tanci as a premium vehicle for disseminating progressive social incentives to popular audiences. Women's tanci marks early modern writers' endeavors to carve out a space of feminine becoming, a discursive arena of feminine appropriation, reinvention, and boundary-crossings. In this light, women's tanci portrays gendered mobility through depictions of a heroine's voyages or social ascent, and entails a forward-moving historical progression toward a more autonomous and vested model of feminine subjectivity.
Women S Tanci Fiction In Late Imperial And Early Twentieth Century China
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Author : Li Guo
language : en
Publisher: Purdue University Press
Release Date : 2015
Women S Tanci Fiction In Late Imperial And Early Twentieth Century China written by Li Guo and has been published by Purdue University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Literary Criticism categories.
In Women's Tanci Fiction in Late Imperial and Early Modern China, Li Guo presents the first book-length study in English of women's tanci fiction, the distinctive Chinese form of narrative written in rhymed lines during the late imperial to early modern period (related to, but different from, the orally performed version also called tanci). She explores the tradition through a comparative analysis of five seminal texts. Guo argues that Chinese women writers of the period position the personal within the diegesis in order to reconfigure their moral commitments and personal desires. By fashioning a "feminine" representation of subjectivity, tanci writers found a habitable space of self-expression in the male-dominated literary tradition.Through her discussion of the emergence, evolution, and impact of women's tanci, Guo shows how historical forces acting on the formation of the genre serve as the background for an investigation of cross-dressing, self-portraiture, and authorial self-representation. Further, Guo approaches anew the concept of "woman-oriented perspective" and argues that this perspective conceptualizes a narrative framework in which the heroine (s) are endowed with mobility to exercise their talent and power as social beings as men's equals. Such a woman-oriented perspective redefines normalized gender roles with an eye to exposing women's potentialities to transform historical and social customs in order to engender a world with better prospects for women."This work will be a significant contribution to scholarship. Chinese women's tanci novels in late imperial Qing and early twentieth-century China are numerous in collections; however, their scholarly studies are still insufficient. This book covers some understudied tanci texts and sheds new insights in the studied area. It also brings in association study with other Chinese writing genres during the late Qing period, as well as comparative perspective within the world culture when possible." Qingyun Wu, California State University, Los Angeles
The New Woman In Early Twentieth Century Chinese Fiction
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Author : Jin Feng
language : en
Publisher:
Release Date : 2004
The New Woman In Early Twentieth Century Chinese Fiction written by Jin Feng and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with History categories.
Jin Feng proposes that representation of the "new woman" in Communist Chinese fiction of the earlier twentieth century was paradoxically one of the ways in which male writers of the era explored, negotiated, and laid claim to their own emerging identity as "modern" intellectuals.
Women In Imperial China
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Author : Bret Hinsch
language : en
Publisher: Rowman & Littlefield
Release Date : 2016-09-22
Women In Imperial China written by Bret Hinsch and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-09-22 with History categories.
This accessible text offers a comprehensive survey of women’s history in China from the Neolithic period through the end of the Qing dynasty in the early twentieth century. Rather than providing an exhaustive chronicle of this vast subject, Bret Hinsch pinpoints the themes that characterized distinct periods in Chinese women’s history and delves into the perception of female identity in each era. Moving beyond the traditional focus on the late imperial era, Hinsch explores how gender relations have developed and changed since ancient times. His chronological look at the most important female roles in every major dynasty showcases not only the constraints women faced but also their vast accomplishments throughout the millennia. Hinsch’s extensive use of Chinese-language scholarship lends his book a fresh perspective rare among Western scholars. Professors and students will find this an invaluable textbook for Chinese women’s studies and an excellent supplement for courses in gender studies and Chinese history.
Imagining Sisterhood In Modern Chinese Texts 1890 1937
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Author : Yun Zhu
language : en
Publisher: Rowman & Littlefield
Release Date : 2017-03-16
Imagining Sisterhood In Modern Chinese Texts 1890 1937 written by Yun Zhu and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-03-16 with Literary Criticism categories.
