Women Writers And Nineteenth Century Medievalism


Women Writers And Nineteenth Century Medievalism
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Women Writers And Nineteenth Century Medievalism


Women Writers And Nineteenth Century Medievalism
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Author : Clare Broome Saunders
language : en
Publisher: Springer
Release Date : 2009-02-02

Women Writers And Nineteenth Century Medievalism written by Clare Broome Saunders and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-02-02 with Literary Criticism categories.


Saunders uniquely explores how women poets, biographers, historians, and visual artists used medieval motifs, forms, and settings to enable them to comment more freely on controversial contemporary issues, such as war and gender roles.



Louisa Stuart Costello


Louisa Stuart Costello
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Author : Clare Broome Saunders
language : en
Publisher: Springer
Release Date : 2016-01-12

Louisa Stuart Costello written by Clare Broome Saunders and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-01-12 with Literary Criticism categories.


Louisa Stuart Costello (1799-1870) was a critically acclaimed poet, novelist, travel writer, historian, and artist. Here, Broom Saunders provides a wealth of extracts from her diverse writings, a rich source of information about the pioneering career of a professional woman writer, and insight into a nineteenth-century writing life.



Medieval Women Writers


Medieval Women Writers
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Author : Katharina M. Wilson
language : en
Publisher: University of Georgia Press
Release Date : 1984

Medieval Women Writers written by Katharina M. Wilson and has been published by University of Georgia Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Literary Collections categories.


This is one of the first anthologies devoted to the writings of women in the Middle Ages. The fifteen women whose works are represented span seven centuries, eight languages, and ten regions or nationalities. Many are recognized, taught, and anthologized in their own countries but have been inaccessible to students in English. Others are little read today because their literary fortunes have paralleled fluctuations in literary taste and literary patronage. Katharina M. Wilson's introduction to the volume places these writers in historical context and explores the question of the female imagination and who these women were who were writing at a time when very few women were literate and most literature, sacred and secular, was penned by men. Each of the fifteen chapters has been written by a different scholar and includes a biographical and critical introduction to the writer, a representative selection of her works in translation, and a bibliography.



The Oxford Handbook Of Victorian Medievalism


The Oxford Handbook Of Victorian Medievalism
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Author : Joanne Parker
language : en
Publisher: Oxford University Press
Release Date : 2020-09-15

The Oxford Handbook Of Victorian Medievalism written by Joanne Parker and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-15 with Literary Criticism categories.


In 1859, the historian Lord John Acton asserted: 'two great principles divide the world, and contend for the mastery, antiquity and the middle ages'. The influence on Victorian culture of the 'Middle Ages' (broadly understood then as the centuries between the Roman Empire and the Renaissance) was both pervasive and multi-faceted. This 'medievalism' led, for instance, to the rituals and ornament of the Medieval Catholic church being reintroduced to Anglicanism. It led to the Saxon Witan being celebrated as a prototypical representative parliament. It resulted in Viking raiders being acclaimed as the forefathers of the British navy. And it encouraged innumerable nineteenth-century men to cultivate the superlative beards we now think of as typically 'Victorian'—in an attempt to emulate their Anglo-Saxon forefathers. Different facets of medieval life, and different periods before the Renaissance, were utilized in nineteenth-century Britain for divergent political and cultural agendas. Medievalism also became a dominant mode in Victorian art and architecture, with 75 per cent of churches in England built on a Gothic rather than a classical model. And it was pervasive in a wide variety of literary forms, from translated sagas to pseudo-medieval devotional verse to triple-decker novels. Medievalism even transformed nineteenth-century domesticity: while only a minority added moats and portcullises to their homes, the medieval-style textiles produced by Morris and Co. decorated many affluent drawing rooms. The Oxford Handbook of Victorian Medievalism is the first work to examine in full the fascinating phenomenon of 'medievalism' in Victorian Britain. Covering art, architecture, religion, literature, politics, music, and social reform, the Handbook also surveys earlier forms of antiquarianism that established the groundwork for Victorian movements. In addition, this collection addresses the international context, by mapping the spread of medievalism across Europe, South America, and India, amongst other places.



Fossil Poetry


Fossil Poetry
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Author : Chris Jones
language : en
Publisher: Oxford University Press
Release Date : 2018-08-09

Fossil Poetry written by Chris Jones and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-08-09 with Literary Criticism categories.


