Arte De Musica Theorica Y Pratica De Francisco De Montanos
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Arte De Musica Theorica Y Pratica
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Author : Francisco de Montanos
language : es
Publisher:
Release Date : 1592
Arte De Musica Theorica Y Pratica written by Francisco de Montanos and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1592 with categories.
Arte De Musica Theorica Y Pratica De Francisco De Montanos
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Author : Francisco de Montanos
language : es
Publisher:
Release Date : 1592
Arte De Musica Theorica Y Pratica De Francisco De Montanos written by Francisco de Montanos and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1592 with Music theory categories.
Francisco De Montanos S Arte De Musica Theorica Y Pratica
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Author : Dan M. Urquhart
language : en
Publisher:
Release Date : 2007
Francisco De Montanos S Arte De Musica Theorica Y Pratica written by Dan M. Urquhart and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Music theory categories.
Arte De Musica Theorica Y Pratica
DOWNLOAD
Author : Francisco de Montanos
language : es
Publisher:
Release Date : 1592
Arte De Musica Theorica Y Pratica written by Francisco de Montanos and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1592 with categories.
The Sounds And Sights Of Performance In Early Music
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Author : BrianE. Power
language : en
Publisher: Routledge
Release Date : 2017-07-05
The Sounds And Sights Of Performance In Early Music written by BrianE. Power and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
The experience of music performance is always far more than the sum of its sounds, and evidence for playing and singing techniques is not only inscribed in music notation but can also be found in many other types of primary source materials. This volume of essays presents a cross-section of new research on performance issues in music of the Middle Ages and Renaissance. The subject is approached from a broad perspective, drawing on areas such as dance history, art history, music iconography and performance traditions from beyond Western Europe. In doing so, the volume continues some of the many lines of inquiry pursued by its dedicatee, Timothy J. McGee, over a lifetime of scholarship devoted to practical questions of playing and singing early music. Expanding the bases of inquiry to include various social, political, historical or aesthetic backgrounds both broadens our knowledge of the issues pertinent to early music performance and informs our understanding of other cultural activities within which music played an important role. The book is divided into two parts: 'Viewing the Evidence' in which visually based information is used to address particular questions of music performance; and 'Reconsidering Contexts' in which diplomatic, commercial and cultural connections to specific repertories or compositions are considered in detail. This book will be of value not only to specialists in early music but to all scholars of the Middle Ages and Renaissance whose interests intersect with the visual, aural and social aspects of music performance.
With Passionate Voice
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Author : Robert Toft
language : en
Publisher: Oxford University Press
Release Date : 2014-12-01
With Passionate Voice written by Robert Toft and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-12-01 with Music categories.
Musicians in the 16th century had a vastly different understanding of the structure and performance of music than today's performers. In order to transform inexpressively notated music into passionate declamation, Renaissance singers treated scores freely, and it was expected that each would personalize the music through various modifications, which included ornamentation. Their role was one of musical re-creation rather than of simple interpretation--the score represented a blueprint, not a master plan, upon which they as performer built the music. As is now commonly recognized, this flexible approach to scores changed over the centuries; the notation on the page itself became an ostensible musical Urtext and performers began following it much more closely, their sole purpose being to reproduce what was thought to be the composer's intentions. Yet in recent years, scholars and performers are once again freeing themselves from the written page--but the tools for doing so have long been out of reach. With Passionate Voice gives these tools to modern singers of Renaissance music, enabling them to learn and master the art of "re-creative singing." Providing a much-needed historically-informed perspective, author Robert Toft discusses the music of composers ranging from Marchetto Cara to John Dowland in the context of late Renaissance rhetoric, modal theory (and its antecedents in language), and performance traditions. Focusing on period practice in England and Italy, the two countries which produced the music of greatest interest to today's performers, Toft reconstructs the style of sung delivery through contemporary treatises on music, rhetoric and oratory. Toft remains faithful to the ways these principles were explained in the period, and thus breathes new life into this vital art form. With Passionate Voice is sure to be essential for vocalists, teachers and coaches of early music repertoire.
Studies In Historical Improvisation
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Author : Massimiliano Guido
language : en
Publisher: Taylor & Francis
Release Date : 2017-01-06
Studies In Historical Improvisation written by Massimiliano Guido and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-01-06 with Music categories.
In recent years, scholars and musicians have become increasingly interested in the revival of musical improvisation as it was known in the Renaissance and Baroque periods. This historically informed practice is now supplanting the late Romantic view of improvised music as a rhapsodic endeavour—a musical blossoming out of the capricious genius of the player—that dominated throughout the twentieth century. In the Renaissance and Baroque eras, composing in the mind (alla mente) had an important didactic function. For several categories of musicians, the teaching of counterpoint happened almost entirely through practice on their own instruments. This volume offers the first systematic exploration of the close relationship among improvisation, music theory, and practical musicianship from late Renaissance into the Baroque era. It is not a historical survey per se, but rather aims to re-establish the importance of such a combination as a pedagogical tool for a better understanding of the musical idioms of these periods. The authors are concerned with the transferral of historical practices to the modern classroom, discussing new ways of revitalising the study and appreciation of early music. The relevance and utility of such an improvisation-based approach also changes our understanding of the balance between theoretical and practical sources in the primary literature, as well as the concept of music theory itself. Alongside a word-centred theoretical tradition, in which rules are described in verbiage and enriched by musical examples, we are rediscovering the importance of a music-centred tradition, especially in Spain and Italy, where the music stands alone and the learner must distil the rules by learning and playing the music. Throughout its various sections, the volume explores the path of improvisation from theory to practice and back again.
Dance And Instrumental Diferencias In Spain During The 17th And Early 18th Centuries History And Background Music And Dance
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Author : Maurice Esses
language : en
Publisher: Pendragon Press
Release Date : 1992
Dance And Instrumental Diferencias In Spain During The 17th And Early 18th Centuries History And Background Music And Dance written by Maurice Esses and has been published by Pendragon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Juvenile Nonfiction categories.
V. 1. History and background, music and dance -- v. 2. Musical transcriptions -- v. 3. The notes in Spanish and other languages from the sources.
The Erudition Of Pedro Cerone About Some Non Musical Sources Of El Melopeo Y Maestro 1613
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Author : Christophe DUPRAZ
language : en
Publisher: Ediciones Universidad de Salamanca
Release Date : 2014-07-04
The Erudition Of Pedro Cerone About Some Non Musical Sources Of El Melopeo Y Maestro 1613 written by Christophe DUPRAZ and has been published by Ediciones Universidad de Salamanca this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-04 with Music categories.
Iberian Books Libros Ib Ricos Ib
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Author : Alexander S. Wilkinson
language : en
Publisher: BRILL
Release Date : 2010-05-17
Iberian Books Libros Ib Ricos Ib written by Alexander S. Wilkinson and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-05-17 with Reference categories.
This catalogue offers the first comprehensive listing of all books published in Spain, Portugal, Mexico and Peru or in Spanish or Portuguese before 1601. It describes over 19,000 bibliographically distinct items, with references to 100,000 surviving copies in over 1,200 libraries worldwide.