This book investigates sisterhood as a converging thread that wove female subjectivities and intersubjectivities into a larger narrative of Chinese modernity embedded in a newly conceived global context. It focuses on the period between the late Qing reform era around the turn of the twentieth century and the outbreak of the Second Sino-Japanese War in 1937, which saw the emergence of new ways of depicting Chinese womanhood in various kinds of media. In a critical hermeneutic approach, Zhu combines an examination of an outside perspective (how narratives and images about sisterhood were mobilized to shape new identities and imaginations) with that of an inside perspective (how subjects saw themselves as embedded in or affected by the discourse and how they negotiated such experiences within texts or through writing). With its working definition of sisterhood covering biological as well as all kinds of symbolic and metaphysical connotations, this book exams the literary and cultural representations of this elastic notion with attention to, on the one hand, a supposedly collective identity shared by all modern Chinese female subjects and, on the other hand, the contesting modes of womanhood that were introduced through the juxtaposition of divergent “sisters.” Through an interdisciplinary approach that brings together historical materials, literary and cultural analysis, and theoretical questions, Zhu conducts a careful examination of how new identities, subjectivities and sentiments were negotiated and mediated through the hermeneutic circuits around “sisterhood.”
Interfamily Tanci Writing In Nineteenth Century China
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Author : Yu Zhang
language : en
Publisher: Lexington Books
Release Date : 2017-12-13
Interfamily Tanci Writing In Nineteenth Century China written by Yu Zhang and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-12-13 with Literary Criticism categories.
Employing an interdisciplinary approach, this is the first monograph to frame three once widely-read tanci fiction (a type of lyrical narrative) from nineteenth-century China, Meng ying yuan (1843), Yu xuan cao (1894), and Jing zhong zhuan (1895), as interrelated texts composed by three generation of members from one extended gentry family in South China. Based on the framework of family bonds, this book uses the three tanci works, authored by a mother, her daughter, and a nephew, to examine the history of how the changing aesthetics of tanci developed over China’s turbulent nineteenth century. It also demonstrates how the three writers used the genre of tanci to blur the boundaries of orthodox Confucian norms, in order to depict the evolving nature of gendered power relations at the dawn of China’s modernity.
Writing Women In Modern China
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Author : Amy D. Dooling
language : en
Publisher:
Release Date : 1998
Writing Women In Modern China written by Amy D. Dooling and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Fiction categories.
Introduces the works of less familiar women writers of the first three decades of the 20th century. The text also discusses work by more prominent authors from the late Qing (1890-1911) through to the Sino-Japanese war. The 22 works of fiction, drama, autobiogrphy, essays and poetry introduce women whose literary careers coincided with an era of tremendous social, political and cultural turbulence in China.
Women And Gender In Twentieth Century China
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Author : Paul J. Bailey
language : en
Publisher: Bloomsbury Publishing
Release Date : 2012-08-29
Women And Gender In Twentieth Century China written by Paul J. Bailey and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-08-29 with History categories.
Paul J. Bailey provides the first analytical study in English of Chinese women's experiences during China's turbulent twentieth century. Incorporating the very latest specialized research, and drawing upon Chinese cinema and autobiographical memoirs, this fascinating narrative account: - Explores the impact of political, social and cultural change on women's lives, and how Chinese women responded to such developments - Charts the evolution of gender discourses during this period - Illuminates both change and continuity in gender discourse and practice Approachable and authoritative, this is an essential overview for students, teachers and scholars of gender history, and anyone with an interest in modern Chinese history.
Gender And Subjectivities In Early Twentieth Century Chinese Literature And Culture
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Author : P. Zhu
language : en
Publisher: Springer
Release Date : 2015-06-10
Gender And Subjectivities In Early Twentieth Century Chinese Literature And Culture written by P. Zhu and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-10 with Literary Criticism categories.
Through both cultural and literary analysis, this book examines gender in relation to late Qing and modern Chinese intellectuals, including Mu Shiying, Bai Wei, and Lu Xun. Tackling important, previously neglected questions, Zhu ultimately shows the resilience and malleability of Chinese modernity through its progressive views on femininity.