Fossil Poetry provides the first book-length overview of the place of Anglo-Saxon in nineteenth-century poetry in English. It addresses the use and role of Anglo-Saxon as a resource by Romantic and Victorian poets in their own compositions, as well as the construction and 'invention' of Anglo-Saxon in and by nineteenth-century poetry. Fossil Poetry takes its title from a famous passage on 'early' language in the essays of Ralph Waldo Emerson, and uses the metaphor of the fossil to contextualize poetic Anglo-Saxonism within the developments that had been taking place in the fields of geology, palaeontology, and the evolutionary life sciences since James Hutton's apprehension of 'deep time' in his 1788 Theory of the Earth. Fossil Poetry argues that two, roughly consecutive phases of poetic Anglo-Saxonism took place over the course of the nineteenth century: firstly, a phase of 'constant roots' whereby Anglo-Saxon is constructed to resemble, and so to legitimize a tradition of English Romanticism conceived as essential and unchanging; secondly, a phase in which the strangeness of many of the 'extinct' philological forms of early English is acknowledged, and becomes concurrent with a desire to recover and recuperate the fossils of Anglo-Saxon within contemporary English poetry. The volume advances new readings of work by a variety of poets including Walter Scott, Henry Longfellow, William Wordsworth, William Barnes, Walt Whitman, Ralph Waldo Emerson, William Morris, Alfred Tennyson, and Gerard Hopkins.



Romantic Women Writers And Arthurian Legend


Romantic Women Writers And Arthurian Legend
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Author : Katie Garner
language : en
Publisher: Springer
Release Date : 2017-12-11

Romantic Women Writers And Arthurian Legend written by Katie Garner and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-12-11 with Literary Criticism categories.


This book reveals the breadth and depth of women’s engagements with Arthurian romance in the late eighteenth and early nineteenth centuries. Tracing the variety of women’s responses to the medieval revival through Gothic literature, travel writing, scholarship, and decorative gift books, it argues that differences in the kinds of Arthurian materials read by and prepared for women produced a distinct female tradition in Arthurian writing. Examining the Arthurian interests of the best-selling female poets of the day, Felicia Hemans and Letitia Elizabeth Landon, and uncovering those of many of their contemporaries, the Arthurian myth in the Romantic period is a vibrant location for debates about the function of romance, the role of the imagination, and women’s place in literary history.



Women And Gothic


Women And Gothic
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Author : Maria Purves
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2014-03-17

Women And Gothic written by Maria Purves and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-03-17 with Art categories.


This small collection of essays explores women’s relationship with the gothic: a relationship which has, since its eighteenth-century beginnings, always been complex. These essays demonstrate some of the scope and diversity of that relationship, and much of its intensity: the ingenuity and genius employed, the anguish experienced and the risks taken, in its evolution. Genuinely representative of gothic’s flexibility and presence in everything from novels to architecture, from surrealist art to hypertext fiction, this volume brings new primary sources and topics to the reader’s attention, and will be of interest to anyone who wants to expand and challenge their understanding of how and why women engage with the gothic.



Romantic Women Writers And Arthurian Legend


Romantic Women Writers And Arthurian Legend
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Author : Katie Garner
language : en
Publisher: Palgrave Macmillan
Release Date : 2018-08-30

Romantic Women Writers And Arthurian Legend written by Katie Garner and has been published by Palgrave Macmillan this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-08-30 with Literary Criticism categories.


This book reveals the breadth and depth of women’s engagements with Arthurian romance in the late eighteenth and early nineteenth centuries. Tracing the variety of women’s responses to the medieval revival through Gothic literature, travel writing, scholarship, and decorative gift books, it argues that differences in the kinds of Arthurian materials read by and prepared for women produced a distinct female tradition in Arthurian writing. Examining the Arthurian interests of the best-selling female poets of the day, Felicia Hemans and Letitia Elizabeth Landon, and uncovering those of many of their contemporaries, the Arthurian myth in the Romantic period is a vibrant location for debates about the function of romance, the role of the imagination, and women’s place in literary history.



The Cambridge Companion To Medievalism


The Cambridge Companion To Medievalism
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Author : Louise D'Arcens
language : en
Publisher: Cambridge University Press
Release Date : 2016-03-10

The Cambridge Companion To Medievalism written by Louise D'Arcens and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-10 with History categories.


An introduction to medievalism offering a balance of accessibility and sophistication, with comprehensive overviews as well as detailed case studies.



Medieval Women S Writing


Medieval Women S Writing
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Author : Diane Watt
language : en
Publisher: John Wiley & Sons
Release Date : 2013-04-18

Medieval Women S Writing written by Diane Watt and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-18 with Literary Criticism categories.


Medieval Women's Writing is a major new contribution to our understanding of women's writing in England, 1100-1500. The most comprehensive account to date, it includes writings in Latin and French as well as English, and works for as well as by women. Marie de France, Clemence of Barking, Julian of Norwich, Margery Kempe, and the Paston women are discussed alongside the Old English lives of women saints, The Life of Christina of Markyate, the St Albans Psalter, and the legends of women saints by Osbern Bokenham. Medieval Women's Writing addresses these key questions: Who were the first women authors in the English canon? What do we mean by women's writing in the Middle Ages? What do we mean by authorship? How can studying medieval writing contribute to our understanding of women's literary history? Diane Watt argues that female patrons, audiences, readers, and even subjects contributed to the production of texts and their meanings, whether written by men or women. Only an understanding of textual production as collaborative enables us to grasp fully women's engagement with literary culture. This radical rethinking of early womens literary history has major implications for all scholars working on medieval literature, on ideas of authorship, and on women's writing in later periods. The book will become standard reading for all students of these debates.